重新创造

Once we become present to that which is creating the inauthenticity we are able to give it up through enrollment and again reinvent ourselves through the creation or even regeneration of our possibilities.

我们一旦成为这本是我们能够创造失真放弃录取，再经过重新通过创造自己的可能性，甚至再生。

Although these three aspects all face their own difficulties to deepen the influences, the author lastly propose an optimistic legal feminism that does not focus on law's social effect or law's power to social change but on the reflexibility and possibility of prompt responses of legal feminism for social problems.

这三个面向使得作为法律继受国家的台湾，得以逐渐取得某程度的规范主体性，但也出现一些新的问题，亟待社会各界的努力。这问题包括法理重新建构的困难、法治推动的各方阻力、以及法意识上的落差。最后作者总结从法律多元主义的观点，提出一个乐观的女性主义法学，希冀从规范的「法社会创造」之观点，重新评价女性主义立法行动的积极意义。

At the same time, they reintegrate the result of their artistic creations in their own bodies, in order to continuously enrich and reopen their own lives.

同时，他们又将自己一切艺术创造活动的成果及收获，重新纳入自己的身体中，以便不断地充实自己的生命，更新和重新开启自己的生命历程。

The goal of cities which try to be creative is to create conditions which are open enough so urban decision makers can: Rethink potential such as turning waste into a commercial resource; revalue hidden assets such as discovering historic traditions that can be turned into a new product; reconceive and remeasure assets such as understanding that developing social capital also generates wealth; reignite passion for the city by for example developing programmes so people can learn to love their city; rekindle the desire for learning and entrepreneurship by for instance creating learning modules much more in tune with young peoples' desires; reinvest in your talent by not only importing outside talent but fostering local talent; reassess what creativity for your city actually is by being honest about your obstacles and looking at your cultural resources afresh; realign rules and incentives to your new vision rather than seeing your vision as being determined by existing rules; reconfigure, reposition and represent where your city stands and by knitting the threads together to retell your urban story that galvanises citizens to act.

城市发挥创意的目的在於，创造足够开放的情境，让城市决策人士能够做到如下的事项：重新思考各项潜在可能，例如将垃圾转化成商机；重新赋予隐性资源价值，例如将历史传统转化为新的产品；重新构想、衡量资源，例如认知到发展社会资源，同时也能造就财富；重新点燃城市的热情，例如策划活动，让大家学习爱自己的城市；重新挑起学习与创新的欲望，例如设计学习模式，贴近年轻人的脉动；重新投资自己的人才，不要只是依赖外国人才，而是培养在地人才；则新评估自己城市的创意为何，例如诚实面对自己的障碍，并从新鲜的角度来看待自己的文化资源；重新整合规范、动机，运用新的视野，而非被动受限於既定规范；重新装配、定位、呈现自己城市的现状，编织自己的都会故事，重新诉说，驱使市民采取行动。

Repurpose CAD design data to publish richer technical documentation Quickly clean up CAD designs; create bills of materials; add and modify lighting, materials, or colors; create exploded views, balloons, and animations; and then save as PDF or 2D raster/vector images, creating richer and more interactive technical manuals without the need for an expensive CAD application.

重新安排的CAD设计数据的公布更丰富的技术文档快速清理的CAD设计；创造法案的材料；添加和修改的照明，材料，或颜色；制造爆炸的意见，气球，和动画；然后Save as PDF或二维点阵/向量图像，创造更丰富和更互动的技术手册，而不需要昂贵的CAD应用。

However, Jiazhangke's films create the space by using motion, shooting scale ,the relations among performers and the transportation and a outer space of image in Jia's films is also created through dispatching the shot, performers and multiple space ,refering to which this text reexplains and conformities the film's concept of space and analyses how to create the space using audio in order to formulate Jia's understandings to space――the film space view of "non-mirror-image" and the inherent tension and open space idea taking root on the reality.

本文通过对电影空间概念的重新诠释和整合，以及对贾樟柯利用运动、景别、人物关系和交通工具营造空间，通过贾樟柯对影片中镜头、演员、多重空间的调度，创造画外空间，和用声音创造空间等实证性的分析，阐述了贾樟柯对空间的理解——非镜像化的电影空间，以及这种理解扎根于当下、立足于现实而形成的内在的张力和开放式的空间观念，揭示了他的作品独特的空间观念及这种空间观念对中国电影民族化的影响。

But we need to think again about the categories、manners、 ranges and fields of the variety of labor and consider the value's determination and realization , abstract and concrete , creation and distribution again ; we need to bring the technology、management and innovation into the system of the labor value theory , and at the same time, give a nicety orientation to the service industry、private enterprise and exploitation .

文章认为：必须坚持活劳动是创造价值的唯一源泉的观点；必须坚持生产资料只转移价值而不创造价值的观点，但对生产劳动的种类、方式、范围、领域需要重新认识；对价值的决定与实现、抽象与具体、创造与分配必须再认识；必须将科技、管理、创新纳入劳动价值论体系；同时必须对第三产业及私企与剥削有一个准确地定位。

Our rapidly increasing understanding of the human genome and those of other organisms means that we are becoming capable of genetically modifying ourselves by cutting out ,rearranging,and adding various snippes of our own DNA molecules and implanting DNA swquences form other organisms.This secondary evolution will allow us to change the course and speed of primary evolution (based mostly on the glacially slow process of natural selection) of our own species and other species by creating types of genes not currently found in the rest of nature.

我们很快地增加了对人类基因组以及那些其他生物的了解的方法，我们成为有能力从基因方面修改我们自己的基因，藉由删去关掉、重新排列、以及增加各种的片段在我们拥有的DNA分子以及注入一连串的DNA序列从其他生物，而这第二个发展出来的东西将是允许我们藉由创造的类型(创造的类型：不是属於现在处於自然界中的基因)改变初始发展的过程及速度(初始发展：主要是建立在兵期的缓慢的自然淘汰的过程)在於我们拥有的种类以及其他种类。

Second, we can explain about the mythological creativity in literature from the collective unconscious to the effectiveness of psychological therapy. Quyuan utilizes a large amount of mythological elements, reaching the place of mythology and his own goal to leave Ch to find a wise king. The process of reverie makes Quyuan realize and experience the plot in old the fable tales once again. According this new experience, the gap between consciousness and unconsciousness mix and get the opportunity to be reintegrated, so does the verge of split personality.

次则从集体无意的角解释，文学中的神话创造，可以发挥心治的功效－屈原运用大古代神话元素，创造〈骚〉的神话世界，并藉由神界之完成其开楚国，寻觅贤君的愿望；而在神游的过程中，屈原也重新体验远古的神话情境，在这种原始经验之中，意与无意之间的鸿沟、濒分的人格，都在此得到重新整合的机会，从而达到短暂自我心治的效果。

His love of that era inspired him to recreate it right in Taichung City.

他对那个时代的热爱启发他在台中市内重新创造当时的情景。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。