间变

The adsorption of polyoxyethylene alkyl ether surfactants (Brij 30 and Brij 35) on synthetic smectite clay nanoparticles and the interactions between them have been investigated through surface tension, zeta potential and rheology properties measurements, showing that Brij 30 and Brij 35 are adsorbed onto Laponite surface, and the adsorption is increased with decreasing oxyethyl groups.

通过表面张力、Zeta电位和流变学参数的测定，研究了聚氧乙烯烷基醚类非离子型表面活性剂(Brij 30和Brij 35)在合成锂皂石纳米颗粒表面的吸附及对Laponite水分散体系中颗粒间相互作用和体系粘度的影响。结果表明，这类表面活性剂能显著地吸附在Laponite颗粒表面上，且吸附量随其分子中POE链长短而不同。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The mechanical creep in photoelastic models is accompanied by a variation with time of the optical effects.

光弹性模型中的力学蠕变，伴随着光学效应随时间的变化。

This study on creep behavior of TiAl Polysynthetically Twinned crystals was carried out primarily to understand the effect of lamellar orientations on creep behavior in TiAl alloys with lamellar microstructure. It also provides a theory fundament for microstructure control and design for TiAl alloys.

为了研究片层取向对片层组织TiAl合金蠕变性能的影响，同时为合金的组织控制及设计提供理论依据，本文对TiAl金属间化合物PST晶体（Polysynthetically Twinned Crystal）的高温蠕变行为进行了较为细致的研究，并着重研究了片层相对于外力轴的取向对PST晶体蠕变性能的影响。

In the first place, there is the alternation of night and day, and morning and sunset, and a cool evening following upon a hot day, and a silent and clear dawn presaging a busy morning, and there is nothing better than that.

第一，这里有昼和夜的递变，有早晨和黄昏，凉爽的夜间跟在炎热的白昼的后边，沉静而晴朗的清晨预示着一个事情忙碌的上午：宇宙间真没有一样东西比此更好。

The results show that the reverse martensitic transformation start temperature increases with the increase of prestrain, which may be due to the elastic energy released by prestrain, and the energy dissipated increased by plastic deformation and the constrain effects of grains.

结果表明，逆相变开始温度随预应变增加而增大，其原因是预应变造成马氏体再取向使弹性能降低，引起的塑性变形和晶粒间的约束提高了耗散能。

Inflorescence a raceme with 2 or 3(–6) spikelets, rarely a panicle with many spikelets, peduncle, axis, branches, and pedicels slender, glabrous, scabrous or pubescent along longitudinal angles, branches usually subtended by a scaly bract at base. Spikelets ± compressed at maturity, several to many florets; rachilla disarticulating below fertile florets, extended beyond palea of uppermost floret, internodes flattened or concave on side facing floret.

花序为一总状花序具2或3(-6)小穗，一圆锥花序具很多小穗，花序梗，轴，分枝和花梗纤细，沿着纵向的有棱的无毛，粗糙的或短柔毛的很少，成熟时的小穗多少压扁，数枚到多数小花；在肥沃的小花下面脱节的小穗轴，在最重要的小花的内稃以外延长，在边面对小花上节间被变平或者凹。

His remarks also came after Rajendra Pachauri, chief of the Intergovernmental Panel on Climate Change, admitted that his panel's controversial 2007 claim that Himalayan glaciers could disappear within three decades was "an error", though he insisted the reality of global warming could not be ignored.

就在解振华发表这番讲话之前不久，政府间气候变化专门委员会主席拉津德·巴乔里承认，该委员会2007年提出的有关喜马拉雅地区冰川可能会在30年内融化殆尽的有争议说法，是&一个错误&，尽管他坚称，全球变暖的现实不容忽视。

In order to ravel out these issues, the author presents a basic resolution in this dissertation, that is, to improve the components of the authorization system that are reasonable and adaptable to China and to overcome the malpractice of the authorization system through institutionalizing; to advance the reform of government management; to push the reform of three groups of elements by building a matching system between financial capacity and public services responsibility, to change the all-round authorization to selective authorization, to stimulate the combination of selective recentralization, felicitous authorization and rational decentralization of power, and ultimately to realize institutional decentralization.

为了解决这些问题，本文提出了对授权体制改革的基本思路：通过制度化建设，提升授权体制的合理因素和适合国情的成份，克服授权体制的弊端，着力进行政府管理层面的改革；以构建政府间财力与公共服务职责相互匹配的体制为突破口，统筹推进三组要素的改革，变整体授权为有选择的分类分层次授权，推进选择性集权、适当授权和合理分权的有机结合，最终实现制度性分权。

A petrographic analysis combined with electron microprobe analysis and SEM shows that black opaque matters, whose composition is mostly of microcrystalline silicate and magnetite, are widely found running reticulately through mineral particles, crystals and cleavage cracks in association with metasomatic alteration in the mafic-ultramafic xenoliths and their host rocks.

经岩相学和电子探针及扫描电镜分析发现，伴随交代蚀变，寄主岩和各类镁铁-超镁铁质包体岩石中，普遍发育沿粒间和矿物晶体裂隙或解理纹贯入或穿插的黑色不透明物质，主要由微晶硅酸盐矿物和磁铁矿组成。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。