雕塑艺术

"Work" means the literary and/or artistic work offered under the terms of this License including without limitation any production in the literary, scientific and artistic domain, whatever may be the mode or form of its expression including digital form, such as a book, pamphlet and other writing; a lecture, address, sermon or other work of the same nature; a dramatic or dramatico-musical work; a choreographic work or entertainment in dumb show; a musical composition with or without words; a cinematographic work to which are assimilated works expressed by a process analogous to cinematography; a work of drawing, painting, architecture, sculpture, engraving or lithography; a photographic work to which are assimilated works expressed by a process analogous to photography; a work of applied art; an illustration, map, plan, sketch or three-dimensional work relative to geography, topography, architecture or science; a performance; a broadcast; a phonogram; a compilation of data to the extent it is protected as a copyrightable work; or a work performed by a variety or circus performer to the extent it is not otherwise considered a literary or artistic work.

本著作」指依据本授权条款提供的文学及艺术创作，包含但不限於以任何方式或形式表达之文学、科学及艺术范围之制作物，例如：书籍、小手册及其他撰著；演讲、演说、布道及其他类似同性质之著作；戏剧著作或歌剧著作；舞蹈著作或默剧；含歌词或不含歌词之音乐作曲；电影著作及其他藉由与电影摄影技术类似之程序表达之同类著作；素描、绘画、建筑、雕塑、雕刻或版画之著作；摄影著作及其他藉由与摄影技术类似之程序表达之同类著作；应用艺术著作；插图、地图、设计图、素描及地理、地形、建筑或科学相关立体著作；表演；广播；录音物；和可受著作权保护的资料编辑；或不属於文学或艺术创作的各式表演人或马戏团表演人所表演的创作。

H. "Work" means the literary and/or artistic work offered under the terms of this License including without limitation any production in the literary, scientific and artistic domain, whatever may be the mode or form of its expression including digital form, such as a book, pamphlet and other writing; a lecture, address, sermon or other work of the same nature; a dramatic or dramatico-musical work; a choreographic work or entertainment in dumb show; a musical composition with or without words; a cinematographic work to which are assimilated works expressed by a process analogous to cinematography; a work of drawing, painting, architecture, sculpture, engraving or lithography; a photographic work to which are assimilated works expressed by a process analogous to photography; a work of applied art; an illustration, map, plan, sketch or three-dimensional work relative to geography, topography, architecture or science; a performance; a broadcast; a phonogram; a compilation of data to the extent it is protected as a copyrightable work; or a work performed by a variety or circus performer to the extent it is not otherwise considered a literary or artistic work.

h。 「本著作」指本授权条款下提供的文学及艺术著作，包含但不限於以任何方式或形式表达之文学、科学及艺术范围之制作物，例如：书籍、小手册及其他撰著；演讲、演说、布道及其他类似同性质之著作；戏剧著作或歌剧著作；舞蹈著作或默剧；含歌词或不含歌词之音乐作曲；电影著作及其他藉由与电影摄影技术类似之程序表达之同类著作；素描、绘画、建筑、雕塑、雕刻或版画之著作；摄影著作及其他藉由与摄影技术类似之程序表达之同类著作；应用艺术著作；插图、地图、设计图、素描及地理、地形、建筑或科学相关立体著作；表演；广播；录音物；和可受著作权保护的著作同样受保护的资料编辑物；或种种表演人或马戏团表演人表演的不被视为文学或艺术著作的著作。

Chapter 2 mainly discusses the commonness of the group, and studies the necessities of their creation commonness and how the assigned sculptures became the main way of the commonness emerging. Chapter 3 is mainly about the creation individuality of the group, and explores the characteristics and the development of their individuality. Chapter 4, from the angle of feminie study, discusses the feminie quality and femenie spirit in the works of the eight sculptresses. Finally, the writer tries to sum up the significance and value of the group study.

论文的第一章介绍了女雕塑家群体的概况，分析了群体形成的原因，并概括了群体的总体特征；第二章主要研究女雕塑家群体的艺术创作共性，分析了影响她们艺术创作共性的必然因素，由此探讨了任务性雕塑如何成为她们艺术创作共性显现的主要途径；第三章主要分析女雕塑家群体的艺术创作个性，探讨了她们艺术创作个性的特征和创作个性发展的多方面途径；第四章是从女性的角度来考察，讨论了她们艺术作品中的女性品质和女性精神；最后，本文总结了女雕塑家群体研究的意义和价值。

During this period he contributed to the development of open-form sculpture, kinetic art, and sculptural construction. Among his innovations are "cage sculptures," which consist of objects or models contained within cage-like structures, and tabletop works such as the gamelike No More Play and the macabre Point to the Eye.

在此期间，他在敞面式雕塑、活动艺术以及雕塑构架的发展上贡献良多，象&牢笼雕塑&，就是把各种物体或模特塑入笼状的结构里；还有桌面作品，如棋盘形状的《游戏不再》和以死亡为主题的《指向眼睛》。

Tubo period sculpture and painting at the absorption of foreign art nutrition, integrated Tibetan folk arts development stage, showing the diversity of artistic styles, with a typical artistic style of Gandhara, with a clear Dunhuang in the Tang Dynasty style, there are the Central Plains sculpture style , a Nepalese style of ancient art, but also a Tibetan folk art combined with the new forms, in a sense it can be said that the development of the arts in the history of Tibet during the opening.

吐蕃时期的雕塑和绘画处于吸收外来艺术营养、融汇藏族民间艺术的发展阶段，表现出艺术风格的多样性，有典型的犍陀罗艺术风格，有明显的敦煌唐代风格，有中原雕刻风格，有尼泊尔古代艺术风格，同时也出现了同藏族民间艺术结合产生的新形式，在某种意义上可以说是西藏艺术发展史上的开放时期。

This thesis tries to examine the Orientalization of abstract sculpture in Taiwan, which means the sculptor shows his identification with Oriental culture via specific Oriental iconography in his works. Taiwan's abstract sculptors took the Orientalization of abstract sculpture as the way of transcending the Western art.

提要本论文旨在探讨台湾抽象雕塑为了彰显东方意识的「东方化」现象：雕塑家以特定的东方图像或思想作为抽象雕塑的主题，传达其对东方文化的认同，甚而将抽象雕塑的「东方化」，视为超越西方的艺术进程。

11 Guest Professorship in ENSBA, Paris; 11 Shanghai Spirit — Shanghai Biennale, Shanghai Art Museum, Shanghai, China; 7 Sui Jianguo and Zhan Wang, Galerie Loft, Paris, France; 6 Sharing Exoticisms — Contemporary Art Lyon Biennale, Lyon, France; 5 Chinese Contemporary Sculpture Invitational Exhibition, Qingdao Sculpture Museum, Qingdao, China

2000年&中国雕塑邀请展&；&中国当代雕塑展&；&东方广场中国雕塑精品展&；&共享异国情调——里昂当代艺术双年展&；&隋建国、展望作品展&；&第三届上海双年展&； 11月在法国巴黎高等美术院作为期三个月的客座教授； 11月举办《上海·上海——第三届上海双年展》； 9月举办（人文山水----景观艺术展）桂林中国上海美术馆上海·中国； 7月举办《隋建国、展望作品展》 LOFT 画廊巴黎·法国； 6月举办《共享异国情调——里昂当代艺术双年展》里昂·法国； 6月举办《东方广场——中国雕塑精品展》北京·中国； 5月举办《中国当代雕塑邀请展》青岛雕塑艺术馆青岛·中国； 3月举办《中国雕塑邀请展》上海美术馆上海·中国。

From the medle ages sculpture,we can see that people in that period take human sculptures merely as a decorative part of an achetecture;The Rassanance make people regained their natural inner strength,and people express their admiration to the heros,using the pose of human sculpture. The great master Rodin reach the peak in making the full use of human pose,as a way of artistic expression. While doing so. he turned the the development of sculpture into a new track-the way of expression itself. From then on,in the hands of some mordern sculptors,human pose and the distinctive personal expression ways of each sculptor and the matiral.

运动。均衡等理想美的追求；中世纪教堂人物雕塑姿势的僵直和微妙反映了当时雕塑成为建筑的依附以及教徒对上帝的态度；文艺复兴使人们找回自身的力量，对英雄的崇敬和力量的赞美通过人物雕塑充满生机的姿势体现出来；罗丹对人物姿势表现力的把握达到了一个高峰，同时他把雕塑引向了形式本身，在他以后的一些现代雕塑家手中，人物姿势和艺术家各具个性的艺术手法。

Indeed, sitting amid the crisp white of Meier's New York apartment, where neat stacks of art and design books form columns aligned with coffee tables and bookcases, the sculptures introduce a wild energy: heathens dancing in the temple Meier states that he struggles to achieve "some sense of order" in the sculptures (he is the butt of iokes at the foundry for his meticulous habit of squaring off horizontals and verticals with a carpenter's level), but it is the disorder of the pieces that first strikes those familiar with Meier's highly controlled architecture.

的确，坐在迈耶建于纽约的白色墙壁的公寓中，看着紧挨着书橱和茶几的整洁的摆满了艺术和设计画册的专栏，你会感觉到他的雕塑传达出一种野性的力量，就像原始人在神庙里狂舞一样的感觉一样。迈耶自己认为他的目标是体现雕塑的一种秩序感（这其实是他在铸造工房里小心翼翼的画水平线和垂直线这样的木工活是开的玩笑），但是，就像他那些具有很强内在约束力的建筑设计一样，当你第一次看到他的雕塑的时候，你会感觉到它们又是那么的杂乱无章。

Michelangelo Buonarroti was the greatest sculpture master in the Renaissance.

米开朗琪罗是文艺复兴时期雕塑艺术最高峰的代表。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失