野

Governor William Bradford sent "four men fowling" despite wild ducks and geese.

总督布雷德福派了"四人捕鸟队"去捕捉野鸭和野鹅。

Governor William Bradford sent "four men fowling" after wild ducks and geese.

总督布雷德福派了"四人捕鸟队"去捕捉野鸭和野鹅。

Thanks to our mutual effors, many internationl outdoor products manufacturers showed great interests in takeing part in the fair, the renowned brands like Gore-Tex, Columbia, TNF, Toread, Northland, Vaude, Kailas, King Camp, Sanfo and Fire Fox even sent their greetings to us for the fair.

在双方的共同努力下，众多国际户外用品厂商对亚洲户外展表现了极大的参展热情，戈尔、哥伦比亚、乐斯菲斯、探路者、诺诗兰、沃德、尼玛、康尔健野、三夫和火狐狸等都给展会发来了欢迎词。

F0 |; E" s; _ One night after straining his left hamstring beating out a fielder's choice, Alex Rodriguez played a key role in helping keep Minnesota off the board, a frame that saw Wang walk three batters -- one erased by a caught stealing -- and allow a hit."

在昨天晚上因为野选而拉伤了左脚筋的A-Rod，也扮演了让双城在记分板上挂零的关键角色，当时小民保送了三名打者–其中一名盗垒被捕–而后又被击出一支安打，「那可能是今日最佳好球，」厚黑说：「如果那时没守下来，他们很可能会得个好几分。

The middle notes of delicate and tender flowers somewhat soften this sensualist whirlwind leaving Wild Rose and Freesia to flourish.

微妙的鲜花和招标有所软化这感觉派旋风离开野玫瑰和小苍兰，中调的蓬勃发展。

Is there freewheeling hoyden who is without any bondage ?

还是不受任何束缚，随心所欲的野丫头？

Ps I don't know well about develop machine, but sure it just not as simple as putting meat in frige and you get it iced, right......

菲林不够好，只有质素下降而一样有野睇；作者不够好，成像再好都是言之无物烂品。

Rose fruit is the fructification of wild rose or floriferous rose, renown hip or rose fact.

玫瑰果是野玫瑰或多花蔷薇的果实，又名蔷薇果或蔷薇实。

Time however, and the Satisfaction I had, that I was in no Danger of being discover'd by these People, began to wear off my Uneasiness about them; and I began to live just in the same compos'd Manner as before; only with this Difference, that I used more Caution, and kept my Eyes more about me than I did before, least I should happen to be seen by any of them; and particularly, I was more cautious of firing my Gun, least any of them being on the Island, should happen to hear of it; and it was therefore a very good Providence to me, that I had furnish'd my self with a tame Breed of Goats, that I needed not hunt any more about the Woods, or shoot at them; and if I did catch any of them after this, it was by Traps, and Snares, as I had done before; so that for two Years after this, I believe I never fir'd my Gun once off, though I never went out without it; and which was more, as I had sav'd three Pistols out of the Ship, I always carry'd them out with me, or at least two of them, sticking them in my Goat-skin Belt; also I furbish'd up one of the great Cutlashes, that I had out of the Ship, and made me a Belt to put it on also; so that I was now a most formidable Fellow to look at, when I went abroad, if you add to the former Description of my self, the Particular of two Pistols, and a great broad Sword, hanging at my Side in a Belt, but without a Scabbard.

可是，尽管如此，时间一久，我对食人生番的担心逐渐消失了，更何况我确信自己没有被他们发现的危险。所以，我又像以前那样泰然自若地过平生活了。所不同的是，我比以前更小心了，比以前更留心观察，唯恐被上岛的野人看见。特别是，我使用枪时更小心谨慎，以免给上岛的野人听到枪声。天幸我早就驯养了一群山羊，现在就再也不必到树林里去打猎了。这就是说，我用不着开枪了。后来，我也捉过一两只野山羊，但用的都是老办法，即用捕机和陷阱捉到的。因此，此后两年中，我记得我没有开过一次枪，虽然每次出门时还总是带着的。此外，我曾从破船上弄到三把手枪，每次出门，我总至少带上两把，挂在腰间的羊皮皮带上。我又把从船上拿下来的一把大腰刀磨快，系了一条带子挂在腰间。这样，我出门时，样子实在令人可怕。除了前面我描述过的那些装束外，又添了两支手枪和一把没有刀鞘的腰刀，挂在腰间的一条皮带上。

After panting for a few minutes, he turned in the direction where the fusillade was raging, lifted his left hand to a level with his nose and thrust it forward three times, as he slapped the back of his head with his right hand; an imperious gesture in which Parisian street-urchindom has condensed French irony, and which is evidently efficacious, since it has already lasted half a century.

喘过一阵气以后，他转向枪声紧密的地方，把左手举到鼻子的高度，向前连送三次，同时用右手敲着自己的后脑勺，这是巴黎的野孩们从法国式的讽刺中提炼出来的藐视一切的姿势，并且效果显然是良好的，因为它迄今已风行了半个世纪。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。