非创造出来的

The reason why this revolution happens lies in that themodern philosophy is self-contradictory:its goal is to raise man's subjectivity,but its essentialist mode of thinking leads to the separating of subject and object,leadsto the losing of man's personality and creativity,and leads to the evaporation ofchiliasm.The contemporary philosophers who have deep experience of this societycertainly cannot bear this kind of existing conditions of man.

对现实有深刻体验的现代哲学家们当然不堪忍受人的此种存在状况，于是，他们便转向非本质主义，意欲以一种生成性思维使人从"众人"当中超拔出来，从那种单调、乏味、冷漠无情的机器世界或科学世界中挣脱出来，回到人原本就生活于其中的，充满了色、声、香和创造的生活世界。

And by acknowledging that both good and evil are only states of the Matter, Neoplatonist suggested the God to be a Craftsman who can do nothing if the Matter doesn't exist, instead of a Creator, which is claimed by the Christ, who must be responsible for all the things that exists in the universe.

而且由于新柏拉图主义认为善和恶不过是物质的一种状态，他们将唯一的神说成是脱离物质本身什么也创造不出来的"手艺人"，而非像基督徒一样认为"唯一的神"是为宇宙中所有事物的存在负责的"创世者"。

But the age-old mandala is not a rational product of discriminating consciousness; like all true symbols it stems from unconscious sources of creativity, which transcend or predate the world-creating division of opposites.

但是古老的曼陀罗并不是区别意识的理性产物；正如所有象征符号一样，它根植于非意识的创造力的源头，而那源头超越了所有被创造的世间的对立面，或者那是源起在所有对立面被创造出来之前。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。