阿飞

He glamorizes a scene in Days of Being Wild just by appraising himself in a full-length mirror while doing an expert cha-cha.

在一个全身的镜子面前仅仅用一段老练的恰恰舞来表现主人公的自恋，他在《阿飞正传》里面这段表演使这个情节魅力无穷。

Compere: One Ge website is born the aigret island Xiamen of Zai beauty, their Li issues a mission, if in small head of a station is one Ge car, we can provide Dong power, the website has the user of nearly 1 million now, embrace the country's biggest source that build a station downloads a center, offer an analysis for Chinese nearly 60 thousand domestic website everyday, besides Lai offers a lot of characteristic to serve, everybody probably already Cai arrives even if Chinese stationmaster stands, rang our applause has He of hooligan of station of Qing China stationmaster us share.

主持人：一个网站诞生在美丽的鹭岛厦门，他们立下使命，如果中小站长是一个小汽车，我们就会提供动力，网站现在有近百万的用户，拥有国内最大的建站源码下载中心，每天为中国近6万家的网站提供分析，除此之外来提供很多特色服务，大家或许都已经猜到就是中国站长站，让我们掌声有请中国站长站阿飞和我们一起分享。

As if indicated by your resume on some head-hunter agency's files, at that juncture you had just made the film The Days of Being Wild , while I was yet to join Satellite TV's first-generation team.

根据猎头公司的履历，当阵你刚拍完《阿飞正传》，我则仍未归队成为卫星电视的第一代。

He preferred to work over hoodlums wherever he might encounter them.

不管在哪儿碰到流氓阿飞，他总是喜欢就地整治他们。

He hung out with hoodlums.

他于是和小阿飞们混在了一起。

But the identity quest is certainly one of the great features, and the kind of unrequited romances that mark Maggie Cheung's character study is certainly one of the evocative ticks (alluding to the tradition of Chinese melodramas such as Spring in a Small City, etc).

阿飞苦苦追寻身世谜团，自然是剧中的重要环节，而张曼玉在无望的爱情中的表现，也让人心有戚戚（可以看到中国故事情节的传统的影响，如《小城之春》等）。

I thought it was those punks, but no one was there.

我以为是那些小阿飞，但是门口并没有人。

As they approach a corner, the two Punks appear in front of them a few yards away.

走近一个街角时，那两个阿飞突然出现在他们前面几码远的地方。

I thought it was those punks, but no one was there.

偶以为是那些小阿飞，但是门口并没有人。

When she picks them up, the two Punks are standing in front of her, breathing hard.

当她捡起钥匙，那两个小阿飞正上气不接下气地站在她前面。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。