里奥

I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and whatnot; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution.

我爱从羊膜中溅出的羊水；我爱生着引起痛苦的的结石、肾砂和诸如此类东西的肾脏；我爱撒出的热呼呼的尿和久治不愈的淋病；我爱歇斯底里的疯话、像拉痢疾一样一泻而出的句子和灵魂全部病态的映像；我爱亚马逊河和奥里诺科河这样的大河，那儿摩拉瓦基乃之流的狂人在一只无顶的小船上漂过了梦和古老的传说，淹死在瞎眼的河口中；我爱流动的一切，甚至爱女人来月经时流出的血，它冲走了生育能力不强的精子；我爱会流动的手稿，不论它们是用象形文字写的、深奥的、反常的、多形体的或是单边音的；我爱流动的一切，一切其中有时间的和适当的东西，它们把我们带回永远不会结束的开始中，即先知们激烈、令人狂喜的猥亵，宗教狂的智慧，牧师和他的橡皮连祷文，妓女的下流话，从排水道里漂走的唾液，乳房里的奶汁和子宫里流出的带苦味的蜜水，以及一切流质的、溶化的、放荡的和有溶解力的，所有在流动中得到静化的脓和脏物，那些失去其出身意识的东西和那些将大循环驱向死亡和瓦解的东西。

I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and what not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution.

我爱从羊膜中溅出的羊水；我爱生着引起痛苦的的结石、肾砂和诸如此类东西的肾脏；我爱撒出的热呼呼的尿和久治不愈的淋病；我爱歇斯底里的疯话、像拉痢疾一样一泻而出的句子和灵魂全部病态的映像；我爱亚马逊河和奥里诺科河这样的大河，那儿摩拉瓦基乃之流的狂人在一只无顶的小船上漂过了梦和古老的传说，淹死在瞎眼的河口中；我爱流动的一切，甚至爱女人来月经时流出的血，它冲走了生育能力不强的精子；我爱会流动的手稿，不论它们是用象形文字写的、深奥的、反常的、多形体的或是单边音的；我爱流动的一切，一切其中有时间的和适当的东西，它们把我们带回永远不会结束的开始中，即先知们激烈、令人狂喜的猥亵，宗教狂的智慧，牧师和他的橡皮连祷文，妓女的下流话，从排水道里漂走的唾液，***里的奶汁和子宫里流出的带苦味的蜜水，以及一切流质的、溶化的、放荡的和有溶解力的，所有在流动中得到静化的脓和脏物，那些失去其出身意识的东西和那些将大循环驱向死亡和瓦解的东西。

In conjunction with contemporary black women fiction writers and poets, Smith, McDowell, and Carby (along with Barbara Christian, Claudia Tate, Mary Helen Washington, Trudier Harris, Hortense Spillers, Valerie Smith, Susan Willis, Mae Henderson, Henry Louis Gates, and many others) have worked to recover and reprint "lost" writings by black women, to establish a black women's literary tradition (while simultaneously questioning the concept of "tradition"), and to encourage scholarship about this literature.

史密斯、迈克多尔和卡比（以及芭芭拉·克里斯蒂安、克劳迪娅·泰塔、玛丽·海伦·华盛顿、特鲁蒂尔·哈里斯、奥坦斯·斯皮勒斯、瓦莱丽·史密斯、苏珊·威利斯、梅·亨德森、亨利·路易斯·盖兹等其他许多人）同当代黑人女小说家和诗人协力，找回并重印业已"丢失"的黑人妇女的作品，建立起黑人妇女的文学传统（同时向"传统"概念提出质疑），并鼓励人们在这个文学领域里取得成就。

In the last weeks the argentine club chairman Mauricio Macrì had confirmed that the italian club Sports Director Ariedo Braida had offer 10 million Euros for the 19 year old player.

在过去的几个星期里，博卡俱乐部主席毛里西奥·马克里（Mauricio Macrì）已经证实米兰主管体育的总经理阿里耶多·布拉伊达向这位19岁的新星提出了1000万欧元的报价。

Under Augustus a regular centurion received 3750 denarii (more than 16 times the soldier's pay), the primi ordines 7500 denarii (33 times regular pay) and the primipilus 15,000 denarii (66 times regular pay).

奥古斯都时代，一个普通百夫长的年收入为3750迪纳里，是士兵的16倍多。资深百夫长的收入是7500迪纳里，而首席百夫长的收入是15000迪纳里。

Let me sail, let me sail, let the orinoco flow, let me reach, let me beach on the shores of tripoli.

让我航行，让我航行，让奥里诺科河流动，让我到达，让我在的里波里靠岸。

Since then the public set-tos have become wearyingly frequent: Arsène Wenger, Alex Ferguson and even referee Mike Riley, who Mourinho called a "filha de puta"("son of whore") before extricating himself with trademark rakishness by claiming, dismissively, I say this kind of word 10 times in every 15 words.

自从那时起，有他参与的公开冲突频繁上演，让人不免厌倦：与温格，与弗爵爷，甚至与裁判莱利。穆里尼奥叫这名裁判"filha de puta"；之后，他以自己商标式的嚣张轻蔑地声称：训练里我每说的15个词里就夹着10个这种词。

Steve Bailey, Ricky Sebastian, Bill O'Connell, Herb Ellis, Eddie Gomez, Marvin "Smitty" Smith, Kristen Buckley, Lincoln Goines, Steve Masakowski, Leni Stern, Terry Holmes, Marty Ashby, Bob Felder, David Derge, David Benoit, and Nelson Rangell.

史蒂夫贝利，里奇塞巴斯蒂安，比尔奥康奈尔，药草埃利斯，艾迪葛梅兹，马文"斯密"史密斯，克里斯巴克利，林肯高尼斯，史蒂夫Masakowski，莱妮斯特恩，特里福尔摩斯，马蒂阿什比，鲍勃费尔德，大卫德格，大卫伯努瓦，和尼尔森兰盖尔。

Gibson's first "semi-acoustic" the ES-335, which was neither totally solid nor fully acoustic, is the guitar of choice used by many famous guitarists such as Andy Summers, Elvin Bishop, Lee Ritenour, Jay Graydon, Robben Ford, Freddie King, John McLaughin, Jimmy Page, Chuck Berry, Tony Mottola, Johnny Rivers, Jack Wilkins, Bono, Grant Green, Eric Clapton, Stevie Ray Vaughan, Alvin Lee, BB King, Emily Remler, Otis Rush, Pete Townshend, John Lee Hooker, and Larry Carlton.

吉布森的第一个"半声"的ES - 335，这既不是完全稳固的，也不可能完全声，是由诸如安迪萨默，埃尔文主教，李莱特诺，杰伊格雷顿，罗本福特，弗雷德金许多著名吉他手使用的选择吉他约翰McLaughin，吉米佩奇，查贝里，托尼莫托拉，约翰尼河流，杰克威尔金斯，波诺，格兰特绿色，埃里克克莱普顿，史蒂维雷沃恩，阿尔文李，比比金，埃米莉Remler，奥的斯拉什，皮特汤森，约翰李胡克，和拉里卡尔顿。

Mika - Any Other World 专辑《Life In Cartoon Motion》演唱/Mika In any other world You could tell the difference And let it all unfurl Into broken remenents Smile like you mean it And let yourself let go Cos it's all in the hands of a bitter, bitter man Say goodbye to the world you thought you lived in Take a bow play the part of a longly parat To the world you thought you lived in I tried to live alone But lonely is lonely, alone So human as I am I had to give up my defences So I smiled and tried to mean it To let myself let go in the hands of a bitter, bitter manto the world you Say goodbye to the world you Say goodbye "I never ever I forget my story My face is not sad but sometimes, I am sad."

在其他世界里，你能慧眼识珠，让这一切成为横幅破碎remenents微笑喜欢你意思是让你放过产地来源证它的所有人手中的苦涩惨痛的男子挥手告别世界，你以为你住在采取鞠躬发挥的一个组成部分甲状旁腺长期生存的世界，你以为你住的Mika☆-任何其他世界，我尝试独居而寂寞是寂寞，铝一个人如此，因为我，我不得不放弃自己的抗辩，让我笑，并试图意味让自己放手在手中的苦，化学家住宅男人的世界里，你告别了世界，你说再见&我永远，我忘记了我的圣奥里着我的脸是不是很不幸，但有时候，我很伤心。&

By the time of its fall, most of the prisoners were writers who had written against the corruptions of the government.

到它被攻陷的时候，里面多数的犯人是写了反对政府贪污文章的作家。

The most obvious variation to ovum morphological character was that the color was changed from light green to sepiaceous in embryonic development, and all the ovums were almost hatched after 96h.

在胚胎发育过程中卵的形态特征最明显的变化是颜色从淡绿到深褐色，卵在发育96h后卵基本全部孵化。