长裙

Two wearing "cheongsam", or long dresses, stand either side of the podium while three or more in knee-length dresses hold platters bearing the medals and bouquets of nine red roses, with red a lucky colour in China and nine meaning everlasting.

两个穿着旗袍，或者长裙，站在领奖台两侧，其他的三个或者更多的穿及膝的裙子手捧盛奖牌和九朵玫瑰鲜花的托盘，花是中国吉祥的红色，九朵意义是永恒不变。

Everyone preens in lounge suit, new gown and eye-alluring hat; food and drink mellow and enliven.

人们穿着西服革履、新长裙，戴着式样新奇的帽子，食物饮料醇美爽口。

We are Chinese son and daughter of the five thousand years history with the wonderful moonbeam and classical music.

在明媚的春天，或袭一款手绘旗袍配真丝披肩诉说古典的典雅和从容，或着一款维多利亚式的长裙飘逸青春的浪漫和纯净，挽一法式的高髻立于半开的窗前，任月华洒满大地，让如水的古琴声过滤所有可笑的荒谬。

All new outfits are in works, but the limited addition Roland Mouret Dress (Pink + Black, only 2 pieces in the world) will be wore again.

这次的服装会换新的，不过像那条全球只有两件的粉红色长裙还是会穿。

A structured dress like Roland Mouret's elegant,tailored shift or Versace's fitted safaristyle number has the right kind of gravitas.

而一件像罗兰穆雷设计的优雅且剪裁讲究的长裙那样的贴身服装或者范思哲的合身出行装就显的很得体。

A structured dress like Roland Mouret's elegant,tailored shift or Versace's fitted safaristylenumber has the right kind of gravitas.

而一件像罗兰·穆雷设计的优雅且剪裁讲究的长裙那样的贴身服装或者范思哲的合身出行装就显的很得体。

Such an outfit of a low neckline dress and jacket also gives you the choice to bare more.

这样一件低领口的长裙和外套还可以给你更多的机会来暴露。

Camilla wore a black and silver gown for the world gala film premiere of 'These Foolish Things', at the Odeon Kensington.

在一次电影首映式上，卡米拉的黑色上衣完美地搭配了这条银色长裙。

Camilla wore a black and silver gown for the world gala filmpremiere of 'These Foolish Things', at the Odeon Kensington.

在一次电影首映式上，卡米拉的黑色上衣完美地搭配了这条银色长裙。

Last year in another play, she had to wear short socks and a bright, orange-coloured dress.

去年，在另一出戏里，她穿着短袜和显眼的桔黄色的长裙。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。