长裙

There must have been some sort of complication, for both of them, moving carefully forward and stepping over the dresses of the ladies, went off in quest of another young man with whom they continued the discussion in the embrasure of a window.

大概这事发生了麻烦，他俩蹑手蹑脚地走着，跨过女士们的拖到地上的长裙，去找另一个年轻人，他们在一个窗口，与那个年轻人继续谈话。

The glrl's long skirt encumber her while running.

这女孩子的长裙在她跑的时候阻碍她的行动。

Come evening, it's flirty cocktail numbers in silk faille, gala-worthy columns with matching rib-skimming boleros, and—rather fittingly, given the show's location—strapless gowns to do a robber baroness proud.

到了晚上，有轻快的鸡尾酒裙，有丝制罗缎的，有节庆的筒裙搭配波莱罗短上衣，还有——不太适宜，介于发布会的场所——无带长裙，有着女男爵的骄傲。

Fluting cast a subtle enchantment over men's senses, and silk-gowned girls strolling through the woods added to the charm of the scene.

笛声微妙的迷惑着人的感官，而穿着丝质长裙的姑娘们在树林间穿梭，更是为这景色增添了韵致。

Do you think I felt like taking pictures of silly girls in frocks?

你觉得我会喜欢给穿长裙的无脑女孩拍照吗？

At the end of the show, he locked the frocks and wigs away.

演出完事后，他再将长裙和假发收放好。

She was wearing a full - length skirt which swipe the ground.

她有三英尺高，两只手放在腰部，身穿一件拖地长裙。

This long, often colorful and simple-paterned dress includes a full skirt, gathered waist,and tightfitting bodice.

这种样式通常很简单且色彩鲜艳的长连衣裙包括一条长裙、束腰和紧身上衣。

This long, often colorful and simple-patterned dress includes a full skirt, gathered waist, and tightfitting bodice.

这种洋装很长，样式简单，往往色彩鲜艳，包括一条长裙、束腰和紧身上衣。

I can still see that dress, in all its magnificence, being unwrapped from its sheaves of tissue paper in the nursery, it was made of velvet the color of Chinese amber. It had a full skirt, with froths of petticoats; it had puff sleeves and a large lace collar.

我仍然能看到那个礼服，非常显眼，和一堆纸巾零散地放在育婴室里，是一个具有中国琥珀色的丝绒编织而成的，是一个长裙，带有衬裙的花边；有着长长的袖子和一个大的领子

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。