青年时期

At the same time, Communist Party of China has arrived at maturity phase to the youth movement leadership skills also in this period of time.

同时，中国共产党对青年运动的领导艺术也在这一时期到了成熟。

People comes olfactory of the desire on infatuation to this city of angel, the life is sought in lead a wandering life, in sadness angle dreams, days from this does backdate arrive of great flat period on century 30 time... Atuluo of writer of Italy descendants youth?

迷恋上欲看味道的人们来到这座天使之城，在漂泊中寻找生活，在忧伤中追逐梦想，时光由此回溯到大萧条时期的上世纪30年代……意大利裔青年作家阿图罗？

During the third period (from 1937 to 1942), Li Jianwu came out with his second wonderful work "Ju Hua Second Volume". Compared with the "Ju Hua Volume","Ju Hua Second Volume" changed its length, style and character manner. The remarkable change is reflected in the choice of the critical object, and the continuation and development of literary view. The critical object was changed form "Jing Group" youth to "left wing" literature youth. The highlight of criticism not only preserved the need to the "harmoniousness" and "continency", but also further noticed the elements of "era" and "force". From such a choice full of antinomy and quandary, it is not hard to conclude a thinking logic in accord with "era" color.

第三阶段从1937年到1942年，李健吾紧接着捧出第二束奇葩--《咀华二集》，与《咀华集》相比，《咀华二集》在篇幅、文体、文字风格等方面都发生了变化，而最大的变化当属评论对象的选择以及相应的文学观的延续与发展，评论对象由前一时期的"京派"青年作家转向左翼文学青年，批评视点除继续保留对"和谐"与"节制"的要求外，进一步注意到"时代"和"力"的因素，从这一充满矛盾与困惑的选择中不难窥见出一种合乎"时代"色彩的思维逻辑。

Puberty has forever been thought of as the most fundamental period in ones life in which health development both in body and hi mind certainly influences the future of every person deeply.

青年期，历来被人们认为是人的一生中最关键的时期，这一时期身心的健康发展将对一个人未来的生活产生深远的影响。

This thesis takes the strenuous search for cultural identity of the Dead family in Song of Solomon as the main line, embarks on the cultural identity of blacks in different periods, connects the pursuit of identity with their history in American society, outlines a vivid historical picture of blacks from the evolution of their identity (from the enslaved black to the emancipated freedman, to the northern migrator and then the youth born in the north), further explores the efforts made by the blacks on their way to seek their national outlets and build their cultural identity in different periods, points out the advantage and disadvantage of their choice, and finally draws to the conclusion that African American should not abandon their national tradition but at the same time they must stand on American society and find a sound integrity of the two cultures.

本论文以托妮·莫里森的第三部小说《所罗门之歌》中戴德家族寻求文化身份认同的艰难历程为主线，以黑人在不同的历史时期的文化身份的选择为切入点，把黑人对身份的探寻与他们在美国社会中的历史文化联系在一起。从黑人身份的演变(从奴隶到被解放的自由人到北方移民者到出生在北方的新一代黑人青年)勾勒出一幅美国黑人百年历史的生动画面，分析在不同时期黑人为寻求民族出路和构建文化身份时所做出的艰苦卓绝地努力和探索。同时也指出了他们所选择道路的利与弊。最后的结论是：在寻求种族出路时既要立足美国现实又不能抛弃种族传统，而应该努力找到二者的最佳结合点。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的"中国旧式女人"，同时又是受了点"新式教育"影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

Thus it does not seem appropriate to equate those social phenomena reflected in the popular expressions with the total image of the Japanese youth in certain era.

所以从这一角度上说，不能把某一时期的流行语所反映的现象等同于特定时期整个日本青年的群像。

He got rid of the gloomy mood, retook up the pen of the literary and devoted to the literature creation after the oscillating days. In that time he scarcely wrote novels.

这段时期是鲁迅一生中的重要时期，他摆脱了《新青年》后的&彷徨&心态，重新拿起文艺之笔，在《语丝》、《莽原》等刊物上发表了大量的文章。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的&中国旧式女人&，同时又是受了点&新式教育&影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

The young students and intellectual were always the receivers of new poetry, but during the period of Anti-Japanese War, the new folk song movement and some other special periods, the number of the receivers of new poetry was greatly increased, which had many effects on new poetry.

青年学生和知识分子一向是新诗的主要受众，不过在抗日战争时期，在新民歌运动等特殊时期，新诗的受众空前扩展，这种状况对新诗发生了多种影响。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。