难过的

It was a sad and sorry and sickening night!

这是个悲伤，难过，让人恶心的景象

It was a sad and sorry and sickening night

这是个悲伤，难过，让人恶心的夜晚

I am sad to hear of your sickness.

听说你的病情，我很难过。

I'm really sorry about your girlfriend,|home skillet.

我真的为你女友的死难过，煮饭婆

I am sorry he has slain himself.

我为他的自杀感到难过。

Therefore I can only use the sob to express my sad .

所以我只能用哭泣来表达我的难过。

I feel for him in his sorrow .

我为他的不幸而难过。

"Because I know…he would be good in Heaven, I am not sad and sorrowful."

我不会伤心，也不会难过。因为我知道，他会在天堂过的很好

"He did give me a thought," thought Scarlett, sorrowfully in her heart.

"他对我是有意的呀，"思嘉想，心里十分难过。

The sorry-looking, blackened figure that emerged, admitted at once that he had tried to break into the shop during the night but got stuck in the chimney.

这个看上去很难过浑身漆黑的人一出来就承认了他试图在晚上到商店行窃但被卡在了烟囱里。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。