露水

He had a one-night stand with the woman.

他与这女子有一夜露水的关系。

He wanted to marry and settle down, but the girls were only interested in one-night stand .

他想要结婚并安定下来，但是那些女孩只对露水姻缘感兴趣。

I was hoping for a lasting affair, not just a one-night stand .

我希望的是长久恩爱，而不是一夜露水之欢。

I was hoping for a lasting affair, not just a one-night stand.

例句1。我希望的是长久恩爱，而不是一夜露水之欢。

Eg :I was hoping for a lasting affair, not just a one-night stand.

我希望的是长久恩爱，而不是一夜露水之欢。

Eg: He wanted to marry and settle down, but the girls were only interested in one-night stand.

他想要结婚并安定下来，但是那些女孩只对露水姻缘感兴趣。

Now, ere the sun advance his burning eye, the day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours with baleful weeds and precious-juiced flowers.

现在，太阳神还未圆睁火红的眼睛，白昼还未欢腾，露水还未晒干；我必须用苦涩的野草和鲜艳的花朵盛满我这个柳条筐。

FRIAR LAURENCE The grey-eyed morn smiles on the frowning night, chequering the eastern clouds with streaks of light, and flecked darkness like a drunkard reels from forth day's path and Titan's fiery wheels: Now, ere the sun advance his burning eye, the day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours with baleful weeds and precious-juiced flowers.

黎明的曙光含笑地送别眉头紧皱的月夜，用光线在东方画出鱼鳞般的云霞，向黑暗撒下用光织成的鱼网；黑夜像晕头转向的醉汉，被太阳的火轮追赶出白昼的轨道。现在，太阳神还未圆睁火红的眼睛，白昼还未欢腾，露水还未晒干；我必须用苦涩的野草和鲜艳的花朵盛满我这个柳条筐。

When the tailor heard that, he took his pocket-handkerchief, pressed it on the grass, and when it was moist with dew, washed the sockets of his eyes with it.

裁缝听见这话，他从口袋里掏出手帕，按在地上的小草上，直到手帕让露水给湿透了，然后用手帕擦洗眼窝。

If the raddle come from your feet because of the dew, if the rings of bells upon your feet slacken, if pearls drop out of your chain, do not mind.

如果你脚上的红赭石被露水沾掉了，如果你脚踝上的铃串松弛了，如果珍珠从你的链子上脱落了，别在意。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。