难过

It grieves me to hear how disobedient you've been.

听说你很不听话，使我感到非常难过。

Your letter is always full of things which displease me.

你的信永远充满让我难过的事。

He was feeling very distraught and frustrated in his room because he was unsure the doom of his misfortune.

他感到非常难过和沮丧在他的房间，因为他不确定的厄运，他的不幸。

No one is more distraught than i over losing her.

失去了她之后，没有人比我觉得更难过。

He looked distraught but his tears don't matter.

他看起来确实很难过，但是他的眼泪P用不顶。

Don't cry for me that I will feel distressed.

不要再为我哭，我会感到难过的。

I shall be distressed if harm came to you.

如果你受到伤害，我会很难过的。

I am much distressed to hear the news of your wife's death.

听到你妻子去世的消息使我很难过。

How could I not be distressed?!

让我怎么能不难过呢！

But he persisted in his demand, and at last, to get rid of him, she did put up her lips as directed for producing a clear note; laughing distressfully, however, and then blushing with vexation that she had laughed.

不过他非要她试着吹吹，后来为了摆脱他的纠缠，她只好按照他说的怎样才能发出清晰音调的方法，把她的嘴唇撮起来；但是她也很难过地笑了起来，后来又因为自己笑了，心里恼怒，脸又变红了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。