间奏曲

Fantasien Op. 116" was finished in 1892, including seven short pieces named "Capriccio" or "Intermezzo.

本论文所研究之《幻想曲》作品116即为布拉姆斯於1892年所创作，其中共包含七首标题为〈随想曲〉、〈间奏曲〉之小品。

The piano works of Johannes Brahms (1833-1897),the most prominent composer in Germany in the second half of the 19th century , ranged over classical sonata,partita and characteristic opusculum such as capriccio,intermezzo , Rhapsody as well as folk songs, the dance music and so on.

约翰奈斯·勃拉姆斯(18331897)德国十九世纪后半叶最卓越的作曲家，勃拉姆斯的钢琴作品，涉古典奏鸣曲、变奏曲以及特性钢琴小品如随想曲、间奏曲、狂想曲以及民间歌曲、舞曲等。

Five octaves above the intermezzo's end note, a fortissimo tirade pounces out of the sky, written in four-four-time but played in seven-eight (one-two-three-four-one-two-three etc.).

在间奏曲结束音的五个八度以上的地方，一段激烈的最强音腾空而起，它被记录在四四拍的谱上，但却以七八拍弹奏。

I have never seen Stella Dallas or Intermezzo .

我从没看过《斯特拉·达拉斯》或《间奏曲》。

This article will research into the performance style, ways of touching keys and the acoustics of it. Through the comparison of the Intermezzo in three periods, I will also make an intensive study of his Intermezzo, especially the late period one. I hope that this research can provide valuable reference.

Op.117这一作品是其"间奏曲"中最为著名的一部，同时也是钢琴独奏音乐会中使用较多的一首，本文将对其演奏风格、触键方法及应该表现的音响效果方面进行研究，并通过三个时期间奏曲的对比对其间奏曲，尤其是晚期间奏曲进行比较系统的研究，希望这一研究可以为这一方面提供有价值的参考。

Op.117 is the most famous one in all his intermezzo.

op.76、op.116、op.117、op.118和op.119中运用了"间奏曲"这一体裁。

Opera is music, drama, literature, dance, theater and art as a comprehensive integration of art, usually by the Aria, Recitative, ensemble, chorus, Overture, Intermezzo, dances and other components.

歌剧是将音乐、戏剧、文学、舞蹈、舞台美术等融为一体的综合性艺术，通常由咏叹调、宣叙调、重唱、合唱、序曲、间奏曲、舞蹈场面等组成。

In the piano music creation in his lifetime, only Op.10, Op.76, Op.116, Op.117, Op.118 and Op.119 use the "Intermezzo" However, in terms of time, these creative works, ran through the Brahms'career life.

在勃拉姆斯一生的钢琴曲创作中，只有Op.10、Op.76、Op.116、Op.117、Op.118和Op.119中运用了"间奏曲"这一体裁。但从时间上来讲，这几首作品的创作，贯穿了勃拉姆斯一生的创作生涯。

Brahms ; piano intermezzo ; classical sonata ; romanticism; creative characteristics

勃拉姆斯；钢琴间奏曲；古典主义；浪漫主义；创作特点

II. Intermezzo: Borghilds Dream 04:00

16：间奏曲：博格希尔德之梦

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。