隐喻

As a matter of fact, irony, just like metaphor, pervades our daily life.

而事实上，反语与隐喻一样在我们的日常生活中无处不在。

In the history of the natural science,the metaphor has experienced its function from the rhetoric to the methodology,showing the distinct potencies of mirror as well as the cognition.

在自然科学的历史中，隐喻经历了由修辞学到方法论的功能延伸，表现出从镜像到认知的强大效力。

A good designer can stroke a cliche until it purrs like a me taphor.

优秀的设计师能够玩弄一下老套，直到它发出了隐喻的愉快声响。

By reclassifying the related lexicalized metaphors selected from Metalude and analyzing these lexicalized metaphors respectively according to the classification, this thesis demonstrates the correctness of the interrelated theories, and probes into the pertinent features and conceptualization of the metaphor ANGER IS HEAT.

通过对从Metalude中收集的大量的相关语料进行再分类，并根据分类逐一进行分析，论证了所用理论的正确性，探讨了&愤怒是热&这个隐喻的相关特性及其建构。

Through briefly discussing social history of terms, such as tradition and locale, this paper attempts to understand why and how these metaphors of the "past" have reemerged in the context of globalization.

从讨论传统与地方这类概念发展的社会史出发，试图理解这些&过去&的隐喻为什么会在全球化的语境中得以再现和如何再现。

O'Reilly comes up with this somewhat technical definition: Web 2.0 is the network as platform, spanning all connected devices; Web 2.0 applications are those that make the most of the intrinsic advantages of that platform: delivering software as a continually-updated service that gets better the more people use it, consuming and remixing data from multiple sources, including individual users, while providing their own data and services in a form that allows remixing by others, creating network effects through an "architecture of participation," and going beyond the page metaphor of Web 1.0 to deliver rich user experiences.

奥赖利来与这有点技术的定义是： Web 2.0是网络为平台，跨越所有连接的设备； Web 2.0的应用，是那些使大部分的内在优势，该平台：提供软件作为一种不断更新的服务获得更好更多的人使用它，消费和remixing数据从多种来源，包括个人用户，同时提供自己的数据和服务的一种形式，让remixing别人，创造网络效应，通过一个&架构的参与，&走出去网页隐喻的Web 1.0 ，以提供丰富的用户体验。

It looked for the direct performance or metaphor of drama in daily life or the political symbols of country. After 1980's, based on ""thick-descriptive"" ethnographies on art, it called for renegotiating the relationship between art and anthropology in order to the further development of anthropology of Art.

解释人类学从日常生活的游戏、国家的政治象征中找寻戏剧的直接展演或隐喻，探寻社会生活的符号意蕴；80年代的艺术人类学在反思&深描&艺术的阐释民族志的基础上，重新审视艺术与人类学之间的关系，以此为发展艺术人类学的途径。

It looked for the direct performance ormetaphor of drama in daily life or the political symbols ofcountry. After 1980"s, based on "thick-descriptiveethnographies on art, it called for renegotiating therelationship between art and anthropology in order to thefurther development of anthropology of Art.

解释人类学从日常生活的游戏、国家的政治象征中找寻戏剧的直接展演或隐喻，探寻社会生活的符号意蕴；80年代的艺术人类学在反思&深描&艺术的阐释民族志的基础上，重新审视艺术与人类学之间的关系，以此为发展艺术人类学的途径。

Theories on literature space is focused on how literature reshuffles space in terms of connotations in the process of cultural representational practices and thus uncover the interrelationships between literature space production and social space production by using such representational methods as expression, representation, imagination, metaphor and symbol.

文学空间理论侧重研究的是，文学在文化表征实践过程中如何运用表现、再现、想象、隐喻、象征等表征方式对空间进行意义的编码重组，揭橥现代性空间重组的文化政治内涵及其社会历史意义，从而揭示文学空间生产与社会空间生产之间的内在关联。

They provide a rethinking on these metaphors with the purpose of further studies.

这些隐喻的存在，给予教育带来了重要的启示。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失