重新解释

Under the Middle Ages scholar's influence,German scholars began to adopt systematic method and explained causa according to the sprit of that time.

到了德国法上，受中世纪学者的影响其开始以体系化的方法和符合时代精神的态度重新解释罗马法上的契约原因理论，形成了奥托·贝尔的无因债权理论和温德莎伊德的原因论。

To bridge this communications gap, they have tried to reinterpret the concept of God into contemporary philosophical terms.

为了填补这一交流上的隔阂，他们努力将上帝的概念以现代哲学术语重新解释。

section summarizes simply innovations and inadequacies in this dissertation,specially,it introduces Lyotardpragmatic thought,who defends the legitimacy of scientific knowledge in using the methods and idea of pragmatics,reinterprets modern scientific crisis,social variation and cultural symptoms,and holds extricating the right of legitimacy from metanarrative ,deciding it through gamers and discourser,then,setting up a foundation for legitimacy of scientific knowledge.This inspires the new study about scientific rhetoric.

结语部分简单总结了本论文在写作上创新的地方和不足之处，特别是着重介绍了利奥塔把语用学的方法和观念运用于辩护科学知识的合法性，用科学知识语用学来重新解释当代的科学危机、社会变异和文化症状，主张把合法性的权利从"元叙事"的束缚中解脱出来，而由游戏者和对话者本人去决定，从而对科学知识的合法性问题进行奠基，这启发了新的"科学修辞学"问题的研究。

section summarizes simply innovations and inadequacies in this dissertation,specially,it introduces Lyotard'pragmatic thought,who defends the legitimacy of scientific knowledge in using the methods and idea of pragmatics,reinterprets modern scientific crisis,social variation and cultural symptoms,and holds extricating the right of legitimacy from metanarrative,deciding it through gamers and discourser,then,setting up a foundation for legitimacy of scientific knowledge.This inspires the new study about scientific rhetoric.

结语部分简单总结了本论文在写作上创新的地方和不足之处，特别是着重介绍了利奥塔把语用学的方法和观念运用于辩护科学知识的合法性，用科学知识语用学来重新解释当代的科学危机、社会变异和文化症状，主张把合法性的权利从"元叙事"的束缚中解脱出来，而由游戏者和对话者本人去决定，从而对科学知识的合法性问题进行奠基，这启发了新的"科学修辞学"问题的研究。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

In particular, reinterpretation of the growth rate in terms of some form of expected value is required.

特别是，重新解释的成长在一些形式上的预期值率是必需的。

Under the influence of phenomenological methodology, Van Steenberghen ingenuously brought the phenomenological methods of consciousness analysis into the reinterpretation of Thomas Aquinas's epistemology to build an epistemological system in the disguise of phenomenology, which actually is an development based on Thomas Aquinas's epistemology combining the ancient truthfulness and the modern creativity.

在受到现象学方法的影响之下，汪斯坦博根以不凿痕迹的巧妙安排，把现象学的意识分析的方法引入对多玛斯知识论的重新解释，建立起一个看似现象学包装的知识论体系，实则根据多玛斯的知识原理加以发扬光大，既有绍述古人思想的真诚，也有现代人创新发明的精妙处，读来令人爱不释卷。

The traditional complex interaction between psychic distress and affliction by ghosts is reinterpreted through the extended narration of interiority modern fiction makes possible.89

精神的痛苦和因鬼而遭受的苦恼之间的这一传统的复杂交互关系通过内在化的现代小说中扩展了的叙述得以重新解释而成为可能。

A re-explanation of experimental phenomenon reported in literature is derived, which shows that the reason causing the decrease of tungsten extraction when using overhigh degree of substitution of NaOH for Na2CO3 lies in the sharp decrease of the concentration, not the increasing attack of gangue constituents, which would consume Na2CO3 that otherwise would have been available to digest scheelite.

利用热力学分析所得结论，重新解释了前人的实验现象，认为以过多的NaOH代替Na2CO3造成钨浸出率回落的原因在于，溶液中浓度的较大幅度下降，而不是钨矿中脉石分解所引起的Na2CO3消耗。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！