集体作品

In brief, this article is to put the individual research into the collective research of community which to compare and explore the film biography"s works of this special theme lognitudinal and transverse. With the Chinese and the Western comparison of film biography and with the evolutive course of Chinese ones at various stages, this article lead the theory out of the history and analyse the person by the theory which stand out DingYinNan"s creative status and features who is the great master of Chinese biographic moviedom.

总之，这篇论文是将个体研究放入集体群像研究之中；横向、纵向的将传记片这一特殊题材的影片作品加以对比与探究；在中西传记影片的异同比较中在不同时期中国传记影片的演变过程中，以史带论，以论析人，最终突显出中国传记影坛大家——丁荫楠的创作地位与特征。

It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness. Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex. Because of the southern Americans special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life.

第二章从福克纳创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所。

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Wang Du is a world famous Wuhan native artist, this "Mode - Artist Wang Du Art Exhibition" will for the fist time display his six cupronickel sculptures named "Mode, 2006-2007" in domestic.

王度是享有国际声誉的武汉籍艺术家，这次"模式--旅法艺术家王度特展"是其6件被命名为《模式，2006-2007》的白铜雕塑作品首次在国内的集体亮相。

Narrative structure irony makes the creation of Han Dong shake off the shackles of collective words, showing the genuine and secular life; narrative morphology irony renders his works from definitiveness to possibility, from closure to openness.

叙事结构反讽使韩东的创作摆脱了集体话语的束缚，表现出生活本真、世俗的一面；叙事形态反讽又使他的作品由确定性走向可能性、由封闭性走向开放性。

Worse yet, a stingy and disdainful attitude toward children works against our collective long-term interests.

更糟糕的是，一对子女小气和轻蔑的态度，对我们的集体作品的长远利益。

The literary arena entrusts with by the collective naming to "The 1970's Writers", the market chooses in addition the alternative and the fashion writer star takes the representative, has caused "The 1970's Writers" 's in writing pattern identicalness, also urges them to carry on the differentiation in the creation, but the society from all walks of life to their work intense critique and even to the government department to their partial works forbids then further impels its creation the transformation.

文坛对70年代出生的作家赋予以"断代"式的集体命名，市场则挑选出"另类"、"时尚"的市场明星作为代表，导致了"70后"在写作模式上的雷同，也促使她们在创作上进行分化，而社会各界对她们作品的激烈批判乃至于政府部门对她们部分作品的查禁则进一步推动其创作的转变。

A kind of collective plaint of despair or melancholy or disappointment or separation, which is something that threads through my work and connects it, perhaps unexpectedly, to fado , blues, mourning prayers, or other forms of lament that also use repetition.

集体失望的悲叹、忧郁、不满或分离，贯穿于我的作品中，这也许出乎人们预料，它将作品与葡萄牙的思乡曲、布鲁斯、哀悼辞连接起来，或与其它使用反复手法表示悲伤的形式联系起来。

The literary arena entrusts with by the collective naming to "The 1970's Writers", the market chooses in addition the alternative and the fashion writer star takes the representative, has caused "The 1970's Writers" 's in writing pattern identicalness, also urges them to carry on the differentiation in the creation, but the society from all walks of life to their work intense critique and even to the government department to their partial works forbids then further impels its creation the transformation.

文坛对70年代出生的作家赋予以&断代&式的集体命名，市场则挑选出&另类&、&时尚&的市场明星作为代表，导致了&70后&在写作模式上的雷同，也促使她们在创作上进行分化，而社会各界对她们作品的激烈批判乃至于政府部门对她们部分作品的查禁则进一步推动其创作的转变。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。