雨果

Hugo Ch vez, who has been particularly pugnacious, has been using Venezuela's state-run oil company to fund social spending at the expense of reinvestment in oil production.

雨果 卡洛斯，已经非常焦躁，他已用委内瑞拉的国有石油公司，为石油生产的再投资支出建立了社会基金。

When many contemporary writers,even including Victor Hugo,claimed class reconcilement views that tolerance, forgiveness,and kindheartedness, Dumas strongly advocated revenge for the weak.

在当时的很多作家，甚至包括雨果这样揭露社会罪恶有一定深度的作家都在宣扬容忍、宽恕、仁爱等阶级调和观点的时候，而大仲马却在作品中极力鼓吹复仇，为弱者张目。

Two boys stroll Place des Vosges, lined with elegant townhouses where Cardinal Richelieu and Victor Hugo once lived.

两名男童漫步在des Vosges广场，具有线纹的与文雅的市政厅，而那里最主要的黎塞留河和雨果曾经生活的地方。

Hugo demanded a potion to make Zara adore him, and one to destroy Roderigo.

雨果向他索取两种魔药，一种可以使莎拉爱他，另一种用来毒死罗德力戈。

He was such poet writing his experiment of his own life. Hugo Ball called him as the last knight in the shine of Romanic.

他是一辈子一直写着有关于自己境遇的作家，被雨果·巴尔称为"浪漫派光芒四射行列中最后一位骑士"。

Victor Hugo is a great French romanticist.

维克多雨果是法国著名浪漫主义小说家和诗人。

Shaveling yourself," retorted Anselm, Abbot Hugo's clerk, in charge of the party "Here be holy relics that we bear to St.

你自己是光头僧，」雨果修道院院长的僧侣带领党徒回话。

In Hugo's wake, all new shoreline houses are required to meet stricter, better-enforced codes.

在雨果的后，所有新的海岸线房子必须符合严格的，更好的强制执行的代码。

Hugo's Waterloo is the opposite of Stendhal's.

雨果的滑铁卢与司汤达的截然不同，司汤达在《巴马修道院》中，透过他的英雄的眼睛看这场战役，而这位英雄的角度是在事件内部，这就不能理解其复杂性。

Stendhal, in La Charteuse de Parme, sees the battle through the eyes of his hero, who looks from inside the event and does not understand its complexity.

相反，雨果从上帝的视点来描写这场战役，跟从每一处细节，让他透视整个场景的叙述居于统治地位。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。