间或

Reds may vary from a brownish red to an orangey tan. Belge has black, brown, and/or white hairs mixed with the red. With various colors, the furnishings may be a bit lighter. Some dogs may have black masks.

红色可能从红褐色到橙红色都有，杂色包括了黑色、褐色间或搀杂了一些白色和红色，可能装饰着少许色斑，有些狗可能有黑色&面具&。

Results Histologically, the tumor was composed of mildly cellular benign-appearing spindle-shaped cells and bands of hyalinized collagen in varying proportions from area to area, and a typical patternless archite...

结果镜下见肿瘤组织由不同比例的纤维母细胞和胶原构成，纤维母细胞分化良好，形态多样，散乱穿梭于胶原蛋白束之间或环绕在玻璃样变的血管周围，伴有局灶性致密区域；胶原成分发生玻璃样变，局部呈轮辐状或瘢痕状排列。

Seen now, in broad day-light, she looked tall, fair, and shapely; brown eyes with a benignant light in their irids, and a fine pencilling of long lashes round, relieved the whiteness of her large front; on each of her temples her hair, of a very dark brown, was clustered in round curls, according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue; her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet; a gold watch (watches were not so common then as now) shone at her girdle.

我仍旧打量着她们，间或也仔细审视了一下教师——确切地说没有一个使人赏心悦目。胖胖的一位有些粗俗；黑黑的那个很凶；那位外国人苛刻而怪僻；而米勒小姐呢，真可怜，脸色发紫，一付饱经风霜、劳累过度的样子，我的目光正从一张张脸上飘过时，全校学生仿佛被同一个弹簧带动起来似的，都同时起立了。

In the rituals of Plerosis, the filling of time or the beginning again of the new time, dramas of excess and overabundance of power are portrayed in the rituals.

在仪式的修复，填补了时间或重新开始，新的时间，戏剧过剩和过多的权力描绘的仪式。

You can say i'm selfish, ignorant and that i don't care gotta understand i took your pain away from your own fears putting you through this would shatter your hope and dreams you just don't see it right now till it hits your own scene believe me i care it's just that this world is all about survival dealing with denial it's our own personal issue and trial Chorus 2x Only in deep down dreams i feel your face as i stare off into the lost open space or ratherly pounds of thousands pace concentration gets hard when i'm at work mixed up between dreams and reality, yes it hurts i find myself hiding just so i can feel ya true love, i never achieve it so loneliness still attached to my everyday instinct so many new faces dashing through been searching forever just tryna find the real you ah, imagine you and i at that place, that place that separates pain away from peace in the country field we dash through just ,you and i as we join hands and hands spread your wings and sooth with me to another land over the ocean as we freeze through the breeze these memories will not be put to rest learn to move on and live your life at it's best forward towards another day waking up stunned again damnn, i'm just dreaming away...

你可以说我自私，无知，而且我也不在乎爱是理解我把你的疼痛远离自己的担心让你通过这将打破您的希望和梦想你刚才没有看到它现在直到访问您自己的舞台相信我，我照顾只是，这个世界就是生存处理拒绝这是我们自己的个人问题和审判合唱团2 只有在内心深处的梦想我觉得你的脸我瞪了进入了开放空间或ratherly磅的数千步伐浓度会很难当我在工作混合了梦想与现实之间，是疼我发现自己隐藏，所以我能感觉到亚真正的爱情，我从来没有做到这一点如此孤独仍然附在我的日常本能这么多新的面孔通过破灭一直在寻找永远只是tryna找到真正的你啊，你可以想象，你和我在那个地方，那个地方分离疼痛远离和平在该国的领域，我们通过破折号刚才，你和我，因为我们携起手来，双手展开你的翅膀和抚慰我到另一个陆地的海洋，因为我们通过冻结微风这些记忆将不会平息了解进入你的生活和居住在最好迈进新的一天起床震惊再次damnn ，我只是梦想远离找到了

This means that modeling can be realizably applied to make the optimal operation schemes regardless of pilot-scale and/or full-scale experiments.

这表明，在很大程度上数学模拟技术可以替代中间或现场试验，从而被用来诊断运行问题、并制定工艺运行优化策略。

Not only is there no definite indication of time or place, all being vaguely rhapsodical; but there is no movement, no culmination or catastrophe.

不仅是有没有明确的迹象显示时间或地点，都被隐约rhapsodical ；但是没有运动，没有高潮或灾难。

With a fully graphical interface, the menus appearance and shape can be completely user configured with independently placed buttons, various screen positions, the ability to show the current time or date, skinnability, settable tab order and keyboard shortcuts, command searching, button animation and auto-detection if installation is required to view a CD document.

与一个完全图形界面，菜单的外观和形状可以完全用户配置独立放置按钮，屏幕上的各种职位，能力，显示当前时间或日期， skinnability ，设置标签，以便和键盘快捷键，指挥搜寻，按钮，动画和自动检测，如果安装是需要检视的CD文件。

Since 1975 she has written music for more than forty theatre productions, twenty feature films, for television and radio programs, working with top Greek and foreign directors.More specifically, in the theatre: she collaborated with directors Jules Dassin, Lefteris Voyatzis, Antonis Antypas, Maya Lyberopoulou, Vassilis Papavassiliou, Kostas Bakas, Spyros Evangelatos, et al.

并在雅典的音乐学校接受了十五年的正规教育(这所叫奥德翁的学校培养了众多杰出的艺术家)，然后进入雅典大学研读历史及考古学。1967至1974年是她的巴黎留学时期，她参加流亡社团，主攻民族音乐学，遭遇巴黎的爵士纪元，间或创作商业歌曲。

Or could kill one or two months, but do not expect an immediate concern toAt the end.

间或能杀个一两次，但别指望能一杀到底。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。