面朝

River Pang living in half-dark street to the Village, south side, Tuen left a small field, a largechun shu , a large cattleshuan zhuo .

庞清河住在路边半明半暗的地庄里，面朝南，屯子左边一爿小场，一棵大椿树，拴着一头大牛。

The alveolar cavities were made of single-layer capillary networks and the alveolar cavities varied in size. The alveolar cavities were half-hollow spheres, concave to outside and base to inside.

单层毛细血管网围成肺泡腔，腔体大小不一，伸展状态较好的肺泡呈现出凹面向外，底面朝内的半空心球状结构。

Dawn: When you've copied the first one, put the other one face down on the glass, press the button marked50% and you'll get a half-size copy.

道恩：第一份影印之后，把另一份面朝下放在玻璃上，按标明50%钮，影印本就只有一半大。

Place the units to the heated laminator.

把预先叠放好的光电构件以玻璃面朝下放入加热的层压机里。

However, because each player draws seven cards when a game begins, any player with fewer than seven cards in his or her deck will lose the subgame when state-based effects are checked during the upkeep step of the first turn, regardless of any mulligans that player takes.

由于「牌以面朝下的状态移出主游戏」而触发的异能会因此触发。

He had set his features into the expression of quiet optimism which it was advisable to wear when facing the telescreen.

温斯顿突然转身，他已经给自己的脸换了副安详乐观的表情；面朝电幕的时候，这样的表情最理想啦。

When a production world is settled, denote this by dealing 5 cards from the deck, face-down, underneath the world.

当一个生产星球放置后，从抽牌堆抓5张牌面朝下放在该星球牌下面。

I only wish to face the sea, with spring blossom

我也愿面朝大海，春暖花开。

I have a big house that faces the sea. Flowers bloom in spring.

回复：有一所房子，面朝大海，春暖花开。

Second Round: following completion of the first round of betting, 3 community cards known as the 'flop' are placed face up on in the center of the table.

第二回合：后的第一轮下注后，3张公共牌被称为'翻牌'是面朝上放置在桌子的中央。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。