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与 野蛮的 相关的网络例句 [注:此内容来源于网络,仅供参考]

The foul ork, although nothing more than a savage beast, does possess low, animalistic cunning. The ignoble eldar will use cowardly spring attacks and hit-and-run tactics. The base tyranids are so bestial and degraded an enemy that we cannot precisely predict what they may do. The dark force that warp the minds of men and prove the previously pure of mind to be unclean, will sink to any level in order to douse the Immortal Emperor's holy light.

好比那野蛮的兽人,尽管它们和凶残的野兽并无二致,依然可以像狐狸一般狡猾;以及那卑鄙的eldar,他们通常会进行小规模的跳跃式攻击并使用打带跑的战术;还有tyranids,这些异型是如此的残忍以至于我们根本无法准确地预测它们的行动;而黑暗的力量,这股足以扭曲人心,把原本纯洁的心灵变得肮脏的力量,会渗入到帝国的任何角落里,企图玷污帝皇不朽的神圣之光。

The foul ork, although nothing more than a savage beast, doespossess low, animalistic cunning. The ignoble eldar will use cowardlyspring attacks and hit-and-run tactics. The base tyranids are sobestial and degraded an enemy that we cannot precisely predict whatthey may do. The dark force that warp the minds of men and prove thepreviously pure of mind to be unclean, will sink to any level in orderto douse the Immortal Emperor's holy light.

好比那野蛮的兽人,尽管它们和凶残的野兽并无二致,依然可以像狐狸一般狡猾;以及那卑鄙的eldar,他们通常会进行小规模的跳跃式攻击并使用打带跑的战术;还有tyranids,这些异型是如此的残忍以至于我们根本无法准确地预测它们的行动;而黑暗的力量,这股足以扭曲人心,把原本纯洁的心灵变得肮脏的力量,会渗入到帝国的任何角落里,企图玷污帝皇不朽的神圣之光。

The foul ork, although nothing more than a savage beast, does possess low, animalistic cunning. The ignoble eldar will use cowardly spring attacks and hit-and-run tactics. The base tyranids are so bestial and degraded an enemy that we cannot precisely predict what they may do.

好比那野蛮的兽人,尽管它们和凶残的野兽并无二致,依然可以像狐狸一般狡猾;以及那卑鄙的eldar,他们通常会进行小规模的跳跃式攻击并使用打带跑的战术;还有tyranids,这些异型是如此的残忍以至于我们根本无法准确地预测它们的行动;而黑暗的力量,这股足以扭曲人心,把原本纯洁的心灵变得肮脏的力量,会渗入到帝国的任何角落里,企图玷污帝皇不朽的神圣之光。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台,张艺谋影片中的采用了时间的滞后性策略,影片中的故事本文时间均选择了过去:十九世纪三十、四十年代,抗战前期,六七十年代;影片中的本文空间均选择了远离文化中心的边缘地带,通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境;将处于社会边缘的女性放置在其中,利用观众位置的双重性认同结构,巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态:即重复再一次对女性的观看,满足东西方男性的窥视欲望。

China's university students and the just sit watching one after another clumsy lies repeated thousands times, it seems that we must become truth; pouring a pot of dirty water and wantonly throwing to our motherland, and damage China's international reputation; one by one the bad guys, rebels of colluding in cahoots, there is no shame and humiliation in front of the whole world their ancestors; one after another anti-China groups feel under the banner of "human rights,""freedom" and "democracy" banner, with shameless lies and brutal violence, wanton insult to the five-star red flag, and insulted the Chinese nation!

我们中国的大学生,眼睁睁的看着一个又一个的拙劣谎言重复上千遍,似乎就要变成真理;一盆又一盆的脏水肆无忌惮地泼向我们的祖国,损坏中国国际声望;一个又一个的华奸、叛匪沆瀣一气、狼狈为奸,毫无羞耻地在世人面前羞辱自己的先祖;一个又一个的反华集团觉打着"人权"、"自由"、"民主"的旗号,用无耻的谎言和野蛮的暴力,肆意侮辱五星红旗、侮辱中华民族!

His contributions to historical philosophy include the following: his study of the origin of time as the historical process itself is a combination of the priori and the postpriori in history that can testify the relationship between, historical philosophy and historiography; he establishes the criterion for evaluating the times by dividing time into time in conception and chronological time; he testifies the unification of cosmopolitism and patriotism based on a discussion of the relationship between the general and the individual; he describes human history as a long and arduous process in which rationality wins over irrationality and civilization wins over barbarism, a dialectical revelation of historical process.

他的历史哲学做出的贡献在于:探讨作为历史过程本身的时间的起源;以历史中先验东西与经验东西的结合论证历史哲学与历史学的关系;将时间分为概念中的时间和编年史的时间,制定评判时代的标准;以历史中普遍东西与个别东西的关系论证世界主义与爱国主义的统一;把全人类历史描述为理性战胜反理性、文明战胜野蛮的长期曲折的进程,揭示出历史发展的辩证法。

Her face, at all ordinary times so touching to look at, in its nervous sensitiveness, weakness, and uncertainty, became suddenly darkened by an expression of manically intense hatred and fear, which communicated a wild, unnatural force to every feature.

平常那种神经质的,细腻的和略带迟疑的动人面容,马上沉了下来,代之以疯狂的仇恨和恐怖,使她的脸上呈现出一种野蛮的,非自然的力量。她的眼睛同野兽一样,在灰暗的暮色中闪闪发光。

This is, of course, totally incompatible with any claims to be a democratic nation which respects the values of human life and democracy, and such an administration which tutors its servants in the ways of such barbaric tortures must be completely condemned as uncivilised and hypocritical.

这当然与任何作为尊重人的生命价值和民主的一个民主国家的声明完全不相容,这样一个以如此野蛮的方式教导其公务人员的政府必须被谴责为不开化的和伪善的。

There is no doubt that, having seized Peiping and Tientsin, Japanese imperialism will press ahead with its policy of large-scale offensives, take the second and third steps in its premeditated war plan and launch fierce attacks on the whole of northern China and other areas, relying on its own brute military strength while at the same time drawing support from German and Italian imperialism and exploiting the vacillations of British imperialism and the estrangement of the Kuomintang from the broad masses of the working people.

日本帝国主义在夺取平津之后,依靠其野蛮的武力,借助德意帝国主义的声援,利用英帝国主义的动摇,利用中国国民党对于广大劳动民众的隔离,毫无疑义将继续坚持其大规模进攻的方针,实行第二步、第三步的预定的作战计划,向着整个华北及其他各地作猛烈的进攻。

On this date in 1876, gunslinger "Wild Bill" Hickok, who brought some law and order to the Wild West, was shot and killed while playing poker at a saloon in Deadwood, South Dakota; he was holding pairs of aces and eights, which became known as the "dead man's hand."

1876年的今天,被誉为&野蛮的Bill&的Hickok,将扑克的规则带入了西部荒凉地区。当他在南方的Dakota的Deadwood酒吧玩扑克的时候被枪杀了,当时他拿着一对1和8的牌,以后人们都认为这是死亡之手。

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