面朝

He sits in Potter's chair, leans back, and closes his eyes against the sun.

他坐在Potter的椅子上，朝后靠着，面朝着太阳闭上了眼。

They will hope oneself body occupies the purple palace, may administer by Germany, the four directions naturalizes, eight arrive at court, will forever be solid this to the landscape, will maintain long-term dominant the goal.

他们更希望自己身居紫宫，可以施政以德，四方归化，八面来朝，这到江山永固，以维护长期统治的目的。

Just at that moment they heard the cry of a pack of hounds coming towards them, and the Cat immediately scampered up a tree and hid herself in the boughs."This is my plan," said the Cat."What are you going to do?"

这时牠们刚好听到一队猎犬正朝牠们这里走过来的叫声，猫咪立刻跃到一棵树上躲在大树枝後面，猫咪问道：&这就是我的方法，那你要怎么做呢？&

For Guang Temple in north, east and south Shan three sides but open to the West, Temple, built as a result of the mountain, take the East west, the entire temple area green pine and cypress, towering temples, elegant environment; Lichtung layout of the temple, arranged in an orderly manner.

佛光寺东、南、北三面环山，惟西向开阔，寺因山势而建，坐东朝西，整个寺区松柏苍翠，殿宇巍峨，环境清雅；寺院布局疏朗，排列有序。

Turn the deck face-down. Slip-cut the top jack into the deck and get a break above it as you place the rest of the deck on it. Execute a riffle-force so you can force the spectator the jack. Ask them to hold on to the jack and as they're doing that, flip the bottom card over do a half-pass with the bottom half of the deck.

这时把观众手中的那张Jack拿过来任意插在下半段面向上的牌里（译者注释：这样就已经有两张Jack于下半段牌面相反了）现在用大拇指break最上面的那张Jack，用double-undercut（两段式切牌+将顶牌移至牌底）把刚才break的那张Jack切到最下面，注意在这个两段式切牌中，第一次切处必须在上半段牌中，这样可以保证观众以为所有的牌至今还都是面全朝下的，第二次切，就是把剩余的那上半段（除去你要移至底部的那张Jack）再切上去。

There she stood still, and raising her broad forehead to the sky, filled the air with her lowings.

它在这里停住脚步，仰起宽阔的额面，朝天一声声地哞叫着。

In all, 19,960 people from the two Koreas have met through the reunions.

总共有来自朝韩两国的19，960人通过团聚活动见了面。

Next, we extrude the polys between those polys we already colored and extrude them two times towards inside.

接下来，我们挤压那些已经赋予红色材质之间的面，朝里挤压两次。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。