长女

This mexican movie is not just about romantic love; it"s alsoabout love for food, family, and tradition. pedro and tita can"t getmarried because titas mother wants her oldest daughter to be marriedfirst – to pedro. and she wants tita to stay home and take care of her.tita acquiesces, but finds that her cooking has unusual powers.

这部墨西哥电影可不止是简单的爱情故事，它同时表达了对食物、对家庭和对传统的热爱：pedro和tita相爱却不能结婚，因为tita的母亲希望自己的长女能嫁给pedro，而希望tita能留在家中照顾自己。tita勉强答应了母亲的要求，同时发现自己的烹饪有些特殊的能力

Our eldest-born, speak first.

你是长女，你先说。

Among examples of attention lavished on the 'precious first borns' were tales of how mothers rubbed shampoo into their own eyes before using it on their baby to ensure it wouldn't sting, and pulling their prams backwards for miles to keep the sun off their adored offspring.

通过很多例子可以证明妈妈对&珍爱的长子或长女&所付出的极度关爱，例如在给宝宝擦洗发水前，妈妈会先擦一些在自己眼睛上，确保不刺激皮肤。妈妈还会倒推婴儿车数英里，为的是喜爱的宝宝不被太阳晒到。

Just as the sun rose, she returned to the older woman.

太阳升起时，她回到年长女的家。

Ed sometimes at only half the rate of firstborns.

在高收入人群中，长子或长女的比率明显大。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。