非物质的

This kind of effect is possessed of a complex symbolic meaning to symbolize and make real this ever-growing consumer scene of our society through this group of women, so that this visual image can move from an unreal level to a realistic level to express his profound concern for this society and its personal apprehensiveness.

这种效果具有复杂的象征意义，把我们现今社会日益膨胀的物质消费的情景，通过这组女性的形象符号化和现实化了，于是视觉的图像从非现实的层面进入到一个现实的层面，以此来表达他对当下现实社会以及自我内心焦虑的深刻关注。

One aspect is collaborative strategy"s design, or named immateriality environment"s design.

文章首先论述的是协作策略层面上的设计，也称非物质软环境的设计，它包括协作探究任务的确定、协作群体的划分、协作群组的组织、协作工具及协作评价的设计几个方面。

It is then "a freedom from nature" and "a freedom for values." 3. The "will-contingency" structure of Scotus' theory might then offer the room for free choice of alternative possibilities, a radical indeterminism in the nature of things, a more correct understanding of physical reality, the image of a free, dynamic and creative God, and an evolutive history of humanity as well.

董思高对於「意志－偶然」的结构之提供其它的可能性的自由选择，是一个彻底的、非决定的自然世界；也给予一个物质实相的正确解，同时介绍一位生活与创造的天主之概，他以这样的积极性表达他对人史发展的看法。

When you feel passion or enthusiasm or invigoration, those high, good, fast feeling feelings, what it means is, in this moment, your desire is strong, so you are summoning lots of Nonphysical Energy.

当你感觉热情、积极、鼓舞，这些高的，好的，快的感觉（译者注："高、好、快"是形容振动的， Abraham是从能量振动的层面上解释事情的），这意味着，在这一刻，你的愿望是强烈的，所以你唤起了许多的非物质能量。

It is chiefly in this sense that Berkeley denies matter; that is to say, he does not deny that the sense-data which we commonly take as signs of the existence of the table are really signs of the existence of something independent of us, but he does deny that this something is nonmental, that it is neither mind nor ideas entertained by some mind.

贝克莱主要是在这种意义上否定物质的；那就是说，他并不否认通常我们以为是桌子存在的标志的那些感觉材料是某种独立于我们之外的东西的存在标志，但是他确乎不认为这个某种东西可以是"非心灵"的，也就是说，可以既不是心灵，也不是某个心灵所具备的观念。

In plants , NO has recently been demonstrated to be involved in the regulation of growth and development in the response to abiotic and biotic stresses and it is a key signal messenger in disease resistance in plants. More important , it has been found that NOs function in plant is similar to the traditional phytohormone , so it is forecasted to be a new type of hormone in plant.

近年来的研究发现，它不仅在血管松弛、神经传导以及先天性免疫反应等动物生理代谢过程中是一种关键的第二信使，而且在植物中也起着非常重要的作用，是植物生长和发育的调节分子，能够对生物性和非生物性的胁迫作出反应，并且在植物体的抗病防御反应中也是一种重要的信号物质；更重要的是，近年来发现NO与各种植物激素的功能都有着重叠，因此有人预测NO可能是植物体内的一种新型激素。

Key: The scope of intangible cultural heritage covers: poems, fairy tales, epics, s tories, legends and proverbs that have been spread orally among people for a l ong time; folk performing arts like traditional music, dance, drama, quyi, acr obatics, puppet show, shadow play, etc.; folk practices like rituals, festival s, sports, competitions, production related and life related customs; folk tra ditional knowledge and practices related to nature and the universe; tradition al handcraft skills; and cultural space related to the above-mentioned express ions.

非物质文化遗产涵盖范围包括在民间长期口耳相传的诗歌、神话、史诗、故事、传说、谣谚；传统的音乐、舞蹈、戏剧、曲艺、杂技、木偶、皮影等民间表演艺术；广大民众世代传承的人生礼仪、岁时活动、节日庆典、民间体育和竞技，以及有关生产、生活的其他习俗；有关自然界和宇宙的民间传统知识和实践；传统的手工艺技能；与上述文化表现形式相关的文化场所等。

Never undermine the physical body to change; never fuzzy structure to penetrate the structure; the disposal of construction, subordinate, supplementary to the dominant, the impact of cross-architecture; on the expression of emotion, metaphor, symbol of the spirit and substance of the fragments, integration and dislocation from the use of these color changes in the law to find the contemporary art environment in the use of color and form of expression results: break the construction solid-state image, fuzzy indoor and outdoor space environment; for static and dynamic space of deconstruction, reorganization, penetration and extend the ; mix, overlay the traditional color and new color, color external color and heart; the use of the aesthetic characteristics of the new color to create realistic, non-realistic, ultra-realistic environment.

从不破坏形体到变化形体；从不模糊结构到穿透结构；对建筑的支配、从属、补充到主导、冲击、跨越建筑；对情感的表达、隐喻、象征到精神及物质的片段、整合和错位，从这些色彩运用规律的转变来找到当代环境艺术中色彩的运用的表达方式与形成的结果：打破建筑固态形象，模糊室内外空间环境；进行静态与动态空间的解构、重组、渗透与延展；混搭、叠加传统色与新色彩、外部色彩与内心色彩；利用新色彩的美学特性创造现实、非现实、超现实的环境。

And in the aspect of ecocritical exploration, we can feel that the poets pursue unfailingly the correspondence of natural imagery with the human being, and pay a great attention to unhuman forms of lives and the substantial environment. And the author also considers that such Eastern idea as oneness of Heaven and Man doubtlessly plays an important role for some poets to form their ecological concept of nature.

在生态学意义的探究方面，认为从中西诗歌中，我们可以感知，诗人一直在不倦地追求自然意象与人类灵魂的契合，以及对非人类的生命形式和物质环境的关注，而且认为东方的天人合一、物我合一等思想无疑对一些诗人的自然观念的形成起了重要作用。

It resembles Andrea Mantegna's portrait of the dead Christ. It fixes Guevara as a modern saint, the man who risked his life twice in countries that were not his own before giving it in a third, and whose invocation of the "new man", driven by moral rather than material incentives, smacked of St Ignatius Loyola more than Marx.

类似于Andrea Mantegna的基督受难像，这幅照片将格瓦拉定格于现代圣人，一个两次以生命在异国冒险，并在第三次献出生命的人，他所祈求出现的&新人&，更多是受到道德而非物质激励，其中圣依纳爵罗耀拉的色彩更甚于马克思。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。