集市

I was elbowed constantly in the market.

集市上的人们不断地推挤着我。

On a tour with all the festival guests, the two boys get lost in the Isfahan bazzar.

在电影节所有客人参加的一次旅游中，两位男孩在Isfahan的集市上走失了。

Abstract］This paper studies the animation industry by exploring European animation festivals panoramically from the perspective of aesthetic economy and space economy. It is found that semiotic products with great semiotic meaning are not a kind of transcendental presentation but daily reality in the aesthetic economy and space economy era. The animation industry, which is focused on cultural and creative content producing, is a rising industry in which the animation festival is not only the exhibition of traditional commodities but also a creative arena of meaning produce. The restructuring of place for European animation festivals is followed the basic requirement of aesthetic economy and space economy, since the festivals add new semiotic meaning and cultural elements to the original places.

从审美经济、空间经济的视角，以动漫节为研究对象，对欧洲动漫产业发展所形成的文化与市场景观进行一种全景式的考察后，可以发现：在审美经济的时代，以符号意义为主的符号产品不再是超验的表象，而是日常生活的实在；以文化创意内容为核心的动漫产业已经成为新兴产业；其中，作为符号生产与传统商品集中展示的动漫节，更侧重于深入开发动漫及其衍生产品的审美价值，使动漫节不仅仅流于纯粹的小商品集市，而在于创造更多的符号意义，丰富动漫节的多种内涵；动漫节举办地的地点重构适应了空间经济发展的内在要求，动漫赋予不少城镇以全新的符号内涵，创造了各种形态的地点神话，从而促进空间经济的城市发展。

Every Startday , John goes to stoon with his mother .

每周六，John跟着他的妈妈去集市。

He was tipful of excitement now she had come, led her aboutthe ground, showed her everything.

母亲来逛集市，威廉喜出望外，他领着她四处游荡，东瞧西瞅。

Jameson's understanding of Asian urban landscape was sketched out in his description of Tokyo:"the street is somehow inside, so that the city as a whole, which has no profile, becomes one immense, amorphous, unrepresentable container ……"He described the open emporia with food markets, theaters, and bookstores as "ultimately and historically derived form the great open-air markets or bazaars of the East and of pre-capitalist modes of production".

詹姆逊对于亚洲城市景观的理解在他对东京的描述中可见一斑（图14），&街道是不可名状的内敛，使得城市成为一个没有外形轮廓的整体，成为一个巨大的无确定形态的不可言说的容器&。他将集餐饮、超市、剧院和书店于一身的开放性的大型商业中心描述为&从历史的根源上看起源于东方巨大的露天市场或者集市以及前工业时代的生产方式&。

Mangan's sister embodies this mingling, since she is part of the familiar surroundings of the narrator's street as well as the exotic promise of the bazaar.

曼根的姐姐体现了这一混合，因为她是熟悉的环境的叙述者的街道，以及异国情调的承诺集市。

He seems to interpret his arrival at the bazaar as it fades into darkness as a sign that his relationship with Mangan's sister will also remain just a wishful idea and that his infatuation was as misguided as his fantasies about the bazaar.

他似乎解释他在抵达市场，因为它陷入了一片黑暗中消失的迹象，表明他与曼根的姐姐也将仍然只是一个一厢情愿的想法，他痴迷的误导，他幻想集市。

Like the bazaar that offers experiences that differ from everyday Dublin, Mangan's sister intoxicates the narrator with new feelings of joy and elation.

像集市，提供经验，不同于日常都柏林，曼根的姐姐intoxicates叙述者新的感受的喜悦和兴奋。

First, Gandercleugh is, as it were, the central part--the navel of this our native realm of Scotland; so that men, from every corner thereof, when travelling on their concernments of business, either towards our metropolis of law, by which I mean Edinburgh, or towards our metropolis and mart of gain, whereby I insinuate Glasgow, are frequently led to make Gandercleugh their abiding stage and place of rest for the night.

首先，Gandercleugh是，因为它是中部-肚脐这使我们的苏格兰本土境界，所以，男人，从其中的每一个角落，当公司的业务concernments旅行，无论是对我们的法律的大都市中，我指的是爱丁堡，或对我们的大都市和增益，集市，让我影射格拉斯哥，往往导致他们作出Gandercleugh遵守阶段和晚上休息的地方。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。