里德尔

His principles were applied with rigor by such early scholastics as John Scotus Erigena, Saint Anselm, Peter Abelard, Alan of Lille, and numerous teachers in the cathedral schools of Laon, Chartres, Paris, Poitiers, and the abbey school of Saint- Victor in Paris.

他的原则是适用於这种严谨的早期scholastics约翰司各脱Erigena ，降再降，彼得亚伯拉德，艾伦的里尔，和许多教师在学校的教堂拉昂，沙特尔，巴黎，普瓦捷，和修道院学校的圣维克多在巴黎。

Toward the end of her career, Flagstad gave mostly concert performances.

由于她奉献一生的职业歌唱艺术生涯的终结，我们的弗拉格丝塔特小姐于是开始几乎仅登台于音乐会的演出舞台上；其间她还录制了相当数量且水准极高的艺术歌曲——马勒、格里格、西贝柳斯及其他大家；更是荣誉出席加盟了柏纳德米莱斯的梅迈德剧院之企划设计落成仪式；接着又于1951年，为英国巴洛克时期作曲大帝普塞尔之经典歌剧《蒂多和埃涅阿斯》的录音制作，进行献演。

The paper firstly examines the philosophical background. It holds that philosophical currents such as phenomenology and existentialism have an effect on this theory to some degree, and then traces the inner logic of origin and development of the theory from post-modernism and "anti-cultural" trend. Afterwards, it generalizes several important post-modern theorists such as Alain Robbe-Grillet, Roland Barthes, Susan Sontag, Michel Foucault, Jacques Derrida, Gilles Deleuze, Jean Baudrillard and so on. The paper proposes that "against-interpretation" is not only a literary critical claim, but also a cultural theory. Its attitude that overthrows and rebells tradition makes it inevitably tend towards the logic of deconstruction.Chapter two, chapter three and chapter four analyze in detail of Robbe-Grillet, sontag and Baudrillard respectively, and systematicly discuss the aesthetics pursuit and the cultural significance of the theory against interpretation through comparing the thoughts of them.

论文首先对反阐释理论产生的哲学背景作了辨析，认为现象学和存在主义哲学思潮在某种程度上对反阐释理论产生了一定的影响；再从60年代之后，后现代主义对现代性的批判与美国的&反文化&潮流两方面追寻反阐释理论产生与发展的内在逻辑；然后又概括介绍了阿兰·罗伯—格里耶、罗兰·巴尔特、苏珊·桑塔格、米歇尔·福科、雅克·德里达、吉尔·德勒兹、让·博德里亚等几位对反阐释理论发生过重要影响的后现代大家，指出&反对阐释&不只是一种文学批评主张，还是一种文化批判理论，它对传统的颠覆与反叛姿态使它不可避免地走向了&解构主义&的逻辑。

A distinction is usually common between early baroque (prior to 1650, Monteverdi, Frescobaldi, Carissimi etc) and late baroque music (Scarlatti, Vivaldi, Bach and Handel etc), the development of the latter leading to the Musical Enlightenment.

早期的巴罗克音乐（即1650年以前，以蒙特威尔第、弗勒斯科波迪、卡里西米等为代表）和晚期的巴罗克音乐（以斯卡拉蒂、维瓦尔弟、巴赫，享德尔等为代表）的区别不大，后来的启蒙音乐就是从后期的&巴罗克&中直接发展出来的。

So Pound, quoting Remy de Gourmont,"Freely to write what he chooses is the writer's sole pleasure," makes clear what our nationality has given us, at least in some sense.

所以，庞德引用里米·德古尔蒙的话说，&自由选择写作的内容是作家惟一的快乐&。

This essay will review various theories of the dialectic, both Hegelian and Marxist: these tend to sort themselves out into subjective ones and objective ones.

内容提要：本文将回顾黑格尔传统的辩证法和马克思主义传统的辩证法以及相关的理论——包括主观辩证法和客观辩证法；并将从叙事学方面对利科尔和亚里士多德。。。

This essay will review various theories of the dialectic, both Hegelian and Marxist: these tend to sort themselves out into subjective ones and objective ones.

内容提要：本文将回顾黑格尔传统的辩证法和马克思主义传统的辩证法以及相关的理论——包括主观辩证法和客观辩证法；并将从叙事学方面对利科尔和亚里士多德进行辩证的

Igor Sposobin ? book " the harmony Guide", Paul Hindemith ? book "A Concise Course of traditional and acoustic",Rimsky Korsakov ? book "Practical Guide and acoustic",Percy ? The Stankevicius book and acoustic, Theodore Dubois ? a "theory and practice and acoustic Guide", Walter ?

伊·斯波索宾等人合著的《和声学教程》、保罗·兴德米特著《传统和声学简明教程》、里姆斯基·科萨科夫著《和声学实用教程》、柏西·该丘斯著《和声学》、泰奥多尔·杜布瓦著《理论与实践和声学教程》、瓦尔特·辟斯顿著《辟斯顿和声学》这六本和声教科书，是多年来沿用至今的六本较好的和声教材。

Now, in more sombre circumstances, New York became the host to hundreds of French artists and intellectuals, among them Marc Chagall, André Maurois, Antoine Saint-Exup éry (who wrote "The Little Prince" during his sojourn) and Claude Lévi-Str auss.

二 战期间战火阴霾，纽约吸纳了数以百计的法国艺术家和知识分子，其中包括马克·夏加尔 [4]、安德烈·莫洛亚[5]、旅居纽约期间写成《小王子》的安东尼·圣·埃克苏佩里和克劳德·列维-斯特劳斯[6]。

Now, in more sombre circumstances, New York became the host to hundreds of French artists and intellectuals, among them Marc Chagall, André Maurois, Antoine Saint-Exupéry (who wrote "The Little Prince" during his sojourn) and Claude Lévi-Strauss.

二战期间战火阴霾，纽约吸纳了数以百计的法国艺术家和知识分子，其中包括马克·夏加尔[4]、安德烈·莫洛亚[5]、旅居纽约期间写成《小王子》的安东尼·圣·埃克苏佩里和克劳德·列维-斯特劳斯[6]。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。