阿飞

One of the Punks spots them.

其中一个小阿飞看见了他们。

One of the Punks is trying to stick an apple in her mouth.

其中一个阿飞正往她嘴里塞苹果。

In the distance, one of the Punks lets out the high pitched SCREAM of a panicked teenage girl.

远处，一个小阿飞爆发出极高音调的尖叫，就像吓坏了的小女孩。

Patrick Tam is better known today as Wong Kar-wai's mentor (Wong worked under Tam's wing as his scriptwriter on the 1987 Final Victory; and Tam edited Days of Being Wild and Ashes of Time) but he will be remembered for Nomad, one of the youth movies of the 80s that marry libertarian impulses with those impulses of social responsibility that somehow makes this an oxymoronic youth movie -- being heavy in the social and light in the libertarian.

谭家明，多数人都知道他是王家卫的导师（1987年谭家明拍《最后胜利》时，王家卫是他的编剧，谭家明也负责阿飞正传和东邪西毒的剪辑），但他的《烈火青春》，一部80年代年轻人在自由主义与社会责任之间迷惑矛盾的电影，应该永留史册。

And then, in unforgiving closeup, without moving a muscle, he will somehow change emotional temperature.

在一个全身的镜子面前仅仅用一段老练的恰恰舞来表现主人公的自恋，他在《阿飞正传》里面这段表演使这个情节魅力无穷。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。