里夫斯

This paper attempts to use Psychology of Personality Methods to analyze those figures of the special colony "Marginal Man", such as Octave and Armance in Armance, Julien and Mademoiselle de La Mole in The Red and the Black, Fabrice in The Charterhouse.

本文采用文化审美分析方法对他小说中的&边缘人&这个特殊群体，如《阿尔芒斯》中的奥克塔夫、阿尔芒斯；《红与黑》中的于连、德·拉莫尔小姐；《巴马修道院》中的法布里斯等典型人物形象进行深入具体的讨论。

On this day, just one hundred years had passed since the day on which the chiming of the old church bell at Marbach had filled the mother's heart with trust and joy—the day on which her child was born in poverty, and in a humble home; the same who, in after-years, became rich, became the noble woman-hearted poet, a blessing to the world—the glorious, the sublime, the immortal bard, John Christoper Frederick Schiller!

这恰是马尔巴赫的那口钟为那位受苦受难、在贫困的屋子里可怜地生下自己孩子的母亲，发出喜庆欢乐的响声的整整一百年的日子。后来，这个孩子成了富足的人，整个世界都讚颂他的财富；他，那有一颗高贵妇女的心的诗人，伟大、光明事业的歌手，约翰·克里斯托夫·弗里德里希·席勒。

Recent performances include Dvorak's Dumky Trio; Mendelssohn Piano Trio in D Minor; Brahms G Minor Piano Quartet; Schumann Piano Qintet; Brahms Lieder; Beethoven Triple Concerto; Grieg Piano Concerto;Rachmaninoff Rhapsody on a Theme of Paganini, Brahms Piano Concerto No. Mr. Benway is a sought-after accompanist and coach for pianists, opera singers, and instrumentalists.

他们最近的演出了德沃夏克的杜姆卡钢琴三重奏、门德尔松D小调钢琴三重奏、勃拉姆斯G小调四重奏曲、舒曼鋼琴五重奏、勃拉姆斯抒情曲、贝多芬三重协奏曲、格里格钢琴协奏曲、拉赫曼尼诺夫：帕格尼尼主题狂想曲及勃拉姆斯第一钢琴协奏曲。

Director Spike Jonze brings Maurice Sendak's beloved children's book to the big screen with the help of hipster icon Dave Eggers, who teamed with Jonze to adapt the screenplay.

主任斯派克琼兹带来莫里斯桑达克的心爱的孩子将此书与时髦的图标戴夫埃格斯，帮助大屏幕与琼兹联手谁适应了剧本。

By the way, if you like this building you might discover a few of Holden's other works in London;Broadway House, over St James's Park tube station; Zimbabwe House in the Strand; tube stations including Arnos Grove, Sudbury Town, Uxbridge, and Gants Hill.

顺便说一下，如果你喜欢这个建筑，你也许在伦敦会看到霍顿其他的作品；百老汇之家就在圣詹姆斯公园地铁站的对面；津巴布韦众议院在河滨马路上；地铁站包括艾尔诺斯格罗夫站，撒播德利城站，阿克斯布里奇站和格兰特希尔站。

As you might expect -- as his fans surely expect -- Mr. Depp's mincing, flouncing Mad Hatter bears more than a passing resemblance to Jack Sparrow, though Hatter's faint lisp and gap-toothed grin also suggest Laurence Olivier's Archie Rice in 'The Entertainer,' or a young Boris Karloff doing Humphrey Bogart.

你可以想象得到──也正如德普的影迷所期望的那样──&疯帽匠&絮絮叨叨，骂骂咧咧，这一点虽然和电影《加勒比海盗》中杰克船长一角有类似之处，但&疯帽匠&说话口齿不清，笑的时候露出大豁牙，让人不由地想起劳伦斯·奥利弗在影片《艺人》中扮演的日薄西山的歌舞艺人阿尔奇·赖斯，或是扮演《科学怪人》的青年鲍里斯·卡洛夫在演绎《卡萨布兰卡》中男主角亨弗莱·鲍嘉的那种风格。

I was too late to see Cruyff, Van Basten or even Bergkamp in an Ajax shirt, but I saw Overmars, the de Boers, Edgar Davids and Jari Litmanen in their Ajax-primes.

我没有赶上看到克鲁伊夫、范巴斯腾、博格坎普穿AJAX的球衣比赛，但是我看到AJAX最棒的球员奥维玛斯、德波尔兄弟、埃德加戴维斯和贾里利特马宁。

Of course, the relationships are really more complex. In some ways, I went to Yale to discover a European heritage because America had embraced those emigres such as Gropius who taught Rudolph at Harvard, and was for Rudolph, I quote, his "point of reference" in the same classes with I.

当然，它们之间的关系是更加复杂的，因此我在耶鲁时也同时在追寻著欧欧洲的建筑遗产，因为美国认同像古鲁匹斯这样的移民，他在哈佛教导罗得夫，而我则强调罗得夫和我在同一堂课里有著同样的&倾向&。

For them, nothing exists two leagues beyond the barriers: Ivry, Gentilly, Arcueil, Belleville, Aubervilliers, Menilmontant, Choisy-le-Roi, Billancourt, Mendon, Issy, Vanvre, Sevres, Puteaux, Neuilly, Gennevilliers, Colombes, Romainville, Chatou, Asnieres, Bougival, Nanterre, Enghien, Noisy-le-Sec, Nogent, Gournay, Drancy, Gonesse; the universe ends there.

伊夫里、让第以、阿格伊、贝尔维尔、欧贝维利埃、梅尼孟丹、舒瓦齐勒罗瓦、比扬古、默东、伊西、凡沃尔、塞夫勒、普托、讷伊、让纳维利埃、科隆布、罗曼维尔、沙图、阿涅尔、布吉瓦尔、楠泰尔、安吉、努瓦西勒塞克、诺让、古尔内、德朗西、哥乃斯，①那便是宇宙的尽头了。①这些都是巴黎近郊的地名。免责声明：本站信息仅供参考，版权和著作权归原作者所有！如果您发现侵犯您的权益，请与我们联系：QQ-362192，本站将立即删除！

For them, nothing exists two leagues beyond the barriers: Ivry, Gentilly, Arcueil, Belleville, Aubervilliers, Menilmontant, Choisy-le-Roi, Billancourt, Mendon, Issy, Vanvre, Sevres, Puteaux, Neuilly, Gennevilliers, Colombes, Romainville, Chatou, Asnieres, Bougival, Nanterre, Enghien, Noisy-le-Sec, Nogent, Gournay, Drancy, Gonesse; the universe ends there.

伊夫里、让第以、阿格伊、贝尔维尔、欧贝维利埃、梅尼孟丹、舒瓦齐勒罗瓦、比扬古、默东、伊西、凡沃尔、塞夫勒、普托、讷伊、让纳维利埃、科隆布、罗曼维尔、沙图、阿涅尔、布吉瓦尔、楠泰尔、安吉、努瓦西勒塞克、诺让、古尔内、德朗西、哥乃斯，①那便是宇宙的尽头了。①这些都是巴黎近郊的地名。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。