阿伯德尔

Cars form the symbolic heart of novels looking back at the 1970s - such as Jonathan Coe's The Rotters' Club, set around British Leyland's struggling Longbridge plant, and Louis de Bernières's A Partisan's Daughter, which follows a salesman driving through the winter of discontent in a "shit-brown Allegro".

在回顾20世纪70年代的小说中汽车成为了象征性的核心意象——例如乔纳森·科伊的《无赖俱乐部》，故事发生在英国利兰的一家垂死挣扎的长桥工厂，还有路易·德·伯尼埃尔的《一个党派人士的女儿》，故事中一个售货员在冬季很不满地开着一辆"令人作恶的棕色阿莱格罗"。

Mrs. RACHEL lynde lived just where the Avonlea main road dipped down into a little hollow fringed with alders and ladies' eardrops and traversedby a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate headlong brook, in its earlier course through those woods, with dark secrets of pool and cascade but by the time it reached Lynde's Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs.

雷切尔。林德太太住在阿冯利亚的大路和小山谷交界的地方，周围长满了赤杨和大红色的倒挂金钟。一条小溪横穿过山谷，它的源头在老卡斯伯特家的树林里；这条小河在流经树林的最初阶段，以众多的支流和莽撞的劲头而著称，一路留下无数隐秘的池塘和小瀑布。

In the book, Charles Lindbergh is a great supporter of the Nazi leader Adolf Hitler.

而在这部小说中的查尔斯·林德伯格则是纳粹领导人阿道夫·希特勒的一个坚定的支持者。

Although he is recognized primarily for his ideas and sometimes denigrated for his writing style (which some find alternately dry and maudlin), Bradbury nonetheless retains his place among important literary science-fiction talents and visionaries like Jules Verne, HP Lovecraft, George Orwell, Arthur C.

虽然他是公认的主要是他的想法，有时甚至诋毁他的写作风格（其中找到交替干旱和感伤），布雷德伯里尽管如此保留自己的位置之间的重要的文学科幻人才和幻想像凡尔纳，惠普洛夫克拉夫特，乔治奥威尔，阿瑟角克拉克和菲利普光迪克。

The arrobe of Castile contains sixteen litres; the cantaro of Alicante, twelve; the almude of the Canaries, twenty-five; the cuartin of the Balearic Isles, twenty-six; the boot of Tzar Peter, thirty.

卡斯蒂利亚②的亚洛伯，盛十六公升，阿利坎特的康达罗十二公升，加那利群岛的亚尔缪德二十五公升，巴科阿里③群岛的苦亚丹二十六公升，沙皇彼得的普特三十公升。

Now, Justin Timberlake and Trace Ayala, who were childhood pals in Tennessee, are hoping for similar success with William Rast, a denim collection that's been expanded to include men's and women's ranges designed by Johan and Marcella Lindeberg.

现在，贾斯汀和特雷斯·阿亚拉，是在美国田纳西州童年好友，都希望类似的成功与威廉，牛仔裤收集，已经扩大到包括男子和妇女的范围内。设计师约翰和马尔切拉林德伯格。

Cars form the symbolic heart of novels looking back at the 1970s - such as Jonathan Coe's The Rotters' Club, set around British Leyland's struggling Longbridge plant, and Louis de Bernières's A Partisan's Daughter, which follows a salesman driving through the winter of discontent in a "shit-brown Allegro".

在回顾20世纪70年代的小说中汽车成为了象征性的核心意象——例如乔纳森·科伊的《无赖俱乐部》，故事发生在英国利兰的一家垂死挣扎的长桥工厂，还有路易·德·伯尼埃尔的《一个党派人士的女儿》，故事中一个售货员在冬季很不满地开着一辆&令人作恶的棕色阿莱格罗&。

Carey Ashburn had brought a little tea, which he had found in the tobacco pouch of a captured Yankee en route to Andersonville, and everyone had a cup, faintly flavored with tobacco.

凯里 -阿什伯恩带来了一点茶叶，那是从一个到安德森维尔去的北军俘虏的烟叶袋里找到的，给每人都泡了一杯，可惜略略有点烟草味。

Bernard of Clairvaux and in the 13th century by the famous Italian philosopher St.

反对以教条的圣母无染原罪是在12世纪由法国修道院的圣伯纳德的克莱尔沃，并在13世纪由意大利著名哲学家圣托马斯阿奎那。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。