非道德

Among tragic novels,at first,by creating Unbalanced People,Hardy proved that at that time people were in division with society,nature,other people and theirselves,therefore,he made a new definition about """"people"""" and depicted the modern's basic outline:lonely,broken and pessimistic.Secondly,by courting persistently to """"Paganism Spirit"""",he not only criticized a great deal of drawbacks of Englightenment Modernityrdecrepit ethics,rigid reason,etc,but also drew the """"aesthetic""""prescription for the modern in predicament and called people to get back to t heir own existence,resume due status of perceptuality,impules and desire,etc.Thirdly,by profoundly conveying of pessimism,he revealed people's miserable situations under the violences of civilization and undependence after losing the God.Thus he refused the deformities of Enlightenment Modernity and enlightened people to look for new way of existence.At last,though dominated by realism,through the unique use of """"coincidence"""" and """"psychological depiction"""",his creation ,hi form,was somewhat similar with the modernism novels in the 20th century.

哈代在他创作的悲剧小说中，首先，通过对&非平衡性人物&的塑造，反映了当时的人们正处在与社会、自然、他人和自我的四重分裂状态中，由此他对&人&进行了重新的定义，描绘出了现代人的基本轮廓：孤独、破碎和悲观；其次，通过对&异教精神&的执着追求，他不仅批判了启蒙现代性的诸多弊端：衰朽的伦理道德、僵化的理性等等，同时，亦为困境中的现代人开出了&审美&的药方，呼唤人们回到自身的存在，恢复感性、冲动、欲望等的应有地位；第三，通过对&悲观主义&的深刻表达，他揭示了现代人的悲惨处境和失去上帝后的无所归依，从而拒绝了启蒙现代性的畸形规划，启示人们寻找新的存在之路；最后，虽然为现实主义所主宰，但通过&巧合&和&心理描写&手法的独特运用，他的创作又在形式上与20世纪的现代主义小说一脉相通。

Whoever fails in the consideration generally due to the interests and feelings of others, not being compelled by some more imperative duty, or justified by allowable self-preference, is a subject of moral disapprobation for that failure, but not for the cause of it, nor for the errors, merely personal to himself, which may have remotely led to it.

凡人若既非迫于某些更具必要性的义务，又在自己择取方面并无说得过去的正当理由，而竟失于对他人的利益和情感给以它们一般应当得到的考虑，他就成为道德不谅的对象；但这是为了有失考虑那一点，而不是为了所以有失考虑的原因，更不是为了某些只关本人自身、可能引为遥远导因的过失。

What nobody is saying publicly is that Raúl is tossing into the dustbin of Cuban history the idea espoused by Ernesto "Che" Guevara, at the start of the revolution that Cuba's communist economy should be based on "moral incentives", rather than material ones, and that this process would create a "new man".

没有人敢公开说，Raúl Castro正将Ernesto &Che& Guevara信奉的理念扔进古巴历史的垃圾箱，在革命初期，古巴共产主义经济应基于「道德诱因」而非物质诱因，而且这个过程将创造「新人类」。

Right and wrong are, for her, moral absolutes.

她认为，是与非是道德上的绝对准则。

E.g: right and wrong,for her,moral absolutes.

她认为，是与非是道德上的绝对准则。

It resembles Andrea Mantegna's portrait of the dead Christ. It fixes Guevara as a modern saint, the man who risked his life twice in countries that were not his own before giving it in a third, and whose invocation of the "new man", driven by moral rather than material incentives, smacked of St Ignatius Loyola more than Marx.

类似于Andrea Mantegna的基督受难像，这幅照片将格瓦拉定格于现代圣人，一个两次以生命在异国冒险，并在第三次献出生命的人，他所祈求出现的&新人&，更多是受到道德而非物质激励，其中圣依纳爵罗耀拉的色彩更甚于马克思。

This paper discusses design and realizable methods of remote test output interface from logical design angle.

本文从逻辑设计的角度讨论遥测输出接口的设计及实现方法。

This also 星体投射plies to buildings, structures and geological features.

这也适用于建筑物和地质特征。