随遇而安

This isn't what I wanted at all, but I must make the best of a bad bargain.

这根本不是我想要的，但是我必须随遇而安。

Love deeply and ardently, even if there is pain, but this is the way to make

如果你爱一个人，随遇而安，让他/她自由地飞，如果最后他/她还是回到你身边，那就是命中注定的。

I am not suggesting that this is a bad thing in itself – it may be very pleasant to drift along and see where you end up.

我并不是说这本身是一件坏事情--随波逐流、随遇而安可能会让你过得非常愉快。

Except for one or two places such as Zermatt and Chamonix,which had rapidly Alpine villages tended to be impoverished settlements cut off from Such inns as there were were generally dirty and flea-ridden; the food simply local cheese accompanied by bread often twelve all washed down with coarse wine.

山谷里常常没有小客栈，登山者只能自找借宿之处，随遇而安，有时和当地牧师为伴(牧师往往和他的教区居民一样穷)，有时和牧羊人或者使做干酪的人住在一起。

And when depressing thoughts seem to get you down - Put a smile on your face and think: you''re alive and still around.

当压抑的念头让你无法振作时－－请你笑一笑想想：你还活着存在世间！平心静气，随遇而安。

We were more your kind of happy-go-lucky types.

我们是随遇而安的类型

I have not made a travel plan because I am fairly happy-go-lucky and like to take my time sightseeing.

我还没有定好旅行计划，因为我是个随遇而安的人，喜欢不慌不忙地欣赏风景。

I can not help but to admire it and the happy-go-lucky.

我不禁为它的随遇而安而佩服。

I do not want to be happy-go-lucky life, job, it seems difficult to change, I sometimes have some back, and fear, even at a loss of ......

可 我又不想随遇而安的生活，工作，看来改变太难了，我有时都有些退缩了，害怕了，甚至不知所措了。。。。

In life, I know that happy-go-lucky, what to taste what has been their own to cherish the things that they do not not expect things.

在人生中，我知道随遇而安，有什么就品味什么，自己得到的东西自己懂得珍惜，自己得不到的东西自己也不苛求。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。