阿伯德尔

And when they were come in, they went up into an upper room, where abode Peter and John, James and Andrew, Philip and Thomas, Bartholomew and Matthew, James of Alpheus, and Simon Zelotes, and Jude the brother of James.

他们进了城，就上了那座他们所居住的楼房，在那里有伯多禄、若望、雅各伯、安德肋、斐理伯、多默、巴尔多禄茂、玛窦、阿耳斐的儿子雅各伯、热诚者西满及雅各伯的兄弟犹达。

LeVar Burton, Maya Angelou, Ji-Tu Cumbuka, Moses Gunn, Thalmus Rasulala, Hari Rhodes, William Rhodes, William Watson, Ren Woods, Cicely Tyson, Edward Asher, O.J. Simpson, Ralph Waite, Louis Gossett Jr., Robert Reed, Lorne Green

LeVar伯顿，玛雅安吉罗，继涂Cumbuka ，摩西耿氏， Thalmus Rasulala ，哈罗德，威廉罗德，威廉华生，任伍兹，西塞莉泰森，爱德华阿舍尔黄疸辛普森，拉尔夫韦特，路易安分守己小罗伯特励，罗恩绿色

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金融银行美国第一联邦信用合作社ACMG可信联邦信用合作社阿拉斯加美国联邦信用合作社奥尔登维尔储蓄互助社美国第一联邦信用合作社主播银行双方储蓄银行卡应用美国亚利桑那州联邦信用合作社亚利桑那州立储蓄互助社阿灵顿联邦信用合作社波多黎各人民银行银行中西部，美国全国银行协会，美国犹他州横幅银行全国性协会银行巴克莱银行巴克莱银行特拉华贝尔科合作信用社分支银行与信托公司的伯班克市联邦信用合作社第一资本，联邦安全局第一资本，全国性的协会，首都一家银行卡服务信用社股份有限公司查特韦联邦信用合作社美国大通银行，全国性协会切尔西格罗顿储蓄银行花旗银行，北美花旗银行南达科他，不适用国民银行公民的权益第一信用卡联盟格士德银行有限公司。

A long string of popular albums resulted, including Mein Liebeslied (2000), Napoli Adieu (2001), Drei Stimmen d'Amour (2001; co-featuring Mara Kayer and Francine Jordi), Mein Gefьhl (2002), Das Beste von Monika Martin (2002), Himmel aus Glas (2003), Eine Liebe Reicht fьr Zwei (2004), Ave Maria: Lieder zur Stillen Zeit (2004), Ein Kleines Glьck (2005), Schmetterling d'Amour (2005), Heute Fьhl' Ich Mich Wie Zwanzig (2006), and Aloha Blue (2007)- most of which were Top 20, if not Top Ten, hits in Austria and anywhere from Top 50 to Top 100 hits in Germany.

专辑的流行造成一长串，包括炒面Liebeslied（2000年），那不勒斯再见（2001年），科特迪瓦爱德雷伊之声（2001；合作具有马拉戈耶尔和弗朗辛霍尔迪），炒面Gefьhl（2002年），达斯Beste马丁冯莫妮卡（2002年），希默尔澳大利亚玻璃（2003年），Eine利伯Reicht黵Zwei（2004年），圣母颂：之歌楚Stillen宰特（2004），艾因KleinesGlьck（2005年），Schmetterling德爱（2005年），霍伊特Fьhl'非物质文化遗产密歇根魏Zwanzig（2006年），和阿罗哈蓝色（2007）-其中大部分是前20，如果不是前十名，在奥地利安打，任何地方从50强的前100点击在德国。

Alphonsus, two names are deserving of special mention: Gousset, whose "Théologie morale"(1844) had been preceded by his "Justification de la theologie morale du bienheureux Alphonse-Marie Liguori"(2nd ed., 1832); Jean-Pierre Berman, professor at the seminary of Nancy for twenty-five years (1828-1853), and author of a Theologia moralis ex S.

在这些谁甚至在此之前曾大力反对，主要是通过提供反对的理论的圣阿方，这两个名字值得特别一提： Gousset ，其"神学的士气"（ 1844年）之前，他的"理由德拉鲁阿神学的士气都bienheureux阿马里利顾理"（第二版。， 1832 ）；让皮埃尔伯尔曼教授在学院的南希为二十五年（ 1828年至1853年），和作者的道德神学前语。

Steve Bailey, Ricky Sebastian, Bill O'Connell, Herb Ellis, Eddie Gomez, Marvin "Smitty" Smith, Kristen Buckley, Lincoln Goines, Steve Masakowski, Leni Stern, Terry Holmes, Marty Ashby, Bob Felder, David Derge, David Benoit, and Nelson Rangell.

史蒂夫贝利，里奇塞巴斯蒂安，比尔奥康奈尔，药草埃利斯，艾迪葛梅兹，马文"斯密"史密斯，克里斯巴克利，林肯高尼斯，史蒂夫Masakowski，莱妮斯特恩，特里福尔摩斯，马蒂阿什比，鲍勃费尔德，大卫德格，大卫伯努瓦，和尼尔森兰盖尔。

Briggs, Brendan Gleeson, Greg Kinnear as Clark Poundstone, Amy Ryan as Lawrie Dayne, Said Faraj as Seyyed, Khalid Abdalla as Freddy, Michael O'Neill as Colonel Bethel, Antoni Corone ..

布里格斯，布伦丹格里森，格雷格金尼尔为克拉克庞德斯，艾米瑞安作为劳瑞戴恩说，法拉杰的弗雷迪，迈克尔奥尼尔的赛义德，哈立德阿卜杜拉伯特利上校，安东尼科罗内。。。

Burns , Gérard Depardieu as Cook Didier , Jane Adams as Rochelle , Michael Estime as Marlon , Susan Kellermann as Gunther , Jascha Washington as Darius , Matt Ross as Adamian , Ranjit Chowdhry as Dr .

伯恩斯，热拉尔德帕迪约的拉罗谢尔，由于库克迈克尔埃斯蒂梅迪迪埃，简亚当斯的马龙，苏珊克勒曼的冈瑟，雅舍华盛顿的阿达米安，兰吉特乔杜里的大流士，马特罗斯的医生。

Other collectors said to own Gursky in depth are Eli Broad in Los Angeles, Mitchell Rales in Washington, DC, and Bernard Arnault in Paris.

另外一些已知深入收藏古尔斯基作品的收藏家们还有洛杉矶的埃里·布劳德、华盛顿的米歇尔·瑞尔斯和巴黎的伯纳德·阿诺特。

In 1925, Arsenal appointed Huddersfield Town manager Herbert Chapman to take over at the club, and it was to be a masterstroke, as Chapman went on to be an innovator and legend that changed the club as well as English football.

1925年阿森纳俱乐部委任霍斯菲尔德俱乐部经理赫伯特-查普曼接管球队，这是一个英明决策，查普曼是一位改革者也是一个传奇，他改变了阿森纳的同时也深深影响了英国足球。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。