陶器的

Pottery Ancient people made clay pottery because they needed it for their survival.

陶器 古代人制作陶器是因为他们的生存需要它。

Ancient people made clay pottery BEC ause they needed it for their survival.

陶器古代人制作陶器是因为他们的生存需要它。

Ancient people made clay pottery because they needed it for their su rvival.

陶器古代人制作陶器是因为他们的生存需要它。

"Faience: Tin-glazed earthenware made in France, Germany, Spain, and Scandinavia, similar to Faenza majolica, for which it was named."

彩陶：法国、德国、西班牙和斯堪的那维亚国家生产的锡釉陶器，类似法恩札陶器，此词就是源自Faenza。

"Faience: Tin- glaze d earthenware made in France, Germany, Spain, and Scandinavia, similar to Faenza majolica, for which it was named."

彩陶：法国、德国、西班牙和斯堪的那维亚国家生产的锡釉陶器，类似法恩札陶器，此词就是源自Faenza。

Is it ceramic, terra cotta, stoneware, or porcelain?

它是陶瓷的，赤土陶器、粗陶器，或瓷吗？

Unlike Jomon pottery, Yayoi pottery was very similar to contemporary South Korean pottery in shape.

不同于绳纹陶器，弥生式陶器与同时代的朝鲜南部陶器在外形上非常相似。

Pottery inscribed with ink is called ostracon .

被油墨刻字的陶器叫做古希腊陶器碎片。

Put the brush into the varnish and paint the lip with it.

点&copy&得到陶器碎片，但还需要加工，用画笔放进漆里，然后和陶器组合，得到完工的陶器碎片。

The former would not investigate what aesthetic fashions and activities there were but analyze what Confucius and Zhuangzi once said, that is, to discover the selfconscious levels of aesthetic ideas in the time in question through the study of ancient books, in other words, to validate the logical levels of aesthetic ideals in the society in question displayed in the theories by ancient philosophers. The later would not pay much attention to the sayings and writings by them but emphatically analyze the shapes and lines of potteries and the styles of calligraphy and brush drawings and the lines and manufacture of bronze utensils, that is, to realistically reveal the types of material configurations in which the aesthetic activities in a time embodied, in other words, to demonstrate in a descriptive way the artistic effects that the aesthetic experiences in a time could make.

前者不去考察先秦时代究竟存在着哪些审美风尚和审美活动，而旨在分析孔子说过什么，庄子说过什么，即要从古代文献的字里行间中发现那个时代的审美观念究竟达到了何种自觉的程度，即要从古代哲人的理论表述中确认那个社会的审美理想究竟达到了什么样的逻辑水准；后者则不太关心思想家、哲学家的言论和著作，而着重分析陶器的形状、书画的风格、青铜器的线条与制作，即要从实证的角度发现一个时代的审美活动究竟体现为何种类型的物质形态，即要以描述的方式来证实一个社会的审美经验究竟凝结为什么样式的艺术成果。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。