非民族的

Chiang and the Nationalists were correct on the matter originally but when Nationalist demilitarization began, things turned out to be completely opposite.

蒋介石和国民党人对正确的事，但原来当民族非军事开始，事情变成了完全相反。

If our scholarship had not made ethnicity more central in American historical dialectology than patterns of social interaction, one would easily realize that minority White nonstandard vernaculars have had fates very

如果没有奖学金，在美国历史方言学中央民族更不是社会的互动模式，一般人很容易看到，有少数白人非标准命运非常对该公约

So the current huisology needs supplementary study quickly, and at present the urgent work is that combine huisology with Anthropology, and gain more achievements in saving intangible cultural heritage, making ethnographical film and Hius cultural interpretation and so on.

当下回族研究应尽快自我补课，眼下最紧迫的工作是，与影视人类学结合起来，在抢救非物文化遗产、制作民族志电影以及回族文化解释等方面有所作为。

For a long time, in our country, people fasten on physical cultural heritage, and didn't pay attention to ICH, folklorist and ethnologist had done some work on it, but for kinds of reasons, the information was badly destroyed.

长期以来，我国文化遗产工作者一直注重对有形的物质文化遗产进行收集、整理和研究，对无形的非物质文化遗产关注较少，虽有过民俗学、民族学的一些工作，但由于种种原因，相关资料保存至今较少，从非物质文化遗产保护的角度进行探讨更是新近才开始的，这些工作比国际先行国家落后很多，如在保护制度上，我国2005年才开始"民族民间文化传承人"调查和认证，这比日本的"国家文化财"制度落后了50多年，比联合国教科文组织"活的文化财"保护计划也晚了10多年；在制度和法规的建设，日本、韩国、法国等国家早己建立了保护制度，通过了相关法律，而我国在这方面基本还是空白。

In the study of Mongolian lexicology there are two questions worth mentioning.

在蒙语词汇学中有两个值得注意的问题：一是蒙古教育类成语在结构、表达意义和表达方式等各个方面都反映出了极为典型的游牧文明的特征，是蒙古民族语言、文化和思维宝库的精华；二是现阶段众多和非亲属语言的对比研究中，蒙语和汉语在民族文化教育方面的研究工作和研究成果较少，需要进一步的深入研究。

In the meantime music and dance are dynamic state arts with the human body perform for intermediate, which have two kinds of cultural characteristic of language writing and non- language literalness and the non-language writing characteristic be theirs main aspect, which make race music and dance of protection and lineage have more difficulties comparing cultural heritage ancient works and cultural object ruins .

同时，音乐和舞蹈是以人体表演为中介的动态艺术，它具有语言文字与非语言文字的两种文化特征，非语言文字特征是它的主要方面，这就使得民族音乐和舞蹈的保护与传承较文献典籍和文物遗址而言有更大的难度。

In the meantime music and dance are dynamic state arts with the human body perform for intermediate, which have two kinds of cultural characteristic of language writing and non- language literalness and the non-language writing characteristic be theirs main aspect, which make race music and dance of protection and lineage have a larger difficulty comparing cultural heritage ancient works and cultural object ruins .

同时，音乐和舞蹈是以人体表演为中介的动态艺术，它具有语言文字与非语言文字的两种文化特征，非语言文字特征是它的主要方面，这就使得民族音乐和舞蹈的保护与传承较文献典籍和文物遗址而言有更大的难度。

Meal saves the main body of a book with big silvers of Guangxi Luo Cheng the Mulao Minority living in the Guangxi Zhuang Autonomous Region autonomous county Dong Men town Zhongshicun village silver family name Mulao Minority living in the Guangxi Zhuang Autonomous Region leaning on" for case study , saving the Smriti matter carrier libretto or script of a ballad-singer combining with leaning on meal , come to understand and explain the culture that the Mulao Minority living in the Guangxi Zhuang Autonomous Region " Yifan festivals " connotation, has pointed out " Yifan festivals " important value accepting aspect in national culture Smriti and nationality, and has thought deeply that festival happens under the society background being modernized according to meal how change, How investigation and discussion protects sum Smriti this one treasure\'s then under this one background being not a matter cultural heritage, makes to bring to a greater height of development " Yifan festivals .

本文以广西罗城仫佬族自治县东门镇中石村大银屯银姓仫佬族的&依饭节&为个案研究，结合依饭节传承的物质载体——唱本，来解读仫佬族&依饭节&的文化内涵，指出&依饭节&在民族文化的传承和民族认同方面的重要价值，并思考依饭节在现代化的社会背景下发生了怎样的变化，进而探讨在这一背景下如何保护和传承这一宝贵的非物质文化遗产，使&依饭节&发扬光大。

Year, Christianity is born in Asia and Europe non-border region west Asia, and will urge other formalization religion in later the production, will cause between humanity's each kind of contradiction further to intensify, the nationality religious belief will start the regionalizing opposition, has created between the humanity the bigger thought belief disparity, thus will cause between the different belief nationality to be hostile to mutually with murders!

宗教时代：公元1年，基督教在亚欧非交界地带的西亚诞生，并在以后促使其它规模化宗教的产生，导致人类之间的各种矛盾进一步加剧，民族宗教信仰开始区域化对立化，造成了人类之间更大的思想信仰差距，从而导致不同信仰民族之间的相互敌视与杀伐！

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了