陶器的

There is creativity in China, there is confidence in China, China at change Thousand year history of great and impressive country, thousand year cultural bottom Yun of deep accumulate Dian, from open painting winding of that for an instant beginning to pleasing way in the world~ China of ancient times four big invention, thou Chinese characters of deduce for thousand years variety, from the Silk Road, fly of Dun Huang day, arrive sea of china, the road of pottery, from the city play, Kun song and too pole ……Tang poem Sung phrase....

中国有创意，中国有信心，中国在改变千年历史的泱泱大国，千年文化底蕴的深厚积淀，从打开画卷的那一瞬间开始就向世界娓娓道来~中华的古代四大发明，古汉字的千年演绎变化，从丝绸之路，墩煌的飞天、到海上的瓷器，陶器之路，从京剧、昆曲、太极……唐诗宋词。。。。。

Thousand year history of great and impressive country, thousand year cultural bottom Yun of deep accumulate Dian, from open painting winding of that for an instant beginning to pleasing way in the world~ China of ancient times four big invention, thou Chinese characters of deduce for thousand years variety, from the Silk Road, fly of Dun Huang day, arrive sea of china, the road of pottery, from the city play, Kun song and too pole ……Tang poem Sung phrase.....

千年历史的泱泱大国，千年文化底蕴的深厚积淀，从打开画卷的那一瞬间开始就向世界娓娓道来~中华的古代四大发明，古汉字的千年演绎变化，从丝绸之路，墩煌的飞天、到海上的瓷器，陶器之路，从京剧、昆曲、太极……唐诗宋词。。。。。

The subject is therefore involving, evocative and fascinating, especially when we investigate the relationship between ceramics and music, broadening our enquiry to include the images of myth and reality, that universe of the Muses which occupied the position of honour in illustrated majolica, but which also came to include and hand down to us images of customs, usages and curiosities.

这是一个有影响的，有启发的，迷人的主题。特别是当我们研究制陶术和音乐的关系时，它让我们对神话和现实的肖象有更多的深思。陶器中的图画通常由神占据尊贵的位置，但也流传下来关于风俗习惯的图画，引起了我们的兴趣。

It is true that he does finally incline to believe in the camp; and, being opposed, indites a pamphlet which he is about to read at the quarterly meeting of the local society when a stroke lays him low, and his last conscious thoughts are not of wife or child, but of the camp and that arrowhead there, which is now in the case at the local museum, together with the foot of a Chinese murderess, a handful of Elizabethan nails, a great many Tudor clay pipes, a piece of Roman pottery, and the wine–glass that Nelson drank out of—proving I really don't know what.

由于受到反对，他便写了一篇文章，准备拿到当地会社的季度例会上宣读，恰好在这时他中风病倒，他的最后一个清醒的念头不是想到妻子和儿女，而是想到营地和箭镞，这个箭镞已经被收藏进当地博物馆的展柜，和一只中国女杀人犯的脚、一把伊利莎白时代的铁钉、一大堆都铎王朝时代的土制烟斗、一件罗马时代的陶器，以及纳尔逊用来喝酒的酒杯放在一起——我真的不知道它到底证明了什么。

We, therefore, do with less clothes, furniture, tools, crockery, glassware, bed and table linen, books, etc., and the satisfaction we have for this sacrifice is knowing that some of our neighbors are carrying on business that according to their statement does not pay, and that we are paying their losses and hiring them to keep on.

因此，我们必须忍受较少的服装、较少的家具、较少的工具、较少的陶器、较少的玻璃器皿、较少的床单桌布、较少的书籍等等。这些牺牲的作用无非就是使我们知道，我们的这些邻居正在从事原本不会获得优厚报酬的工作，我们正在补偿他们的损失并雇用他们继续做下去。

After analysing the ceramic productions of prehistorical archaeological culture in South East Asia ,we can easily find out that there is a core of native culture in it. It presents in the form and decoration of the ceramic productions of prehistorical archaeological culture in South East Asia. There are so many comparability between the native original ceramic execution and the ceramic productions of prehistorical archaeological culture. So we can conclude their realationship.

通过分析东亚南部地区史前考古学文化当中的土著内核，这些史前文化自身的特点，陶器外表、纹饰方面与土著相类似的地方，以及产生文明的区域与土著文化的差别，说明土著文化与东亚南部史前文化的共同点以及文化内核方面的一致性，证明土著文化在东亚南部从新石器时代以来就有深厚的基础。

In the centre, above the white and glittering table, was a Venetian lustre with flat plates, with all sorts of colored birds, blue, violet, red, and green, perched amid the candles; around the chandelier, girandoles, on the walls, sconces with triple and quintuple branches; mirrors, silverware, glassware, plate, porcelain, faience, pottery, gold and silversmith's work, all was sparkling and gay.

正中，在雪白耀眼的饭桌的上方，吊着一盏威尼斯产的金属片制的烛台，上面有着各色的鸟：蓝的，紫的，红的，绿的，都栖息在蜡烛中间；在吊着的烛台四周有多枝的烛台，墙上挂有三重和五重的枝形壁灯反射镜；玻璃、水晶、玻璃器皿，餐具、瓷器、陶器、瓦器、金银器皿，一切都光彩夺目，玲珑可爱。

He delves into every possibility offered by his material, whether it be hand-worked porcelain and earthenware or the slumping and cutting of industrial ceramics using computerized water-jet technology. His practice also extends to other materials and techniques such as stone and wood. With his numerous murals, he is well known for his contribution to Public art.

无论是手工制作的瓷器，陶器，亦或是运用计算机的水喷技术制作的坍塌工业陶艺品，他努力钻研每一种材料可以创造出的可能性，他的艺术品还运用到其他的材料和技术，比如石头和木头，他对壁画艺术做出了如此多的贡献，因此而闻名于世。

The people of the Yangshao culture were some of China's first farmers and the grain, animals and fish that provided their staple diet were depicted on their ceramics.17 One of the most famous dishes from this site, bears not only depictions of fish, but also stylised faces surmounted by fish, which may have been ritual shamanistic masks attesting to the importance of fish to that society.18

仰韶文化的人们是中国最早出现的农民并且作为他们主要食物来源的谷物，动物和鱼被描绘在他们的陶器上。在这个遗址上的一件最知名的器皿，不仅具有鱼的描绘，而且弧形表面也模仿鱼的线条，它可能是被用来作为典礼上教徒带的面具，这证明了鱼在当时社会的重要地位。

Despite the bullish market forChinese ceramics and fine art, 104 of the 319 lots offered in its November 3rd auction failed to sell, suggesting that buyers, even those who have travelledfar, are quick to punish sellers who are too greedy or cataloguers whoare too enthusiastic in their assessments.

尽管中国的陶器和高雅艺术品在市场上风头正劲， Christie 在11月3日的拍卖会上提供的319件中国货却有104件没卖出去。 Christie 的失败说明买家，哪怕是远道而来的，往往会毫不犹豫地给贪婪无度的商家和对他们的估价事业过分热情的编目员以当头棒喝。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。