长子

These are their generations: the firstborn of Ishmael, Nebaioth; then Kedar and Adbeel and Mibsam

1：29 他们的后代记在下面：以实玛利的长子是尼拜约，其次是基达、押德别、米比衫

These are the names of the sons of Ishmael by their generations: Ishmael's first son was Nebaioth; then Kedar and adbeel and Mibsam

以实玛利儿子们的名字，按着他们的家谱记在下面。以实玛利的长子是尼拜约，又有基达，亚德别，米比衫

And these are the names of the sons of Ishmael, by their names according to their generations: the firstborn of Ishmael, Nebaioth; then Kedar and Adbeel and Mibsam

25：13 以实玛利儿子们的名字，按着他们的排行记在下面：以实玛利的长子是尼拜约，其次是基达、亚德别、米比衫

These are the names of the sons of Ishmael, listed in the order of their birth: Nebaioth the firstborn of Ishmael, Kedar, Adbeel, Mibsam

以实玛利儿子们的名字，按着他们的家谱记在下面。以实玛利的长子是尼拜约，又有基达，亚德别，米比衫

These are their generations: the oldest son of Ishmael, Nebaioth; then Kedar and Adbeel and Mibsam

1：29 以实玛利的儿子记在下面，以实玛利的长子是尼拜约、其次是基达、押德别、米比衫

These are the names of the sons of Ishmael by their generations: Ishmaels first son was Nebaioth; then Kedar and Adbeel and Mibsam

25：13 以实玛利儿子们的名字，按着他们的家谱记在下面。以实玛利的长子是尼拜约，又有基达，亚德别，米比衫

These are their generations: The firstborn of Ishmael, Nebaioth; then Kedar, and Adbeel, andMibsam

以实玛利的儿子记在下面，以实玛利的长子是尼拜约，其次是基达，押德别，米比衫

These were their descendants: Nebaioth the firstborn of Ishmael, Kedar, Adbeel, Mibsam

以实玛利的儿子记在下面，以实玛利的长子是尼拜约，其次是基达，押德别，米比衫

These are the names of the sons of Ishmael, listed in the order of their birth: Nebaioth the firstborn of Ishmael, Kedar, Adbeel, Mibsam

以实玛利儿子们的名字、按著他们的家谱、记在下面。以实玛利的长子是尼拜约、又有基达、亚德别、米比衫

These are the names of the sons of Ishmael by their generations: Ishmaels first son was Nebaioth; then Kedar and Adbeel and Mibsam

25：13 以实玛利儿子们的名字、按著他们的家谱、记在下面，以实玛利的长子是尼拜约、又有基达、亚德别、米比衫

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。