重新塑造

In Li Jikai's paintings, we can neither see the cultural background nor the historical traces of mankind but rather his own autobiographic imagination and formation of his own mentality.No matter what the content or form is, his work is always connected with solitude and meditation while displaying himself or the others. He then takes us into a world that is completely remade by Li Jikai himself.

在李继开的绘画中，我们既无法看到人的文化背景，也无法看到人的历史痕迹，而更多看到的是他的自传体式的想象和自我心理的塑造，无论是内容还是形式，李继开的绘画从个人到他者的表现过程中总是联系到孤寂和冥想，进入一个自我重新编织的世界。

Bildungsroman is a genre with which people can recollect the past time, recreate their tracks of growth, and explore the mystery of humanity.

另一方面可能是他下意识地想通过塑造乔治这名未来艺术家的成长，来重新书写自己的文学生涯。

If we wish the most people could achieve the self-confidence of the democracy and make self-confidence grew on a stability base, we have to scan and mold the pith worth newly. We named "the credendum of Chinese democracy" to it.

要真正让广大人民获得民主的自信，并使这种自信生长在一个坚实的制度基础之上，我们就要重新审视甚至塑造自己的核心价值——我们把它称之为"中国民主的信条"。

Then, it compares the definition, ideology, cooperation, distinction, and complex relation of the two factors, further, gives a comparison of both factors advantages in six aspects of the humanized supplement, the traditional technological sustainment, the natural expression of materials, the unification of the entireness and portion, the figuration of the flowing space, and the reality of the form and function.

随即比较两者的界定因素与思想内涵、协同性、差异性与复杂性关联，进而通过人情化的补充、技术的传统支持、材料的真实表达、整体与局部的统一、流动空间的塑造、形式与功能的真实性等六个方面比较两者的创作优势，重新诠释"地域性与有机性"在多元互补原则下对当代建筑创作的启发意义。

In the next chapter, the essay reveals the courses of the medieval gender discourse by using the concept of Foucault's discourse, and analyzes newly the influences of such historical phenomena as ecclesiastical law, virgin worship and courtly love on the shaping of female with such psychological concepts as Gender stereotypes, masculinty and feminity etc .

文章在第二部分运用福柯的话语概念，阐述了中世纪性别话语的来源，并借用心理学上的性别刻板定型、两性气质等概念，重新剖析教会法、圣母崇拜、典雅爱情等历史现象对女性性别塑造的影响。

Examine brand fictile new approach to already became the focal issue that academic group and business circles pay close attention to jointly gradually afresh.

重新审视品牌塑造的新途径已逐渐成为理论界和企业界共同关注的焦点问题。

On the poetics level, using a irrational female-genesis to self-explaining; using a "body-writing" as a self-domination, making a self-realization by ways of "dark","blood","death", such as those feminine imagination; making a self-represent ion by "monologue". On cultural consciousness level, takinga self-searching on reconsidering woman's status and ending in love; taking a self-awaking by showing what a mother had "done" for daughter in order to serve and maintain man society; introducing a self-remolding through recover and rebel the man ideology; be self-awakening and oppugning the man-centre society, within its cultural "make","assimilation" to female herself.

本文从两个方面来集中分析《女人》显示出的的"女性意识"：在诗学审美形态上，以非理性的女性"创世神话"题材来解释"自我"；以"躯体写作"的方式来支配"自我"；以"黑夜"、"血"、"死亡"等"阴性意象"来认识"自我"；以"独白"的方式来表达"自我"；在文化意识形态上，以对爱情中女性地位和结局的重新思考来寻找"自我"；以"母亲"对"女儿"的"塑造"来揭示"母亲"作为男权社会的"服务者"和"维护者"形象达到警醒"自我"；对男性文化意识形态的还原和反叛来解构男性中心文化并重铸"自我"；在辨认"自我"的觉醒中将质疑引向对男性中心社会及其所预置的文化秩序和"被造"、"被同化"的女性自身。

It is political insofar as it frames not only works or monuments , but also a specific space-time sensorium , as this sensorium defines ways of being together or being apart , of being inside or outside , in front of or in the middle of , etc.

它是政治的，是因为，它自身的实践塑造了可见性的形式，而正是这些形式重新框限了各种实践、存在样态和感情和表达模式在常识或共同情感中相互交织的方式，这一 commonsense 可理解为体现于共同的 sensorium 中的一种"共同感"。

On the poetics level, using a irrational female-genesis to self-explaining; using a "body-writing" as a self-domination, making a self-realization by ways of "dark","blood","death", such as those feminine imagination; making a self-represent ion by "monologue". On cultural consciousness level, takinga self-searching on reconsidering woman's status and ending in love; taking a self-awaking by showing what a mother had "done" for daughter in order to serve and maintain man society; introducing a self-remolding through recover and rebel the man ideology; be self-awakening and oppugning the man-centre society, within its cultural "make","assimilation" to female herself.

本文从两个方面来集中分析《女人》显示出的的&女性意识&：在诗学审美形态上，以非理性的女性&创世神话&题材来解释&自我&；以&躯体写作&的方式来支配&自我&；以&黑夜&、&血&、&死亡&等&阴性意象&来认识&自我&；以&独白&的方式来表达&自我&；在文化意识形态上，以对爱情中女性地位和结局的重新思考来寻找&自我&；以&母亲&对&女儿&的&塑造&来揭示&母亲&作为男权社会的&服务者&和&维护者&形象达到警醒&自我&；对男性文化意识形态的还原和反叛来解构男性中心文化并重铸&自我&；在辨认&自我&的觉醒中将质疑引向对男性中心社会及其所预置的文化秩序和&被造&、&被同化&的女性自身。

Therefore, this paper has brought in the ecological development concept of "Man and nature in harmony" after analyzing the elements of its city image from the perspec tives o f its history and natural mechanism, and further repositioned and shaped the city image of Yangzhong.

首先回顾了扬中市以往规划建设过程中对城市形象塑造的探索和实践，认为扬中市的城市特色仍未得到充分彰显，并从扬中市的历史发展和自然机理出发解析扬中市城市形象的元素，引入天人合一的生态发展观，对扬中市城市形象进行重新定位和塑造。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。