重塑

Recognizing that the remodeling of human tissue was different from clay, Gillies and Millard took as their founding principle that plastic surgery is a constant battle between blood supply and beauty.

认识到重塑人体组织远远不同于陶艺，Gillies 和 Millard把&整形外科----血供与美之间永不停止的斗争&这一理念作为他们的工作指导原则。

The research of making use of 2D image to form the 3D objects has been a field paid attention to very much all the time. In this work, we propose the synthetic way of a 3D human head, based on image information of multiple-view, cooperate with a Generic 3D head model. By choosing the feature points from images to estimation of position of the camera, and then dealing with information reconstruction of human head and feature point relationship between images and 3D object. Subsequently, applying interpolation technique, the head model is deformed from original model to fit the computed feature points by using Radial Basis Function. Make the form of the head model of people after deformation in conformity with true face of people. Finally, execute 3D head texture mapping and reach the function of translation and rotation with arbitrary direction.

利用二维影像来合成三维物件的研究一直是很受到重视的一个领域，在本论文中，我们提出一个三维立体人头的合成方式，以多张不同视角的影像资讯为基础，配合一个事先准备好的通用三维人头模型(generic 3D head model)，透过二维影像中特徵点的选取来估算出拍摄的角度、方位，进而处理人脸模型五官的资讯重塑与特徵点对应的关系，接著利用内差技术，使用放射基底函数对三维通用人头模型作形变，使形变过后人头模型的形状与真实人脸相符，最后对三维通用人头模型作材质贴图，并可对此模型作任意角度、方向的旋转平移，以期达到类似照镜的功能。

There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as:"honey-colored skin,""thin arms,""brown bobbed hair,""long lashes,""big bright mouth"); and the other when you instantly evoke, with shut eyes, on the dark inner side of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors.

视觉记忆分两种：一是你睁着眼睛，在思维&实验室&中巧妙的重塑图像（就像我通俗的概括安娜贝尔为：蜂蜜色的皮肤、细细的胳膊、捆扎整齐棕色的短发、长长的睫毛、漂亮大方的嘴）；而另一种则是，当你闭上眼睛，在眼底的黑暗角落立即浮现出的，光学镜像一般完美的，深爱的面孔，色彩逼真的小精灵（而这，就是我所看到的萝莉塔）。

This is a grave misinterpretation of the current situation. Humpty Dumpty cannot be put together again. Let me explain why.

在第五日的演讲&未来的路&中，他着重探讨了金融危机将如何重塑中国与世界的关系，以及由中国代表的&国家资本主义&模式的未来。

For, ill-favoredly muffled up and disguised as he was, yet there appeared a certaine majestie in his countenance, and in his silence: Whereupon they went to Tullus who was at supper, to tell him of the straunge disguising of this man.

他们都有以自己的文学观从不同的欣赏角度给译作涂上了浓烈的个人色彩，重塑了拜伦诗中的艺术形象和不同的拜伦形象。

In recent years he has become a specialist in recreating patented figures, like the Hello Kitty and Disney characters.

最近几年，他已经成为了重塑专利人物的专家，比如像 Hello Kitty 和 Disney 卡通人物。

The first is Qin culture's value in the market economy, from the perspective of modem mining, the essence of the inherent humanity, addressing its deep flaws and reshape its modem value, The second is Qin cultural circle and coordinated regional economic development, Qin cultural circles and the big-Guanzhong mark sphere has the inherent linds, Qin culture research should be based on reality, from the perpective of cultural capital build a solid foundation for culture; The third is Qin culture's industrialization, which has an advantage in location and resource advantages; The fourth is inter-regional cultural cooperation's issues, Qin cultural studies should be carried out in the wide-area, multi-perspective of a comprehensive study; The fifth is to introduce the new paradigm issues. such as cultural capital, social capital and human resources.

一是秦文化在市场经济中的价值挖掘与重塑问题，应从现代性角度挖掘秦文化的内在人文精髓，正视其深层中的秦文化圈与区域经济视域下的大关中经济圈具有内在契合性；秦文化的相关研究应该立足于大关中经济圈的现实，从文化资本角度为大关中经济的腾飞打造坚实的文化根基；三是秦文化自身的产业化问题，秦文化圈具有文化产业的区位优势和资源优势，应从经济与文化交叉的角度深入作域文化产业发展模式问题；四是区域间跨文化经济交流合作问题，秦文化研究应在跨省际、跨区域的横向文化交流合作中对其内在关系进行宽领域、多视角的全面研究；五是在研究中引人新范式问题，应有效借鉴文化资本、社会资本、人力资源、企业文化与企业家精神等一些新的分析范式，推动相关研究的深人拓展。

It has effectively connote and expand the ideological cultural content for historical narrations, especially a new connotation of cultural conflicts.

20世纪90年代以来，由文化全球化语境激发的民族文化身份焦虑和重塑民族辉煌的渴望，致使明清与近代历史题材小说大量涌现，有效地孕育和拓宽了当下历史叙事的思想文化内涵尤其是文化冲突的新内涵。

Unlike the popular method of reconstructing public memory in contemporary art practice, this series of Wang Yins works has developed from personal experience and memory.

和当代艺术中那种重塑公共记忆的流行做法很不相同，王音的这一批作品大都是从个人经验和记忆入手。

The historical meanings of earlier Arab national movement are that: First, the rising of nationalism in Arab world pioneers a new routine different from traditional one; Second, the new conception of constructing country causes Arab people to be separated from formulation of religion / empire, and be immersed in construction onrush in neoteric world; Third, the grown-up of nationalism awakens and changes Arabs traditional idea, and adapts them to the new one of national development; Fourth, the thoughts of nationalism rebuilds Arab nation in the background of new era; Fifth, the babyish Pan-Arabism especially in King Era establishes development contrail of Arab world.

早期阿拉伯民族主义运动的历史意义：第一，民族主义在阿拉伯世界的兴起开辟了一条有别于传统的民族发展新路；第二，新型国家构建理念使阿拉伯人逐渐走出宗教／帝国范式，融入近代以来世界范围内的民族国家构建洪流；第三，民族主义的崛起唤醒和改造了阿拉伯人尘封已久的民族自我意识，使其适应新时期民族发展的需求；第四，民族主义思想在新的时代背景下重塑了阿拉伯民族；第五，早期特别是&王政时期&的泛阿拉伯主义运动虽然看起来显得那么稚嫩，但却奠定了阿拉伯世界的发展轨迹：在民族目标上，谋求民族独立或自由成为全民族各阶层的首要共识；在民族统一的问题上，独立的民族国家间的全面合作逐渐取代政治上的统一；在泛阿拉伯主义的另一面旗帜——巴勒斯坦问题上，巴勒斯坦战争预示着武力解决方案的失败，承认以色列、通过和平谈判的方式解决这一问题成为唯一的选择。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。