难辨的

Not more by its hue than by some indescribable peculiarity in its fashion, it had the effect of making her fade personally out of sight and outline; while, again, the scarlet letter brought her back from this twilight indistinctness, and revealed her under the moral aspect of its own illumination.

这身衣服的颜色，尤其是那说不出来的独特的样式，有一种使她轮廓模糊、不引人注目的效果；然而，那红字又使她从朦胧难辨之中跳出来，以其自身的闪光，把她显示在其精神之下。

Not more by its hue than by some indescribable peculiarity in its fashion, it had the effect of making her fade personally out of sight outline; while, again, the scarlet letter brought her back from this twilight indistinctness, revealed her under the moral aspect of its own illumination.

这身衣服的颜色，尤其是那说不出来的独特的样式，有一种使她轮廓模糊、不引人注目的效果；然而，那红字又使她从朦胧难辨之中跳出来，以其自身的闪光，把她显示在其精神之下。

Oft have I seen at some cathedral door A laborer, pausing in the dust and heat, Lay down his burden, and with reverent feet Enter, and cross himself, and on the floor Kneel to repeat his paternoster o'er; Far off the noises of the world retreat; The loud vociferations of the street Become an undistinguishable roar.

经常把我被看见在某些大教堂门A民工，停留在尘土和热，提出他的负担，并且与恭敬的脚进入和十字架，和在地板跪重覆他的paternoster o'er；世界撤退的噪声；街道的大声的喧嚷成为一阵难辨吼声。

The purpose of this paper is to analyze how Julie Taymor applies the theories and techniques of avant-garde theatre directors, and how she listen diverse media, such as visual arts and animation, to reinterpret Shakespeare's story about an ancient ruthless Roman general's revenge. The whole film serves as a dream itself, filled with postmodern montage; and along with its artistic style of provoking morality and reason, all reveal the director's intention of creating a black somnambulating journey where the boundaries between dream and reality, good and evil, reason and consciousness, pain and joy are vague and undistinguishable.

本文的目的是分析茱利泰摩是如何运用前卫剧场导演大师的理论与技巧，并融合视觉艺术和多媒体动画等异媒材，来重新诠释一个莎翁笔下残暴的古罗马将军复仇的故事，全片宛若梦境，充满后现代拼贴色彩，挑动道德理性神经的艺术风格，在在显示出导演意欲营造出一个梦与真实难辨、善与恶交错、理智与清醒不分、痛与乐共存的黑色梦游旅程。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。