里夫斯

GEORGE JOFFE: The case was initially heard in Benghazi. It was then reheard in Tripoli, at the request of Saif al-Islam, and referred back. Then it was heard again.

乔治·乔夫：案件最初在班加西审判，然后应萨义夫·伊斯拉姆的要求在迪里波里重审，但又被发回班加西。

The ICRC and five award-winning war photographers from the VII photo agency-James Nachtwey, Franco Pagetti, Antonin Kratochvil, Ron Haviv and Christopher morris-unite in this exhibition to bring individual stories of loss and suffering in war to the forefront of the world's attention: women struggling to recover from sexual violence, families coping with displacement, and people victimized by gang warfare.

红十字国际委员会和来自于VII图片社的五位获奖战地摄影师--詹姆斯？纳赫特韦、佛朗哥？帕杰蒂、安东宁？克拉托赫维尔、罗恩。哈维夫和克里斯托弗？莫里斯--携手在该次展览中将有关战争带给人们损失与痛苦的故事呈现给世人，以期引起全世界对他们的关注：遭受过性暴力摧残正挣扎着恢复创伤的妇女，流离失所的家庭以及帮派冲突的受害者。

The ICRC and five award-winning war photographers from the VII photo agency-James Nachtwey, Franco Pagetti, Antonin Kratochvil, Ron Haviv and Christopher morris-unite in this exhibition to bring individual stories of loss and suffering in war to the forefront of the world's attention: women struggling to recover from *ual violence, families coping with displacement, and people victimized by gang warfare.

红十字国际委员会和来自于VII图片社的五位获奖战地摄影师--詹姆斯？纳赫特韦、佛朗哥？帕杰蒂、安东宁？克拉托赫维尔、罗恩。哈维夫和克里斯托弗？莫里斯--携手在该次展览中将有关战争带给人们损失与痛苦的故事呈现给世人，以期引起全世界对他们的关注：遭受过性暴力摧残正挣扎着恢复创伤的妇女，流离失所的家庭以及帮派冲突的受害者。

The ICRC and five award-winning war photographers from the VII photoagency James Nachtwey, Franco Pagetti, Antonin Kratochvil, Ron Haviv and Christopher Morris unite in this exhibition to bring individual stories of loss and suffering in war to the forefront of the world's attention: women struggling to recover from sexual violence, families coping with displacement, and people victimized by gang warfare.

红十字国际委员会和来自于VII图片社的五位获奖战地摄影师--詹姆斯？纳赫特韦、佛朗哥？帕杰蒂、安东宁？克拉托赫维尔、罗恩。哈维夫和克里斯托弗？莫里斯--携手在该次展览中将有关战争带给人们损失与痛苦的故事呈现给世人，以期引起全世界对他们的关注：遭受过性暴力摧残正挣扎着恢复创伤的妇女，流离失所的家庭以及帮派冲突的受害者。

Red Square is a unique ground, stone-paved by the article, in the west side of Red Square is the Lenin and the Kremlin walls and three towers in the Kremlin walls and Lenin between 12 tombstone including Stalin, Brezhnev, Andropov, Chernenko,politicians in the former Soviet Union, such as a headstone.

红场的地面很独特，全部由条石铺成，在红场的西侧是列宁墓和克里姆林宫的红墙及三座高塔，在列宁墓与克里姆林宫红墙之间，有12块墓碑，包括斯大林、勃列日涅夫、安德罗波夫、契尔年科、捷尔任斯基等前苏联政治家的墓碑。

VIVID and lyrical, Christopher Rush's memoir of his upbringing in St Monans, a fishing village on the Fife coast, north-east of Edinburgh, is full of the music of the sea, the tang of herring and the overarching power of a feared God.

在克里斯托夫·拉什的回忆录中，他生动地描述了自己在圣摩伦斯成长过程中的诗情画意。这个渔村位于法夫海滨，爱丁堡东北部。全书流淌着海洋的旋律，夹杂着鲱鱼的腥气，并充溢着对全能上帝的敬畏之情。

The movement's most famous member was Viennese painter Gustav Klimt, and his work, as well as that of other secessionists, is showcased at the Secession Pavilion, designed by Josef Maria Olbrich.

这次运动最有名的成员是维也纳画家古斯塔夫。克里姆特，他和其他分离派成员的作品都被陈列在约瑟夫。玛利亚。奥尔布里希设计的分离派展览馆里。

For them, nothing exists two leagues beyond the barriers: Ivry, Gentilly, Arcueil, Belleville, Aubervilliers, Menilmontant, Choisy-le-Roi, Billancourt, Mendon, Issy, Vanvre, Sevres, Puteaux, Neuilly, Gennevilliers, Colombes, Romainville, Chatou, Asnieres, Bougival, Nanterre, Enghien, Noisy-le-Sec, Nogent, Gournay, Drancy, Gonesse; the universe ends there.

对他们来说 www.8Ttt8.com ，远离城门两法里以外，什么都没有。伊夫里、让第以、阿格伊、贝尔维尔、欧贝维利埃、梅尼孟丹、舒瓦齐勒罗瓦、比扬古、默东、伊西、凡沃尔、塞夫勒、普托、讷伊、让纳维利埃、科隆布、罗曼维尔、沙图、阿涅尔、布吉瓦尔、楠泰尔、安吉、努瓦西勒塞克、诺让、古尔内、德朗西、哥乃斯，①那便是宇宙的尽头了。①这些都是巴黎近郊的地名。

I got a lot of this great Russian tradition from him, learning the Rachmaninoff Third, the Rachmaninoff Second, Scriabin, Prokofiev, Shostakovich.

我从他那里学到了不少很棒的俄罗斯音乐传统，学习了拉赫曼尼诺夫第三钢琴协奏曲以及第二协奏曲、斯克里亚宾、普罗科菲耶夫以及肖斯塔科维奇。

Melchiorites is a term used for the followers of Melchior Hoffman (modernized in German as Hoffmann), the Reformer who carried the gospel to Baltic areas such as Estonia and Livonia, to Emden in Friesland, and to Amsterdam.

melchiorites是一个术语，用于描述的追随者名叫荷夫曼（现代化，在德国作为霍夫曼），改革者谁进行福音波罗的海地区，如爱沙尼亚和利沃尼亚， emden在弗里斯兰省，以及阿姆斯特丹。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。