重画

One modified active pixel sensor contains several pasts: photo-input, smoothing network, reset switch, source follower.

一个改良后的主动式画素感测单元包含几个部份：光输入元件、平滑网路、重置开关、源极追随器。

The central integrative part of the baroreflex receives afferent information not only from the sino-aortic baroreceptors, but also from various other sources. The present study was to investigate the effect of somatic nerve stimulation on baro-reflex. The exoeriment was performed in α-chloralose-urethane anesthetized rabbits. Intrasi- nusal pressure -mean arterial pressure res- ponse curves were constructed.

在自然状态下，各种传入冲动汇集中枢，很多传入冲动都可影响压力感受性反射，使压力感受性反射受到调制而发生重新调定·本实验旨在观察刺激躯体神经对压力感受性反射的重调定并分析其机制·实验在α-氯醛糖和氨基甲酸乙酯混合麻醉的家兔上进行，利用颈动脉窦灌流技术测量不同窦内压时体循环平均动脉压的水平，并画出窦内压-体循环平均动脉压反应曲线。

The word _zoon_ means equally 'picture' and 'animal'.

zoon这个词同时有画和动物两重意思。

His masterpieces, as represented by the series of works of Summer Days , Huangcun Village , Dashanzi and Dingcun Village , have growingly unveiled the light-hearted spirit and liberty that dismiss existing traditional forms and press close to his own temperament.

他在画坛为人所重的是他20世纪90军代中期之后的表现，从《夏日组画》、《黄村组画》、《大山子组画》、《丁村组画》一路过来，他的画愈发显露出一种轻松与随意，与已有的传统形式远去，与自己的心性贴近。

Painting Narrative is the painter-as-poet artist's accurate nomenclature of his practices since returning to the paintbrush. It doesn't merely use text as ornamental element (for instance the parodic copying of ancient classics such as the Heart Sutra ) nor does it aim at inventing a new type of legible modern calligraphy.

写画是作为诗人的画家王艾对自从他重拾画笔以来的艺术行动的一次准确命名，它不同于以文字作为装涛的绘画，诸如对《心经》等经典文本的戏仿式摹写，目的也不是发明一种可供识读的现代书法。

Debris-flow initiation criteria commonly depend on the hydrological and physiographical conditions of the watersheds of debris-flow-prone streams. The occurrence of debris flow in Taiwan is closely related with the rainfall condition. For a specified watershed, the key factor for debris flow occurrence is the rain condition.

过去农业委员会水土保持局委托办理「以降雨因子进行土石流警戒基准值订定」之五年期计画中，主要著重於研究土石流发生降雨机制模式的建立，并於实际应用中证明其可行性。

With large amounts of repeated writing and erasing, the extreme operation of simple writing finally engulfs the boundary between "painting" and "writing".

一种纯粹书写的极端运作，以大量的重覆书写和抹试最终吞噬了「画」与「书写」的界限。

Qiu's made-up term of "fissuring" is at the core of his art production, and can best be described as an artistic style that he has laboriously cultivated over the past 15 years, which is comprised of the painstaking process of tearing and ripping and repainting and relayering traditional Chinese Xuan paper into a final collage-like painting of multi-layered texture and expression.

仇所制定的术语&裂变&就占据着他的艺术2艺术的核心，最好把它描述为过去15年来所精心栽培的艺术风格，其中包括煞费苦心的撕开、划破、重缓及再分层工序，使传统中国宣纸最后成为拼贴画一般具有多层结构和表达方式的画作。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

And when many weeks had passed, and but little remained to do, save one brush upon the mouth and one tint upon the eye, the spirit of the lady again flickered up as the flame within the socket of the lamp.

几个星期已过去了，惟有唇上差一笔没画、眼睛的色彩差一层没涂。女子的重又变得神采奕奕，如同火苗在烛孔里的最后一闪。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。