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与 重奏 相关的网络例句 [注:此内容来源于网络,仅供参考]

The string quartet is that the instrument being that two is composed of the violin , a handful viola and a handful cello from four pieces of stringed instruments performs combination , their tone colour both unite and be rich in change, be expert in weave the body and refined exquisite lingering charm, four pieces of instruments have and the expressive power big and powerful equally , accord with thought of four west music middle parts habit at the same time, this combination becomes chamber music therefore, being hit by the have most typical ensemble of two or more instrumentalists , each playing one part form, Also become a composer express music thought having imitates a means deep and individuation most .

弦乐四重奏则是由四件弦乐器——两把小提琴、一把中提琴和一把大提琴——组成的乐器演奏组合,它们的音色既统一又富于变化,以细腻的织体和精妙的韵味见长,而且四件乐器均具有强大的表现力,同时又符合西方音乐中四个声部的思维习惯,因此,这种组合成为室内乐中最具代表性的重奏形式,也成为作曲家表达最深刻和最个性化音乐思想的有效手段。文章分析室内乐与弦乐四重奏的基本内容及关系,讨论弦乐四重奏的发展概况,最后探讨了弦乐四重奏的"民族化"及未来发展趋势。

With a major tonic triad the first choice of a note to double would be the root, the second choice the fifth.

主音大三和弦重奏的第一选择是根音,第二选择是五度音。

Care is usually taken in such doubling, as an injudicious doubling of the middle note in a triad, whether in root position or in an inversion, can thicken the texture and unbalance the chord.

通常重奏时要细心,在大三和弦的中间音和弦,无论是本为还是转位,会使结构thicken,和弦变得不均衡。

First, the quartet was augmented to a sextet with the addition of keyboardist Jared Stewart and violinist Jamil Szmadzinski.

首先,原来的四重奏由于增加了键盘手Jared Stewart和小提琴手Jamil Szamdzinski从而扩展为六重奏

He composed a nonet for the concert ,which was a great success.

他为音乐会谱了一首九重奏曲,并一举成功。

Furthermore, cultivating and raising students' ability of performance is an important link of percussion instrument teaching.

培养和提高学生重奏方面的能力,是打击乐教学中的重要环节。

Noted in two staves, the piano plays a reprise of its own opening theme.

钢琴在自己的展开主题中,演奏出一段贯穿在两行五线谱中的重奏

The previous month, in September 1999, she released a disc of works by Beethoven including the Octet, Op 103, Rondino, and Septet Op.20 with the Bl?

同年9月,她与萨宾娜·迈耶吹奏乐团的贝多芬八重奏,Op。

In 1991, Jake moved to the US to continue the study and performance of jazz guitar in several forms: as a solo guitarist; as part of a vocal--guitar duo (which won the 1992 WEMU Jazz Competition and the Emily Remler Guitar Scholarship Award); in the Jake Reichbart Trio With bassist Kurt Krahnke and drummer Pete Siers; in the septet "The Jazz Company"; in "The Lunar Octet", an eight-piece Latin jazz group and in a jazz-rock quartet, featuring keyboardist Phil Kelly.

在1991年,杰克搬到美国,继续研究和演奏爵士吉他,包括下面几种演出形式:独奏吉他;人声-吉他二重奏(赢得1992年 MENU 爵士乐比赛和 Emily Remler 吉他奖学金); Jake reichbart 三人组(贝司手库 Kurt krahnke 和鼓手 Pete Siers )的演出;"爵士伙伴"七人乐队的演出;"月球八重奏",以及在一个爵士摇滚四重奏(键盘手菲尔凯利很有特色)。

Camerata Freden - Beethoven: Septet Op.

弗列敦室内乐团-贝多芬:七重奏Op。

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