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阿斯特利

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For readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achill es,whose otivations render him a not particularly likable hero.

其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是&人生作为外部景象&,因为读者的注意力被作品那形形色色的事件所分散,主要是从外部来观察其主人公奥德修斯的;然而,富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&:读者被要求与阿基琉斯的心灵产生共鸣,而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

Paul has a lower, older,"brickier" profile and a quieter, self-effacing air, which has inspired both Mark Twain and F.

不像它的孪生兄弟明尼阿波利斯其圆滑的摩天大楼,圣保罗已较低,年纪大了,& brickier &的面貌和更安静,自我谦卑的空气,有灵感的这两者马克吐温和斯科特菲茨杰拉德唱它颂歌。

Unlike its fraternal twin Minneapolis with its sleek skyscrapers, St. Paul has a lower, older,"brickier" profile and a quieter, self-effacing air, which has inspired both Mark Twain and F. Scott Fitzgerald to sing its praises.

不像它的孪生兄弟明尼阿波利斯其圆滑的摩天大楼,圣保罗已较低,年纪大了,& brickier &的面貌和更安静,自我谦卑的空气,有灵感的这两者马克吐温和斯科特菲茨杰拉德唱它颂歌。

Unlike its fraternal twin Minneapolis with its sleek skyscrapers, St. Paul has a lower, older,"brickier" profile and a quieter, self-effacing air, which has inspired both Mark Twain and F.

与它的高楼耸立的兄弟城市明尼阿波利斯相反,圣保罗更像是一座闲适低调的矮小&老砖房&,激发了马克·吐温和F·斯科特·菲茨杰拉德赞美它的灵感。

They are: Antigua and Barbuda, the Commonwealth of Australia, the Bahamas, the People's Republic of Bangladesh, Barbados, Belize, the Republic of Botswana, Brunei Darussalam, the Republic of Cameroon, Canada, the Republic of Cyprus, Dominica, Fiji Islands of the Republic, the Republic of Gambia, the Republic of Ghana, Grenada, the Cooperative Republic of Guyana, the Republic of India, Jamaica Republic, the Republic of Kenya, the Republic of Kiribati, the Kingdom of Lesotho, the Republic of Malawi, Malaysia, Maldives Republic, the Republic of Malta, the Republic of Mauritius, the Republic of Mozambique, Namibia Republic, the Republic of Nauru, New Zealand, the Federal Republic of Nigeria, the Islamic Republic of Pakistan, the Independent State of Papua New Guinea, the Federation of Saint Kitts and Nevis, Saint Lucia, Saint Vincent and the Grenadines, Independent State of Samoa, Seychelles Seoul of the Republic, the Republic of Sierra Leone, the Republic of Singapore, Solomon Islands, the Republic of South Africa, the Democratic Socialist Republic of Sri Lanka, the Kingdom of Swaziland, United Republic of Tanzania, the Kingdom of Tonga, the Republic of Trinidad and Tobago, Tuvalu, the Republic of Uganda , Great Britain and Northern Ireland, the Republic of Vanuatu, the Republic of Zambia.

它们是:安提瓜和巴布达、澳大利亚联邦、巴哈马国、孟加拉人民共和国、巴巴多斯、伯利兹、博茨瓦纳共和国、文莱达鲁萨兰国、喀麦隆共和国、加拿大、塞浦路斯共和国、多米尼克国、斐济群岛共和国、冈比亚共和国、加纳共和国、格林纳达、圭亚那合作共和国、印度共和国、牙买加共和国、肯尼亚共和国、基里巴斯共和国、莱索托王国、马拉维共和国、马来西亚、马尔代夫共和国、马耳他共和国、毛里求斯共和国、莫桑比克共和国、纳米比亚共和国、瑙鲁共和国、新西兰、尼日利亚联邦共和国、巴基斯坦伊斯兰共和国、巴布亚新几内亚独立国、圣基茨和尼维斯联邦、圣卢西亚、圣文森特和格林纳丁斯、萨摩亚独立国、塞舌尔共和国、塞拉利昂共和国、新加坡共和国、所罗门群岛、南非共和国、斯里兰卡民主社会主义共和国、斯威士兰王国、坦桑尼亚联合共和国、汤加王国、特立尼达和多巴哥共和国、图瓦卢、乌干达共和国、大不列颠及北爱尔兰联合王国、瓦努阿图共和国、赞比亚共和国。

They are Antigua and Barbuda, Jamaica, Saint Vincent and the Grenadines, Australia, Kenya, Samoa, the Bahamas, Kiribati, Seychelles Islands, Bangladesh, Lesotho, Sierra Leone, Barbados, Malawi, Singapore , Belize, Malaysia, Solomon Islands, Botswana, Maldives, South Africa, the Sultan of Brunei, Malta, Sri Lanka, Cameroon, Mauritius, Swaziland, Canada, Mozambique, Tonga, Cyprus, Namibia, Trinidad and Tobago Costa Rica, Dominica, Nauru, Tuvalu, Fiji, New Zealand, Uganda, Gambia, Nigeria, the United Kingdom, Ghana, Pakistan, Tanzania, Grenada, Papua New Guinea, Vanuatu, Guyana, St.

分别是安提瓜和巴布达、牙买加、圣文森特和格林纳丁斯、澳大利亚、肯尼亚、萨摩亚、巴哈马、基里巴斯、塞舌尔群岛、孟加拉国、莱索托、塞拉利昂、巴巴多斯、马拉维、新加坡、伯利兹、马来西亚、所罗门群岛、博茨瓦纳、马尔代夫、南非、文莱苏丹国、马耳他、斯里兰卡、喀麦隆、毛里求斯、斯威士兰、加拿大、莫桑比克、汤加、塞浦路斯、纳米比亚、特立尼达和多巴哥、多米尼加、瑙鲁、图瓦卢、斐济、新西兰、乌干达、冈比亚、尼日利亚、英国、加纳、巴基斯坦、坦桑尼亚、格林纳达、巴布亚新几内亚、瓦努阿图、圭亚那、圣基茨与尼维斯、赞比亚、印度和圣卢西亚。

Its subject(to use Maynard Macks categories)is "life-as-spectacle," for readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achilles,whose motivations render him a not particularly likable hero.

迈克的两个分类范畴的话〕是&人生作为外部景象&,因为读者的注意力被作品那形形色色的事件所分散,主要是从外部来观察其主人公奥德修斯的;然而,富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&:读者被要求与阿基琉斯的心灵产生共鸣,而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

Its subject(to use Maynard Macks categories)is "life-as-spectacle," for readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achilles,whose motivations render him a not particularly likable hero.

其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是&人生作为外部景象&,因为读者的注意力被作品那形形色色的事件所分散,主要是从外部来观察其主人公奥德修斯的;然而,富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&:读者被要求与阿基琉斯的心灵产生共鸣,而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

Like Lord Beaverbrook (with whose granddaughter, Jeanne Campbell, Luce had the last serious love affair of his life), he liked left-wing writers, among them Archibald MacLeish, Dwight Macdonald and Daniel Bell, who despised his conservatism.

例如比佛布鲁克爵士(他的孙女让娜·坎贝尔是鲁斯一生中最后的风流韵事),他喜欢阿奇博尔德·麦克利时、德怀特·麦克唐纳德和丹尼尔·贝尔等右翼作家,他们却鄙视鲁斯的保守主义。

She had considerable experience as a juror that had served on the panels of Marguerite Long, Busoni, Maria Callas, Arthur Rubinstein, Robert Casadesus, Paloma O'Shea and Rachmaninov International Piano Competitions, among others.

在担任评委方面,她也拥有极为丰富的经验,她曾在玛格丽特·隆,玛利亚·卡拉斯,阿图尔·鲁宾斯坦,罗伯特·卡萨德絮,拉赫马尼诺夫国际钢琴比赛等赛事担任评委。

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47:5 法老对约瑟说,你父亲和你弟兄们到你这里来了。

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