雨果

Victor Hugo (1802-1885), novelist, poet, and dramatist, is one of the most important of French Romantic writers.

给！~ 维克多·雨果（l802～1885）是法国文学史上最伟大的作家之一，法国浪漫主义学运动的领袖。

French writer Victor Hugo once said:"the world's most extensive is the ocean, wider than the ocean is the sky, wider than the sky is the human mind."

法国作家雨果说过："世界上最广阔的是海洋，比海洋更广阔的是天空，比天空更广阔的是人的胸怀。"

Victor Hugo and DH Lawrence admired him, but Mark Twain considered him a national embarrassment.

维克多雨果和劳伦斯敬佩他，但马克吐温认为他的国家难堪。

Influence : See Alexander Pope, Victor Hugo - Note 1: Hermann Broch's The Death of Virgil (1945) is one of the great monuments of exile literature.

影响 ：见蒲伯，维克多雨果-注1 ：赫尔曼布罗赫的维吉尔之死（ 1945年）是一个伟大的纪念碑的流亡文学。

George W. Stimpson's Nuggets Of Knowledge, published in 1934 cites a 1790 court record from Sumner County, Tennessee in which Jackson "proved a bill of sale from Hugh McGary to Gasper Mansker, for a Negro man, which was O.K." This was probably just poor penmanship on the part of a court clerk, however.

乔治·W·史蒂姆森在1934年出版的《知识金砖》一书中曾引用了田纳西州萨纳县1970年的一份法庭记录，在此记录中杰克逊曾为一位黑人批过一份销售单，由雨果·麦克加利转给佳斯珀·曼斯克尔，批示同意就用的Ok然而，这也可能是因为法院职员糟糕的书法所致。

CHAPTER X ECCE PARIS, ECCE HOMO Chinese To sum it all up once more, the Paris gamin of to-day, like the graeculus of Rome in days gone by, is the infant populace with the wrinkle of the old world on his brow.

十 瞧这巴黎，瞧这人英文再简括起来谈谈，今日巴黎的野孩，正如当年罗马的剽民，他是那种额上有古国皱纹的人民孩子①。①在手稿上雨果对&人民孩子&是这样解释的：&人民孩子两词并立，两词表达一个意思：孩子。&

Sartre wrote DIRTY HANDS and Paul Nizan in order to call for redress for his friend Paul Nizan from humanitarianist standpoint, But in 1964, when talking with Kalusu , Sartre already transcended individual friendship and pure .

但在 1 964年，萨特与卡鲁索谈话时，已超越了个人友情和纯人道主义理想，指出了雨果的思想局限并从共产党&同路人&的高度予以了批评。

Hugo wrote prolifically in all genres, but his plays proved to be his earliest critical and commercial successes.

雨果写道盛产的所有类型，但他的发挥证明是他最早的关键和商业成功。

The government of Hugo Chávez says Mr Rosales should defend himself in court.

雨果 查韦斯政府称罗萨莱斯应在法庭上为自己辩解。

Mateusz:马特乌什: hugo you shode sand to people to email and you after no hu hange the password sorry for may rait ia not...

雨果你shode沙土，人民和你的电子邮件后，没有虎变密码抱歉可能rait属不。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。