陶釉

The white porcelain has a beautiful clour and special shape which could be regarded as the curiosa in tea sets.

瓷器茶具常见的是白瓷盖碗，白瓷盖碗具有坯质致密，上釉、成陶火度高，无吸水性；传热、保温性能适中；加之色彩缤纷，造型各异，堪称饮茶器皿中之珍品。

In the finial chapter, I express the conclusions of my dissertator in three sections: the interaction and insist of "pottery and art", the unique creation of "glazes and expression", and earth regression of "attachment and local land".

最后一章讲述我整篇论文的结论，可分成三个节次，分别是「陶、艺」交错与坚持、「釉、风」脱颖的创寻、「恋、土」固著的回归。

Wife, mother, and part-time bowl glazer.

"妻子、母亲以及兼职陶碗上釉者"

Pottery made from a porous clay that is fired at relatively low temperatures. Faience, delft, and majolica are examples of earthenware.

代尔夫特精陶上釉陶器的一种类型，通常蓝白相间，最初是在荷兰的代尔夫特制造

Mineral composition,chemical composition and granulometric composition of the wastes of pyroxene skarns were introduced,and the use of the wastes in production of ceramic tile,pigment,glaze and filtering materials,was narrated.

介绍了辉石矽嘎岩处理废渣的矿物组成、化学组成和粒度组成，叙述了这种废渣于陶瓷砖、颜料和釉及过滤材料生产中的试验应用情况。

In addition to stone and terracotta cats, the newfound Bastet temple housed this bust of Harpocrates, the Greek god of silence.

除了石制猫和无釉赤陶猫，在新发掘的贝斯特庙宇中还有这座希腊沉默之神哈波奎特斯的半身塑像。

Nixing pottery is never glazed.

韩佳： 这坭兴陶是不上釉的。

The European immigrants made pottery by turning clay on a wheel (called "throwing"), using glaze and a fire kiln. Pottery became so widespread in the 1820s through the 1840s in the north and central areas of Georgia that pottery-making centers were called "jugtowns." Today, Georgia pottery is still made, and the skills, techniques, and materials are passed on to each new generation. Several families in this area continue to "turn and burn," preserving a 200-year-old tradition.

欧洲移民的制陶方法为将陶土放在一个旋转的盘子上捏塑(此步骤称为抛土 throwing)，接著将成品上釉，再放入窑里烧；1820年代至1840年代，陶器开始流传开来，而位於乔治亚北部及中部地区的制陶中心则被称为「瓮镇」；一直到了现在，乔治亚陶器仍持续地生产，而制陶技术、技艺及材料则代代相传，位於此区的好几户家庭仍继续「旋转及燃陶」，努力保存这个已经有200年历史的传统。

The European immigrants made pottery by turning clay on a wheel (called "throwing"), using glaze and a fire kiln. Pottery became so widespread in the 1820s through the 1840s in the north and central areas of Georgia that pottery-making centers were called "jugtowns." Today, Georgia pottery is still made, and the skills, techniques, and materials are passed on to each new generation. Several families in this area continue to "turn and burn," preserving a 200-year-old tradition.

欧洲移民的制陶方法为将陶土放在一个旋转的盘子上捏塑(此步骤称为拋土 throwing)，接着将成品上釉，再放入窑里烧；1820年代至1840年代，陶器开始流传开来，而位于乔治亚北部及中部地区的制陶中心则被称为「瓮镇」；一直到了现在，乔治亚陶器仍持续地生产，而制陶技术、技艺及材料则代代相传，位于此区的好几户家庭仍继续「旋转及燃陶」，努力保存这个已经有200年历史的常规。

Chapters IV and V encompass the content of creation, expression forms, and work appreciation, where the chapter focuses on applying the innovative "Leaf grain glazing", utilizing the research techniques and firing experiment findings, in the format and content of the creation, with the study categories in the work expression encompassing the expression of leaf pattern glazing, integration of leaf pattern glazing and painting, pottery installations, and the adaptation of pottery installation and multimedia medium.

第四、五章是创作内容、表现形式与作品赏析。本章根据研究技法与烧成实验结果，将「叶纹釉面」技法上的创新，应用在创作形式与内容上之研究。作品在表现形式上，研究的项目包括木叶纹釉色表现，木叶纹釉与绘画的结合，陶装置˙装置陶以及媒材多元的应用。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。