铜版画

The copperplate painting, is a cave line that was engrave or decays in the metals layout of printed sheet to enter the printing ink, the flat surface part of the layout of printed sheet is after is wipe cleanly then put the bedplate in printing machine, on the mat the paper that wetness lead, cover the son of woollen, bring pressure to print to make but become of.

铜版画，是在金属版面被刻制或腐蚀过的凹线渗进油墨，版面的平面部分被擦干净后，再放在印刷机的台板上，垫上湿润过的纸张，盖上毡子，施加压力印制而成的。

Coin, zinc plate, plastics plank, plywood, carton, can use to make to print the work, but use the cave version version painting of the metals version creation, knowing together as the copperplate painting.""

铜板、锌版、塑料板、三夹板、纸板，都可以用来制印作品，而用金属版制作的凹版版画，统称为铜版画。

This essay explores the interaction of Romanticism and chalcography, and the evolution of its expression and techniques.

本研究在於探究铜版画与浪漫思潮的互动关系，以及铜版画语言与技术的演化。

The fourth section discusses the creativity and material in the techniques of chalcography.

第四部分讨论铜版画技法的创新和质感表现。

This essay concludes that the liberality in chalcography is the departure of modern print.

最后，归纳出此阶段铜版画呈现的自由创作特徵乃现代版画的起点。

The movement of Romanticism has played a key role in the transformation when chalcography developed from a printing technology into a creative medium.

铜版画从古代的印刷科技演变成为今天的艺术创作媒材，作为关键时期的浪漫主义运动扮演了重要角色。

This exhibition shows the chromolithograph and copperplate etching collections of the Tai Wan collector Qin Feng, they were made in the British and French pictorial at the end of the 19th century, with the theme of Beijing city during the invasion of British-French Allied Force, and the Boxer Event.

此次展览的是台湾收藏家秦风先生收藏的一批石印画和铜版画，它们是十九世纪末英法两国画报所印制的，主要围绕着英法联军和庚子事变两个重大历史事件中的北京城。

I got to know the whole process of making a copperplate etching today.

我今天了解到了制作一幅铜版画的全过程。

In china, contemporary art and palace copperplate of Qing have background in common. So it gives a reference for contemporary of china.

中国当代艺术与清代宫廷铜版画，有着相似的背景，因此它为中国当代艺术提供了参酌与借鉴。

His choice of copperplate and his new treatment of themes of traditional Chinese culture are a sign of his deep thinking and vigorous efforts in the period of transition.

他对于铜版画的选择，乃至于他对中国文化主题的当代性呈现，都体现了他对于这种转型的自觉思考与积极构建。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。