错视

C. Escher and Japanese planar design sponsorFustian. And it analyses the logo and connotation to show us it is a bridge whichbetween looker and framer.

通过这篇文章让我们明白，应该对错视的基本原理和分类有清晰的认识，对错视图形的类型及它的表现力和艺术感染力有准确的把握，对平面设计中错视图形的趣味性有更深层次的理解。

He employs mechanisms more commonly associated with lavish "motion picture" productions for cinema: notably his trompe l'oeil cinematographic vision, manifested in elaborate chiaroscuro combinations of light and half-light; tight control of changes in perspective and arrangement of the cast in majestic tableaux vivants; and a miniaturist's hypersensitivity in committing human emotions to film, his precise handling of the camera capturing the subtleties of sadness, melancholy, and grief as well as of prolonged expressionlessness and impassivity.

他使用了奢华的"电影"更普遍采用的影院制作机制：精心设计出明暗对照的光线组合所产生的电影错视画面；严格控制视角的变化和场面宏伟的活动画面中演员走位的安排；正如一个微图画家般的超敏性，将人类情感赋予电影，通过他对摄影的准确把握，捕捉悲伤、忧郁和哀痛，长时间的沉默和平静的细微差异。

The show is not all trompe l'oeil: there are a handful of old master paintings too.

本次展览业并非全是错视画：古老的大师级作品也不少。

From small graffititype works of art on doors to trompe l'oeils painted on tall buildings, Lyon is full of examples.

从画在门上的小型涂鸦作品到绘在高层建筑物上的错视画，这种景致在里昂比比皆是。

While the Renaissance organized all space in accord with a distant vanishing point, perspective in the trompe l beil is, in a sense, projected forward .

文艺复兴组织的一个即将消逝的，遥远的点--错视画派的透视画法--从某种意义上说，是一个超前的计划。

This 19th-century work by Pere Borrell del Caso is a classic example of trompe l'oeil, art made with the purpose of fooling the eye.

这幅由Pere Borrell del Caso 创作于19世纪的作品，今天依然是错视画法的经典案例。错视画顾名思义就是要混淆视觉。

The experiment result also shows that the realizations of the sense of spatial visual illusion in color for triers in different genders are different. The realizations are also different in shape and color for triers in different education backgrounds.

实验结果也显示，不同性别的受测者对於色彩在视觉错视空间感的认知上是有差异的，不同学习背景的受测者对於造形、色彩在视觉错视空间感之看法也是有差异的。

In a brief be the thin just inclined problem of Gao Ai3 Pang4 of human body, rectifying body blemish the nothing but is to pass to pack to make shortly have a liking for go to a little higher, long of have a liking for go to a little bit shorter, or make to have a liking for fatly to lose 1:00, thin of have a liking for go to a little bit fatter and F, usually the length be wrong to see, partition wrong see, the angle be wrong to see and contrast wrong see conveniently more in the costume design, and rectify to the human body of the effect be also more obvious.

简单地说就是人体的高矮胖瘦正斜问题，对形体缺陷的纠正无非就是通过着装使短的看上去高一点、长的看上去矮一点，或者使胖的看上去瘦一点、瘦的看上去胖一点而己，通常长度错视、分割错视、角度错视以及对比错视在服装设计中用的比较多，而且对人体纠正的效果也比较明显。

To find out if we can maximize the effect of illusion by manipulating the figural factors of mosaic, we designed a series of experiments to examine how these factors affect these two illusions. The results show all factors have no significant effect on the magnitude of Craik-O'brien-Cornsweet illusion. And there are 3 factors, scale of tesserae, width and hue of grout, that have significant effect on neon color spread illusion.

经过初步的资料收集以及分析以后，选定Craik-O'brien-Cornsweet illusion以及neon color spread illusion这两种错视作为研究对象，并分别设计了一系列这两种错视在马赛克形式下的错视效果实验，藉此了解是否能够透过操作马赛克型式的基本要素以达到最强烈的错视效果。

In the pre-experiment stage, we analyze the colors and shapes of 135 visual illusions by Kitaoka, a Japanese scholar. The result is referenced in the formal experiment. Formal experiment includes three sub-experiments: Experiment 1 is to discuss the effect of the displacement of disjunctive center on visual illusions' movement; Experiment 2 is to discuss the effect of image layout on visual illusions' movement; Experiment 3 is to discuss the effect of color configuration on visual illusions' movement. Post-experiment stage is a repeat of formal experiment to confirm the results.

前测实验是进行日本学者北冈明佳的135幅错视动态作品之造形与色彩的分析，并将分析结果作为正式实验样本之参考；正式实验分成三个实验进行探讨，实验一在探讨分割点中心的位移对於错视图形在视觉动态上的影响，实验二在探讨图形配置对於错视图形在视觉动态上的影响，实验三在探讨色彩配置对於错视图形在视觉动态上的影响；而后测实验则是将正式实验之实验结果进行再实验，以印证正式实验之结果。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。