露水

He had a looked at the green grass with a lot dew, the green grass also looked at him.

他对沾满露水的青草瞥了眼——青草也对他挤了挤眼。

And the poem falls to the soul as dew to grass.

诗歌触到灵魂谷底如露水落上草。

He glanceses at the green grass which adhere to dew —— the green grass is also wink to him.

他对沾满露水的青草瞥了眼——青草也对他挤了挤眼。

He give a glimpse of the grass with dew on ti-----------and the grass cast a look at him in returen.

他对沾满露水的青草瞥了眼——青草也对他挤了挤眼。

The dew on the grass was like newly fallen teardrops or maybe leftover tears from people who have visited before.

绿草上的露水像是刚刚掉落的泪，像是以前来到这里的人们留下的泪滴。

A weariness comes from those dreamers , dew-dabbled , the lily and rose

睡梦中已困倦，那露水浸湿的百合与蔷薇

A weariness comes from those dreamers, dew-dabbled, the lily and rose; Ah, dream not of them, my beloved, the flame of the meteor that goes, Or the flame of the blue star that lingers hung low in the fall of the dew: For I would we were changed to white birds on the wandering foam: I and you!

露湿的百合、玫瑰带来了追梦人的倦意，亲爱的，请不要梦想追逐流星的光亮；请不要流连逗留在露水中的蓝星，如此，我们才能化做一双白鸟，在浪尖比翼徜徉！

"Yes," said Harry as they left the castle and started across the dew-drenched grass.

&是的，&哈利走出了城堡来到一片沾满露水的草地上。

The sun had just broken through the cloud that had screened it, and its rays filtered through the rent clouds, and over the roofs of the street opposite on to the dew-drenched dust of the road, on to the fences and the windows of the houses, and Pierre's horses standing by the cottage.

太阳刚从乌云里蹦出来，阳光被零零碎碎的乌云遮成两半，越过对面街上的屋顶，照射到布满露水的大路尘土上，照射到房屋的墙上，照射到围墙上的窗眼上和站在农舍旁的皮埃尔的马身上。

The hillside's dew-pearled

山坡上装点着珍珠般的露水

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。