难过

"Hi we're Vespertine from Spain. We wrote this song "Hope Will Come for China… the earthquake which happened on May 12th has been a horrible tragedy, as we read on newspaper and saw on TV, that tens of thousands of victims have lost the ir home, the ir family including the ir own lives. the desperate faces of parents and the dead children… the se images and photos have been haunting in our heads and we feel deeply sad and sorry for the victims especially the people of Wen Chuan… While the positive attitude and strong spirit of the victims and the way Chinese people help each o the r have shown us the most respective side of human race.

我们是来自西班牙的Vespertine乐队，此次专为中国创作了这首名为《Hope Will Come》的歌曲……5月12日的这场地震是一次惨绝人寰的悲剧，我们在报纸上以及电视上看到数万人流离失所，失去亲人甚至自己的生命，父母亲们绝望的面孔与不幸死去的儿童……这些画面与图片在我们脑海里始终萦绕不去，我们为受灾的人们感到深刻的悲伤与难过，尤其是汶川的人们……而与此同时，灾民们积极的态度与坚强的灵魂，以及中国人民团结起来相互帮助的事实让我们看到了人性最值得尊敬的一面。

With the darkness and corruption leave, A vestige of the thoughts that once I had.

如果你忘了我，你会笑得开心些，而记着我，只能让你伤心难过。

One day, your life is no longer with me, I must not remember that the existence of traces of me, because I am afraid that you will be lost, will be sad, I will think, all this not because you like me, love me, but Every day I used to the telephone, the daily message, I vexatious, I rely on you.

某一天，你的生命中不再有我，一定不可以记得我的存在，我的痕迹，因为我害怕你会失落，会难过，会想我，这一切不是因为你喜欢我，爱我，而是习惯了我每天的电话，每天的留言，我的胡搅蛮缠，我对你的依赖。

But after that day, you became cool to me,which brought me vey sad.

不过，在那天吻了你之后，你竟又那么冷淡地对我，真让我感到万分的难过。

But in the emotion judgment trails, especially for 4、5-year-old-age, the "happy victimizer" and "sad helper" are existed widely.

但是，在情绪判断任务中，"高兴的犯过者"和"难过的服从者"现象普遍存在，4、5岁儿童尤为突出。

He was visibly upset, and we were shocked at his appearance.

他显得非常难过，而我们也对于他的样子非常震惊。

Since this was his point of view, it was with no regret at taking no part in the approaching battle, but with the greatest satisfaction—which he did not conceal, and his comrades fully understood—that he received the news of his appointment to go to Voronezh to purchase remounts for his division.

正因为他如此看问题，他在得知奉派去沃罗涅日为他的那一师补充军马时，他不但不为不能参加临近的战斗而感到难过，而且非常高兴，他对此并不掩饰，他的同事也充分了解他这种心情。

Far in the interior of the wood, where a noisy swarm of laborers were working, stood Waldemar Daa and his three daughters, and all were laughing at the wild cries of the birds, excepting one, the youngest, Anna Dorothea, who felt grieved to the heart; and when they made preparations to fell a tree that was almost dead, and on whose naked branches the black stork had built her nest, she saw the poor little things stretching out their necks, and she begged for mercy for them, with the tears in her eyes.

远在国内的木材，在嘈杂的群劳动者工作，站在瓦尔德马的DAA和他的三个女儿，和所有人都笑呼声野生鸟类，除一，最年轻的，安娜多萝西，谁觉得难过心脏；，当他们作好准备，下降了树几乎死亡，其赤裸裸的分支机构的黑鹳建造了她的巢，她看到了可怜的小东西伸展自己的脖子，她乞求宽恕他们，同泪水在她的眼睛。

I'll be sad not to walk out on the pitch again.

我也很难过不能再走上球场了。

"But I will always be sad because I will not see you anymore," the child continued warily

"但是见不到你，我会难过的。"小孩小心翼翼的道。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。