雨果

Now, Hugo and I are gonna be ready to leave in a second.

现在 我和雨果准备好要走了

I have seen it in some brand names before (I am not sure if it was Hugo Boss).

我所看到的，它在某些品牌名称之前，（我不知道如果这是雨果老板）。

I tell the idea to Hugo. He says he'll think about it.

我把这个主意告诉雨果，他说别想了

Maybe, it is just like what Hugo said,"One book, can be one world".

或许正如雨果所说，一本书，就可以是一个世界。

But say to Abbot Hugo that from this day he may take Locksley farm, to the use of the fat thieves that wear the cowl in St.

现在，仆役，」罗宾说：「你就这样骑到僧侣雨果那里，或者先到你自己的农庄，我才不管你怎么做。

"Aye," said Guy,"proof enough. We will have Locksley back for the Abbey, and we will have, too, the hand of Master Robin chopped from him, or I think, with a word from Abbot Hugo, I may get leave to tear out his eyes. The Saxon hound has flouted us long enough, eh, Herbert?"

啊，」盖说：「有足够的证据我将使拉西里的土地归还寺院，而且我们将切下罗宾主人的手，或者，我想，依据雨果僧侣的话，我们将可好好地挖出他的双眼，这只撒克逊的狗愚弄我们已经够久了，是吧，赫伯特？

Working with Music For Relief, Linkin Park, Lupe Fiasco/Kenna (collaboration produced by Mike Shinoda), Alanis Morissette, The All-American Rejects, Dave Matthews Band, Enrique Iglesias, Hoobastank, Kenna (track co-produced by Linkin Park's Mike Shinoda and The Neptunes' Chad Hugo), Peter Gabriel and Slash have all graciously donated never-before-released music to help raise funds and promote awareness of the recovery efforts.

与音乐有关救济工作，林肯公园，卢佩惨败/肯纳，艾拉妮丝莫莉塞特，在全美国的拒绝，戴夫马修斯乐队，恩里克伊格莱西亚斯，胡巴斯坦克，肯纳（追踪共同林肯公园的麦可生产并在海王星'乍得雨果），彼得盖布瑞尔和湿地，都慷慨捐赠以前从未发行的音乐，以帮助筹集资金，促进恢复工作的认识。

The young Hugo Schneider had become proficient as a metalworker, and in 1863 he became involved in a small business, making products from sheet metal in Leipzig, south west of Berlin.

年轻人雨果谢德变得熟练作为金属工，在1863年，并且他变得介入一家小企业，做产品由金属板在莱比锡，在柏林西边的南部。

Chaliapin---and this was his real Parisian debut---sang long excerpts from Boris Godunov by Moussorgsky, and Prince Igor by Borodin.

首次在巴黎演唱的查理安潘，吟咏的剧本，来自穆索斯基的「波里斯戈都诺夫霸王」和陂罗玎的「雨果王子」的歌剧。

We should all learn from this, said Peter Hugo, Nassau County's coordinator.

我们应该都从这学习，彼得·雨果说，拿骚县的协调官的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。